Hughes & Kettner Tube 100, Tube 50 Jacks and Controls, Stageboard Input jack for, Input Input

TUBE 50/100 - MANUAL

TUBE 50 TUBE 100

A L L - T U B E G U I T A R A M P L I F I E R S

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0	10	0	10	0	10	-5	+5	-5	+5	-5	+5	0	10	-5	+5	-5	+5	-5	+5	0	10	-5	+5	0	10	DRY	WET	0 WATTS 50

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1.0 JACKS AND CONTROLS

AMP MODE A/B: Activates either MODE A or MODE B for both chan-	EQ SECTION: BASS, MID and TREBLE controls for CHANNEL
nels (CHANNEL 1 and CHANNEL 2). MODE B is active when the but-	1. As is standard in tube amps, MID and TREBLE controls
ton is pressed in. You can also execute this switching function via the	influence each other: if you boost the treble, the mids are cut
STAGEBOARD (Button 1). Note that if you use the stageboard, you	and vice versa. This EQ shaping feature allows you to dial in
must leave the button on the front panel in the "OFF" position (AMP	a wide variety of subtle tonal modifications.
MODE A) to allow the stageboard to take control.

ENGLISH

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STAGEBOARD: Input jack for the
STAGEBOARD. The Stageboard is a	INPUT: Input
set of footswitches with which you
	jack for guitars.
can activate the channels, the
modes, and the REVERB/FX LOOP.

VOLUME MODE A: Determines the volume of AMP MODE A. Higher VOLUME settings add a crunchy edge to the signal.

MASTER MODE B: Determines the volume for MODE B in CHANNEL 1.

GAIN MODE B: Effectively determi- nes the degree of distortion for MODE B in CHANNEL 1.

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