Chapter 3. Changing Various Settings
While holding down the [Metronome] button and [Reverb/Key Touch] button, press the corresponding key.
C1 | C2 | C3 |
C4
C5 | C6 | C7 | C8 |
Temperament Tonic
Changing the Temperament
You can play classical styles such as Baroque using historic temperaments (tuning methods).
Today, compositions are generally created with equal temperament in mind and are played using equal temperament. However in past ages of classical music, a variety of temperaments were used. Playing a composition with its original tuning lets you enjoy the sonorities of the chords that the composer originally intended.
This is set to “Equal” when the instrument is turned on.
1.While holding down the [Metronome] and [Reverb/ Key Touch] buttons, press the appropriate key
You can choose from among the seven temperaments
described below.
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| The Just tunings differ from major | |
G |
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| 3 | Just | and minor keys. You can get the | ||
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| Minor | same effect with the minor scale as | ||||
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| with the major scale. | |
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| Mean | This scale makes some compromises | |
A3 |
| in just intonation, enabling | |||||
| Tone | ||||||
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| transposition to other keys. | ||
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| This temperament combines the | |
B |
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| 3 | Werck- | Mean Tone and Pythagorean | |
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| meister | tunings. Performances are possible in | ||||
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| all keys (first technique, III). | |
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| This is an improvement of the Mean | |
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| Kirn- | Tone and Just tunings that provides a | |
B3 |
| high degree of freedom of | |||||
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| modulation. Performances are | ||
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| possible in all keys (III). | |
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Key | Temper- | Qualities | ||||
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| In this tuning, each octave is divided | |
F3 |
| Equal | into twelve equal steps. Every | |||
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| amount of slight dissonance. | |
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| This tuning, devised by the | |
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| philosopher Pythagoras, eliminates | |
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| 3 | Pythagor | dissonance in fourths and fifths. | |
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| ean | Dissonance is produced by third- | |||
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| interval chords, but melodies are | |
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| euphonious. | |
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| This tuning eliminates ambiguities in | |
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| Just | the fifths and thirds. It is unsuited to | |
G3 |
| playing melodies and cannot be | ||||
| Major | |||||
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| transposed, but is capable of | ||
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| beautiful sonorities. | |
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■Setting the Tonic
When playing with tuning other than equal temperament,
you need to specify the tonic note for tuning the song to be
performed (that is, the note that corresponds to C for a major
key or to A for a minor key).
If you choose an equal temperament, there’s no need to select
a tonic note.
1.While holding down the [Metronome] and [Reverb/ Key Touch] buttons, press the tonic (root) of the key
*When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Tune the HP101 to the standard pitch of the other instruments.
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