SoundCraft Spirit Live 4 manual Line Input, Insert, Line Selec T, AIN C O Ntro L

Page 13

IN PUT

3.

LINE INPUT

 

 

 

 

 

 

 

 

 

 

 

The LIN E Inp u t is a 3-p ole 1¤4"‘A’ gau ge jack socket, to accep t

 

balanced or u nbalanced line level sou rces w hen the LIN E

 

sw itch(5) is p ressed . Unlike the low im p ed ance Microp hone

 

inp u t,

this stage

p resents a high im p ed ance(>10kW) to the

 

inp u t

signal, enabling

m any typ es

of instru m ents to be

 

p lu gged

straight

in

w ithou t

D.I.

boxes

or

external

 

p ream p lifiers.

 

 

 

 

 

 

 

 

 

 

Line inp u ts

w ill

be

fou nd

u sefu l as extra Effects Retu rns,

 

w here ad d itional p ost-effect equ alisation is requ ired .

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4.

INSERT

 

 

 

 

 

 

 

 

 

 

 

 

The IN SERT is a break p oint in the inp u t channel signal p ath .

 

It allow s the signal to be taken ou t of the m ixer, throu gh an

 

external p iece of equ ip m ent and then back into the m ixer to

 

continu e throu gh to the final ou tp u t. The Insert is a 3-p ole 1¤4"

 

‘A’ gau ge Jack Socket, w hich is norm ally by-p assed . When a

 

jack p lu g is inserted , the signal p ath is broken at a p oint ju st

 

after the H i-Pass Filter, bu t before the EQ section . The signal

 

from the channel appears on the TIP of the plug and is

 

returned

on

the

RIN G.

The insert

p oint allow s

lim iters,

 

com p ressors and other signal p rocessing u nits to be ad d ed as

 

requ ired to p articu lar inp u t channels and becau se it is located

 

PRE EQ, noise generated by the external equ ip m ent m ay be

 

red u ced by a sm all am ou nt of H .F. cu t in the Equ aliser.

 

 

 

 

 

 

 

 

 

 

 

5.

LINE SELEC T

 

 

 

 

 

 

 

 

 

 

The LIN E sw itch selects Line inp u t w hen p ressed , and

 

Microp hone inp u t w hen released . When Line is selected the

 

Gain range is red u ced by 20d B (see 6 below ).

 

 

 

 

 

 

 

 

 

 

 

 

6.

G AIN C O NTRO L

 

 

 

 

 

 

 

 

 

When the Microp hone inp u t is selected this control acts as a

 

SEN SITIVITY control covering a 50d B range. Channel signal

 

level increases as the control is tu rned clockw ise. When the

 

Line inp u t is selected it serves as a GAIN control, w ith the

 

scaling red u ced by -20d B from the p rinted scale. A nom inal

 

0d B inp u t signal

w ill p ass

throu gh at u nity

gain, w ith the

 

knob

set

at

the

20d B

p osition .

Som e

au d io equ ip m ent,

 

p articu larly

that

intend ed

for d om estic

u se,

op erates at a

 

nom inal -10d BV level and an increased Gain setting w ill be

 

requ ired .

 

 

 

 

 

 

 

 

 

 

 

Pa ge 11

Image 13
Contents Page Page User Guide Introduction Basic Principles of PA Mixing Pre-Fade-ListenPFL allow s you to MixerClipping Getting Started Connections and ConnectorsPola rity Ba lanced a nd Unba la ncedUnbalanced Pa ge Input Channel Getting to Know Your ConsoleIC RO PHO NE Input Direc T O UtputInsert Line InputLine Selec T AIN C O Ntro LEQ Ualiser HI- Pass FilterAuxiliary Sends PFL/ Peak LED PA NSwitc H RO Uting Switc HESStereo Inputs Stereo SectionsEQ Ualisatio N AUX Selec TIO N AUX SendBalanc E PFLGroup Section PO WER SO C KET RO UP O UtputNo O Utput IX L & R O UtputsAuxiliary O Utputs Auxiliary M AstersTalkbac K Headpho NE V O LUM EInitial Set Up Using Your Spirit Live 4 ConsolePa ge Exa mple 1 Public Address Stereo Output ApplicationsExa mple 3 Public Address Mono Output Exa mple 2 Public Address Stereo + Centre FeedExa mple Multitra ck Recording Exa mple 4 Stereo RecordingGenera l Preca utions Care of Your MixerFrequency response Selectable Options Removal of +48V on Mic Inputs Reconfiguring Aux 2 as a Post Fa de Send Noise SpecificationsDistortion Page Stereo Input Stereo