Tascam 424MKIII owner manual Effect 2 SEND/TAPE CUE OUT, High, Normal

Page 45

EFFECT 2 SEND/TAPE CUE OUT

 

(1/4" phone jack)

 

Output Impedance:

100 ohms

Nominal Output Level:

–10 dBV (0.3 V)

Minimum Load Impedance:

2k ohms

TAPE OUTPUT (RCA jack x 4)

 

Output Impedance:

100 ohms

Nominal Output Level:

–10 dBV (0.3 V)

Minimum Load Impedance:

2k ohms

MONITOR OUTPUT (RCA jack x 2)

 

Output Impedance:

690 ohms

Nominal Output Level:

–10 dBV (0.3 V)

PHONES (1/4" stereo phone jack x 1)

 

Nominal Load Impedance:

30 ohms

Maximum Output Level:

60 mW (approx.)

Equalizer

 

HIGH (Shelving):

10 kHz, ±10 dB

MID (Parametric):

250 Hz to 5 kHz, ±12 dB

LOW (Shelving):

100 Hz, ±10 dB

Frequency Response:

 

MIC INPUT to LINE OUTPUT:

20 Hz to 20 kHz ±3 dB

LINE INPUT to LINE OUTPUT:

20 Hz to 20 kHz ±2 dB

LINE INPUT to EFFECT OUTPUT:

20 Hz to 20 kHz ±2 dB

LINE INPUT to PHONES:

40 Hz to 20 kHz ±3 dB

Signal-to-Noise Ratio

 

(20 Hz to 20 kHz, B.P.F. inserted)

 

1 MIC INPUT to LINE OUTPUT

65 dB (at a nominal input level of –60 dBV)

4 MIC INPUTS to LINE OUTPUT

60 dB (at a nominal input level of –60 dBV)

1 LINE INPUT to LINE OUTPUT

76 dB (at a nominal input level of –10 dBV)

4 LINE INPUTS to LINE OUTPUT

70 dB (at a nominal input level of –10 dBV)

Distortion

 

1 MIC INPUT to LINE OUTPUT

0.05% (at 1 kHz, 15 dB above nominal input level with

 

30 kHz low-pass filter inserted)

1 LINE INPUT to LINE OUTPUT

0.04% (at 1 kHz, nominal input level with 30 kHz low-pass

 

filter inserted)

Crosstalk:

55 dB (at 1 kHz, nominal input level with 30 kHz low-pass

 

filter inserted)

Recorder Section

 

Record/Play channels:

4/4

Noise Reduction:

dbx TYPE II

Frequency Response (overall):

40 Hz to 16 kHz, ±3 dB at 9.5 cm/sec.,

 

40 Hz to 10 kHz, ±3 dB at 4.8 cm/sec.

Signal-to-Noise Ratio (overall):

UNWTD (20 Hz to 20 kHz)/IHF A WTD

HIGH:

55 dB/58 dB (without dbx); 90/95 dB (with dbx)

NORMAL:

54 dB/56 dB (without dbx); 88/93 dB (with dbx)

Total Harmonic Distortion:

1.0% (1 kHz)

Crosstalk (Channel Separation):

55 dB or better

Erasure:

65 dB or better (at 1 kHz, B.P.F. inserted)

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Contents 424@$ Table Of Contents Safety Instructions Introduction Portastudio 424 Mkiii isAbout the weld line Three Steps to Multitrack Recording SystemUnderstanding the Mixer Signal Flow in the 424 Mkiii MixerTape Cue Monitor System Rehearsal Multitrack Cassette RecorderTrack Format and Tape Recommendations Tape Speed and Track FormatTape Type Tape Length Accidental Erase/Record ProtectionPortastudio 424 Mkiii Brief Guide Recorder Controls Rear Panel Connections Portastudio 424 Mkiii Brief GuideStep-By-Step-Operations Guide Page Page Tape CUE Page How to record many sources onto a single track How to record a mix onto two tracks simultaneously Recording on more than two tracks simultaneously Direct Page Review Record level Using channels 5 and 6 with alternative inputs at mixdownUsing Memory Location Points Loading Memo pointsMemo Locating the tape To zero To Memo Auto play Repeat Play Operating procedure To interrupt Repeat sequencePreliminary Selecting in and out points PUNCH-IN or Insert RecordingPage Actual Auto Punch In/Out Record Auto Review Manual Punch-in Punching-in/out withUsing the remote footswitch RC-30P Bouncing Tracks Ping-Pong Ping-pong procedurePage Using Effects With the Portastudio 424 Mkiii Setting the output level of effect devicesSetting the mix/balance control on effect devices How to Connect Your Effects Devices Troubleshooting Syncing MIDI-Tape−Using the Tascam MTS-30Problem Possible Cause Problem SolutionPower switch on the rear panel Turns Features and ControlsInput select switches Channels Channels 5Stereo Input Section Mkiii Recorder Play key Transport ControlsDisplays Page Cleaning Optional Accessories Care and MaintenanceCleaning the Heads and Tape Guides Degaussing DemagnetizingCleaning the Capstan Shaft Cleaning the Pinch RollerHow the dbx Works Degaussing the Tape PathSpecifications Effect 2 SEND/TAPE CUE OUT HighNormal USA/CANADA EuropeAustralia Block Diagram 424@$ Level Diagram
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