SoundCraft Spirit Live 4 manual Pa N, PFL/ Peak LED, RO Uting Switc HES, Hannel Fader

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IN PUT

10.

PA N

 

 

The PAN control d eterm ines the p osition of the signal w ithin

 

the stereo m ix im age or m ay be u sed to rou te the channel

 

signal to p articu lar ou tp u t GROUPS as selected by the

 

ROUTIN G SWITCHES (13). Rotation fu lly anticlockw ise

 

feed s the signal solely to the Left m ix bu ss or Grou p s 1 and 3,

 

w hile rotation clockw ise sw eep s the im age to the right bu ss or

 

Grou p s 2 and 4.

 

 

 

 

11.

PFL/ PEAK LED

 

 

When the PFL sw itch is p ressed , the Pre-Fad e signal is fed to

 

the head p hones, w here it rep laces the selected sou rce. The

 

PFL/AFL LED on the m aster section illu m inates to w arn that

 

the head p hones and the m eters are now resp ond ing to the

 

PFL/ AFL selection and the PFL LED on the inp u t channel

 

lights to id entify the active channel.

This is a u sefu l w ay of

 

listening to any requ ired inp u t signal w ithou t interru p ting the

 

m ain m ix, for m aking ad ju stm ents or tracing p roblem s.

 

When the PFL sw itch is released the LED on the channel

 

serves as a PEAK ind icator, to w arn w hen an excessively high

 

signal level is p resent in the channel.

The signal is sam p led

 

at tw o p oints in the channel, im m ed iately after the inp u t

 

am p lifier (PRE H I-PASS FILTER & PRE IN SERT) and POST

 

EQ. The Peak LED w ill illu m inate ap p roxim ately 4d B before

 

clip p ing and therefore give w arning

of a p ossible overload

 

even if the p eaks are rem oved by external equ ip m ent p lu gged

 

into the Insert.

 

 

 

 

12.

O N SWITC H

 

 

The ON sw itch enables all ou tp u ts from the channel w hen

 

p ressed , and the associated LED illu m inates to show that the

 

channel is active.

 

 

 

 

13.

RO UTING SWITC HES

 

 

The inp u t channel signal m ay be rou ted to the m ain STEREO

 

MIX (L-R) or p airs of GROUP bu sses (1-2, 3-4), by p ressing

 

the resp ective sw itches. These m ay be u sed in conju nction

 

w ith the PAN control (10 above) to rou te the channel signal

 

p rop ortionately to any of the selected bu sses.

 

 

 

13.

C HANNEL FADER

 

 

This long-throw fad er d eterm ines the p rop ortion of the

 

channel in the m ix and p rovid es a clear visu al ind ication of

channel level. N orm al op erating p osition is at the ‘0’ m ark, p rovid ing 10d B of gain above that p oint if requ ired .

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Contents Page Page User Guide Introduction Basic Principles of PA Mixing Mixer Pre-Fade-ListenPFL allow s you toClipping Connections and Connectors Getting StartedBa lanced a nd Unba la nced Pola rityUnbalanced Pa ge Getting to Know Your Console Input ChannelIC RO PHO NE Input Direc T O UtputLine Input InsertLine Selec T AIN C O Ntro LHI- Pass Filter EQ UaliserAuxiliary Sends PA N PFL/ Peak LEDSwitc H RO Uting Switc HESStereo Inputs Stereo SectionsEQ Ualisatio N AUX Send AUX Selec TIO NBalanc E PFLGroup Section RO UP O Utput PO WER SO C KETNo O Utput IX L & R O UtputsAuxiliary M Asters Auxiliary O UtputsTalkbac K Headpho NE V O LUM EUsing Your Spirit Live 4 Console Initial Set UpPa ge Applications Exa mple 1 Public Address Stereo OutputExa mple 2 Public Address Stereo + Centre Feed Exa mple 3 Public Address Mono OutputExa mple 4 Stereo Recording Exa mple Multitra ck RecordingCare of Your Mixer Genera l Preca utionsFrequency response Selectable Options Removal of +48V on Mic Inputs Reconfiguring Aux 2 as a Post Fa de Send Specifications NoiseDistortion Page Input Stereo Stereo