TP-Link RX-7-248 instruction manual Instrument Equalization Chart

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INSTRUMENT EQUALIZATION CHART

(Fig. 19)

Acoustic guitar

Electric guitar

Bass guitar

Human voice

Piano (Acoustic)

Piano (Electric)

Organ

Violin

Brass instruments

Bass drum

Snare drum

Tom Tom

Floor Tom

Hi Hat

Cymbal overhead

Bass strings resonate between 70 to 120Hz, body around 300Hz. Avoid boosting these to stop feedback. 3kHz and 5kHz give great "clarity".

Resonances differ—depending on type. Good full sounds around 300 to 500Hz. Clarity at 3kHz.

Extreme lows are at 60 to 90Hz. "Pick" or "pluck" sounds are around 800 to 1200Hz. Upper harmonics clarified about 3kHz.

Good fullness at 150Hz. Watch for "boominess" around 250Hz. Mid-range 10kHz.

Bass strings resonate around 100Hz. Watch for sub-harmonics at 30 to 50Hz.

Good mid-clarity at 3kHz to 5kHz thins out rapidly in high end. Be careful around 1.5kHz to 2.5kHz to avoid the "bar room sound."

Usually dies under 200Hz. Has great mid-sounds around 1200 to 2000Hz. Top end cuts off at 6kHz.

Rich fullness at 400Hz. Natural mids around 1500 to 2500Hz. Avoid "scratch" sounds at 8kHz.

Watch for "hot" mids around 2kHz. Low end boost around 400Hz. Top end clarity at 6kHz.

Great low "kick" at 40Hz. The mids at 2kHz gives the familiar "punch."

Good fullness at 100Hz. The "crack" is boosted at 2kHz. The snares extend to above 4kHz.

The main fullness is around 200Hz. The mid punch extends to 4kHz.

Same as tom, but extends down to 80Hz.

Watch for the "gong" sound around 300Hz. Good "shimmer" sounds are around 8kHz to 10kHz.

About the same as hi-hat but has more low end around 150Hz.

Talk Box

Depending on the guitar sound driving it and the resonance of each player's mouth, should have great "bite" around 1200Hz and dies above 6kHz.

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Contents TOA Mixing Console Contents Precautions General Description Input Module FeaturesGROUP/FOLDBACK and GROUP/ECHO Modules Phones Module Program ModuleTalkback Module Specifications & Characteristics General Specifications RX-7-164, RX-7-248 and RX-7-328Input & Output Specifications RX-7 Input CharacteristicsRX-7 Output Characteristics Power Supply Unit RPS-7 SpecificationsLevel Diagrams Characteristics Diagrams Equalizer CurvesInput Module IPM-7 Page Group/Foldback Module GFM-7 LOWGroup/Echo Module GEM-7 Program Module PGM-7 Program OUT a SectionPhones Module PHM-7 Talkback Module TBM-7 Power Supply Module PSM-7 Meter Panel RXM-7-25, RXM-7-35, RXM-7-43 Group I/Program 1 VU MeterVU meter selector switch Cue or Talkback Meter Panel RXM-7-35 Meter Panel RXM-7-43 Power Supply Unit RPS-7 Pilot Lamp Power SwitchDC output connector AC FuseGeneral Information on using the mixing console ImpedanceDifference between Professional and HI-FI type equipment Balanced type and unbalanced typeGround loops Phase Switch Phantom Power SwitchFunction Details Input Level Switch & Trim Control Equalization Chart EqualizersInstrument Equalization Chart Equalizer IN/OUT Switch Foldback 1, 2 and Echo 1Group/Foldback, Group/Echo Modules Program ModuleRX-7 Signal Flow Phantom Power Master Switch Power Supply ModuleAir Monitor Ceiling Microphones Connection Example Mic SettingPortable Entertainment Sound Reinforcement Set-Up Accessory Send on each input channel also available Multi-Track Recording or Track-DownModule Replacement How to remove modulesUse fingers to lift up the module Dimensional Diagrams RX-7-164 AppearanceRX-7-248 Appearance RX-7-328 Appearance Group/Echo Modules GEM-7RXM-7-25 Appearance Bus Chassis Wood Side PanelRXM-7-35 Appearance RXM-7-43 Appearance RPS-7 Appearance Block Diagram 133-02-476-20