SoundCraft Spirit Live 4 manual Clipping

Page 7

Each inp u t channel and the three m ain ou tp u ts have an Insert

‘A’ gau ge

jack socket, w hich

is

a

break

p oint in the signal

p ath . It

allow s the signal

to

be

taken

ou t of the m ixer,

throu gh an external p iece of equ ip m ent and then back into the m ixer d irectly after its original exit p oint. The Insert p oint is norm ally byp assed by the ‘A’ gau ge jack socket contacts, and

is only

brou ght into

op eration

w hen

a p lu g is

inserted .

Typ ical

u ses w ou ld

inclu d e Effects

Processors,

Lim iters,

ad d itional Equ alisers

or Delay

u nits.

In ad d ition, each

channel has a D irect ou tp u t w hich m ay also be u sed to feed external equ ip m ent.

The term s PRE and POST are often u sed in the context of Inserts, Equ alisers and Au xiliary Send s, and d escribe w hether

that facility is p laced

before (Pre)

or after

(Post)

another

p articu lar section . This

is exp lained

fu rther

in the

d etailed

d escrip tion of facilities.

 

 

 

 

Am ixer is often ju d ged , am ongst other factors, by the am ou nt of Headroom available. This is a m easu re of the reserve

available to cop e

w ith su d d en

p eaks in

the inp u t

signal,

w ithou t d istortion

cau sed by

Clipping,

w hen the

signal

becom es so high that it w ou ld exceed the p ow er su p p ly rail voltages and is as a resu lt lim ited . This com m only occu rs w here gain settings are incorrectly set or w here sou rces are im p rop erly m atched to the m ixer inp u t. If the sou rce signal is too high, clip p ing and d istortion resu lts. If the signal is too low it becom es m asked by the backgrou nd noise w hich is p resent to som e d egree in all m ixers. The d iagram below illu strates this p oint.

Clipped

Signal

Noise

If the signal level is too high, clipping distortion may occur.

SignalNoise

If the signal level is too low it may be masked by the noise.

Pa ge 5

Image 7
Contents Page Page User Guide Introduction Basic Principles of PA Mixing Pre-Fade-ListenPFL allow s you to MixerClipping Getting Started Connections and ConnectorsPola rity Ba lanced a nd Unba la ncedUnbalanced Pa ge Direc T O Utput Getting to Know Your ConsoleInput Channel IC RO PHO NE InputAIN C O Ntro L Line InputInsert Line Selec TEQ Ualiser HI- Pass FilterAuxiliary Sends RO Uting Switc HES PA NPFL/ Peak LED Switc HStereo Inputs Stereo SectionsEQ Ualisatio N PFL AUX SendAUX Selec TIO N Balanc EGroup Section IX L & R O Utputs RO UP O UtputPO WER SO C KET No O UtputHeadpho NE V O LUM E Auxiliary M AstersAuxiliary O Utputs Talkbac KInitial Set Up Using Your Spirit Live 4 ConsolePa ge Exa mple 1 Public Address Stereo Output ApplicationsExa mple 3 Public Address Mono Output Exa mple 2 Public Address Stereo + Centre FeedExa mple Multitra ck Recording Exa mple 4 Stereo RecordingGenera l Preca utions Care of Your MixerFrequency response Selectable Options Removal of +48V on Mic Inputs Reconfiguring Aux 2 as a Post Fa de Send Noise SpecificationsDistortion Page Stereo Input Stereo