| FADER |
Fig. 4.2: Routing and use in USB mode 2 | Fig. 4.3: Routing and use in USB mode 3 | |
Your | This is surely the most often used “standard mode” with computer | |
parameter feedback, provided that the software you are controlling | applications. | |
supports this function. MIDI IN and OUT A are available as a 16- | This setting is optimal for controlling software while all MIDI | |
channel MIDI interface for your computer. OUT B functions as | ||
connectors are used as a | ||
MIDI THRU and forwards MIDI IN data unchanged. OUT B is not | ||
With this function, there are 16 input channels and 32 output | ||
accessible from the computer, and doesn’t send any control data | ||
channels available to your music software (IN and OUT A + | ||
from the | ||
OUT B). | ||
you control music software on your computer and at the same | ||
| ||
time need a USB MIDI interface with one IN and one OUT. | The | |
Additionally, a MIDI keyboard can be tapped into at the MIDI THRU | The availability of parameter feedback from the computer to the | |
(OUT B) connector. This way, you can use a master keyboard to | ||
import your arrangements into the sequencer, or to play back | expanders can not be directly accessed from the keyboard in this | |
software synths. OUT A controls a hardware sampler, while a | operating mode. This operating mode is only used to import MIDI | |
MIDI expander (sound generator without a keyboard; e.g. a rack | tracks into the sequencer. | |
synthesizer or a pure preset unit), an effects processor or similar |
| |
can be connected at OUT B, whereby it is directly controlled only |
| |
from the keyboard or is controlled only via program changes. |
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10 | 4. OPERATION |