Tascam FW-1884 owner manual Controls And Indicators

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2 – Controls And Indicators

14.REC key – In COMPUTER Control mode, this is a modifier key. When pressed and held, it modifies the behavior of other selected keys. Its behavior is entirely dependent on the host application support. Typically, holding the REC key and pressing a channel SEL key will arm the selected DAW channel(s) for recording. Refer to the Application Notes for your soft- ware for details.

In MIDI CTL and MON MIX modes, this key is inac- tive and sends no data.

15.EQ Controls - In COMPUTER Control mode, the EQ functions are normally mapped to the corresponding parameters on the host application soft- ware. Refer to the Application Notes for your software for details.

In MON MIX mode, the EQ controls have no func- tion.

In MIDI CTL mode, the four EQ band keys send out specific MIDI messages, while the three rotary encod- ers send out specific continuous controller commands.

The following descriptions apply in COMPUTER control mode only:

FREQUENCY – Normally mapped to the frequency control of the selected band on the host application’s EQ section.

Q (Bandwidth) – Normally mapped to the Q (bandwidth) control of the selected band on the host application’s EQ section.

GAIN - Normally mapped to the Gain control of the selected band on the host application’s EQ section.

LOW key – Normally selects the Low band of the host application’s EQ section.

LOW MID key – Normally selects the Low Mid band of the host application’s EQ section.

HIGH MID key – Normally selects the High Mid band of the host application’s EQ section.

HIGH key – Normally selects the High band of the host application’s EQ section.

16.PFL key – In COMPUTER Control mode, this key has no function. Solo monitoring of tracks from the host audio application is handled by the host appli- cation, and soloed tracks appear as outputs from the host application.

In MON MIX mode, this key toggles the state of the Solo function from PFL (Pre-Fader Listen) to Solo-In- Place. Refer to section 4.3, “Monitor Mix Mode – (General Notes)” for further details.

In MIDI CTL mode, this key has no effect.

17.Solo level control – This is an analog level control for the output level of the Solo buss. It func- tions independently of Control mode selection, and only affects the level of the Monitor Mix channels when soloed in PFL mode.

18.Stereo LED level meters – The twelve-seg- ment stereo LED meters display the level of the moni- tor buss stereo output, before the Monitor Level output. The signal are metered before the Monitor Level control, so its position will not affect the level at the LEDs The meters can monitor Inputs only, DAW channels only, or both sources simultaneously. Three metering modes – Instantaneous, Peak Decay or Peak Hold – are available. For more information on meter- ing functions, refer to section 3.7, “Monitoring and Metering Modes”.

19.Monitor level control – This is an analog level control for the output level of the Monitor buss. It can affect all eight analog outputs, or only analog out- puts 1 and 2, depending on the settings selected in the FW-1884 Control Panel. For more information refer to section 5.1, “Control Panel”. Its function is the same regardless of the control mode selected.

20.Headphone level control – This is an ana- log level control for the level of the Headphone output. Its function is the same regardless of the control mode selected.

21.Clock input LEDs – These LEDs show the current status of the digital clock master.

•FireWire – FireWire (indicates valid FireWire connection to the host computer)

•CLOCK – Internal Crystal Clock

•ADAT – ADAT Lightpipe Input

•D IN – S/PDIF digital input

22.Surface Mode Selection keys - These keys function globally to select the Control Surface Mode. For more information on the FW-1884’s vari- ous Control modes, please refer to section 3.1, “Con- trol Surface Modes”, and to the Application notes for your software.

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Contents Professional Control Surface / FireWire Audio-MIDI Interface Important for U.K. Customers Important Safety PrecautionsFor Canada CE Marketing InformationImportant Safety Instructions Table of Contents Introduction FeaturesOverview Box System RequirementsSoftware application notes Nomenclature Used In The ManualSpecial notes for touch-faders Copyright, etcFront Panel Illustration Controls And IndicatorsRear Panel Illustration Front Panel Control Descriptions Shortcut Keys Controls And Indicators Controls And Indicators Controls And Indicators Controls And Indicators Adat Lightpipe and 2-channel Input Rear Panel Control DescriptionsFireWire IEEE-1394 Connections Control Surface Modes Functional OverviewGlobal Controls Dedicated Modifier Keys Dedicated Computer ControlsMidi Routing Controls Clock Source Clock System ControlsExpected Sample Rate Hold Peak Hold Monitoring and Metering ModesControl Surface Modes and Operation Computer Control Mode General NotesNative Protocol Mackie Emulation Protocol Open the FW-1884 Control Panel Select the Settings tabHUI Emulation Protocol Midi Control Mode General NotesCustomizing Midi Control Messages Powered on and connected, the display will look like thisProgramming Keys Programming Faders Programming EncodersBanking Monitor Mix Mode General NotesHidden functions Audio I/O and the Monitor MixerSetting Input Levels Monitoring SetupsSolo modes Select Control Panel Host Computer InterfacingHost Computer Interfacing Routing TAB Midi Programming TAB Audio Issues Troubleshooting and SupportControl surface issues Incorrect Surface Response Contacting UsAppendices SpecificationsAnalog I/O Digital I/OMisc. I/O Overall System SpecificationsSignal delay Midi Ctrl mode Dimensional drawing FW-1884 Hidden FunctionsAll control surface modes MON MIX mode FW-1884

FW-1884 specifications

The Tascam FW-1884 is a versatile audio interface and control surface that caters to the needs of both musicians and audio engineers. Designed for both studio and live applications, the FW-1884 combines impressive features with user-friendly functionalities, making it a staple in many audio production setups.

One of the standout characteristics of the Tascam FW-1884 is its integrated FireWire connectivity, allowing for high-speed data transfer between the device and a computer. This ensures low latency and reliable performance during recording and playback. Supporting a 24-bit/96 kHz audio resolution, it provides superior sound quality, ideal for professional recording environments.

The FW-1884 features eight analog inputs, equipped with high-quality microphone preamps. These preamps offer phantom power for condenser microphones, making it suitable for a wide range of recording scenarios, from vocals to instruments. With its gain control and LED metering, users can easily manage input levels, ensuring clarity and precision in recordings.

Additionally, the unit includes eight line outputs, allowing for flexible routing options. The ability to monitor mixes in real time is enhanced further by the built-in digital mixer, which provides users with EQ and dynamics processing, crucial for shaping the sound before it even hits the DAW.

In terms of control surface functionality, the FW-1884 boasts a comprehensive array of faders and knobs. With motorized faders and customizable buttons, this device offers tactile control over various DAWs such as Pro Tools, Logic Pro, and Cubase. Its MIDI capabilities also allow users to integrate the FW-1884 into their existing setups seamlessly, controlling virtual instruments and other MIDI devices.

Built with durability in mind, the FW-1884 features a robust chassis, ensuring it withstands the rigors of frequent transport for live performances or on-location recording. The device also includes a comprehensive software package, providing users with tools to get started instantly.

In conclusion, the Tascam FW-1884 stands out as a reliable and powerful audio interface and control surface. With its combination of high-quality sound, flexible routing options, extensive control features, and durable design, it caters to professionals and enthusiasts alike, making it a valuable asset in any audio production environment.
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