Korg MS2000R manual Front panel knob/key control change assignments, Wave CC#77

Page 71

Appendices

Front panel knob/key control change assignments

Control changes can be assigned to each front panel knob/key of the MS2000/MS2000R so that the changes in sound as con- trolled by knob/key operations can be transmitted as performance data.

 

Synth Parameter

Vocoder Parameter

Initial

 

Value (transmitted)

 

 

 

 

 

Value (received)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PITCH

Portamento

Portamento

CC#05

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wave

Wave

CC#77

0: Saw, 18: Pulse, 36: Tri, 54: Sin, 72: Vox Wave

0...

15: Saw, 16 31: Pulse, 32 47: Tri, 48

63: Sin, 64 79: Vox...

 

90: DWGS, 108: Noise, 126: Audio In

 

 

Wave, 80...

95: DWGS, 96 111: Noise, 112...127: Audio In

OSC 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Control1

Control1

CC#14

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Control2

Control2

CC#15

0...

127 * OSC 1 Wave=DWGS; see p.66

 

 

0...

127 * OSC 1 Wave=DWGS; see p.66

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wave

– – – – – – – – – – –

CC#78

0: Saw, 64: Squ, 127: Tri

 

 

0...

42: Saw, 43...

85: Squ, 86

...127: Tri

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OSC Mod

– – – – – – – – – – –

CC#82

0: OFF, 43: Ring, 85: Sync, 127: RingSync

 

0...

31: OFF, 32...

63: Ring, 64...

95: Sync, 96...

127: RingSync

 

 

 

 

 

 

 

 

 

 

 

 

 

OSC 2

Semitone

HPF Level

CC#18

Synth; see p.66

 

 

Synth; see p.66

 

 

 

 

 

Audio in 2

 

 

 

Vocoder; 0 127...

 

 

Vocoder; 0 127...

 

 

 

 

 

Tune

Threshold

CC#19

Synth; 0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127:

Synth; 0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127:

 

 

 

 

+63

 

 

+63

 

 

 

 

 

 

 

OSC 1 Level

OSC 1 Level

CC#20

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MIXER

OSC 2 Level

Inst Level

CC#21

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Noise Level

Noise Level

CC#22

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Type

Formant Shift

CC#83

Synth; 0: 24LPF, 43: 12LPF, 85: 12BPF, 127: 12HPF

Synth; 0 31: 24LPF, 32 63: 12LPF, 64 95: 12BPF, 96

127: 12HPF

 

 

 

 

Vocoder; 0: 0, 32: +1, 63: +2, 95: –1, 127: –2

 

Vocoder; 0...

... ...25: 0, 26 51: +1, 52 76: +2, 77..102: –1,103...127: –2

 

Cutoff

Cutoff

CC#74

Synth; 0 127...

 

 

Synth; 0...

127

 

 

 

 

 

 

Vocoder; 0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

Vocoder; 0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1...

127: +63

FILTER

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Resonance

Resonance

CC#71

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EG 1 Int

Mod Int

CC#79

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

 

 

 

 

 

 

 

 

 

KBD Track

E.F.Sense

CC#85

Synth; 0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127:

Synth; 0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

 

 

 

 

+63

 

 

Vocoder; 0 127...

 

 

 

 

 

Level

Level

CC#07

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AMP

Panpot

Direct Level

CC#10

Synth; 0 / 1: L63, 2: L62 63: L01, 64: CNT, 65: R01

127: R63

Synth; 0 / 1: L63, 2: L62 63: L01, 64: CNT, 65: R01

127: R63

 

 

 

Vocoder; 0 127...

 

 

Vocoder; 0 127...

 

 

 

 

 

EG2/GATE

– – – – – – – – – – –

CC#86

0: EG2, 127: GATE

 

 

0...

63: EG2, 64...

127: GATE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Distortion

Distortion

CC#92

0: OFF, 127: ON

 

 

0...

63: OFF, 64...

127: ON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Attack

Attack

CC#23

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EG 1

Decay

Decay

CC#24

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sustain

Sustain

CC#25

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Release

Release

CC#26

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Attack

Attack

CC#73

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EG 2

Decay

Decay

CC#75

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sustain

Sustain

CC#70

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Release

Release

CC#72

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LFO 1

Wave

Wave

CC#87

0: Saw, 43: Squ, 85: Tri, 127: S/H

 

 

0...

31: Saw, 32...

63: Squ, 64...

95: Tri, 96...

127: S/H

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Frequency

Frequency

CC#27

0...

127, Tempo Sync=ON; see p.66

 

 

0...

127, Tempo Sync=ON; see p.66

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LFO 2

Wave

Wave

CC#88

0: Saw, 43: Squ(+), 85: Sin, 127: S/H

 

 

0...

31: Saw, 32...

63: Squ(+), 64 95: Sin, 96

127: S/H

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Frequency

Frequency

CC#76

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PATCH 1

Intensity

– – – – – – – – – – –

CC#28

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

 

 

 

 

 

 

 

 

PATCH 2

Intensity

– – – – – – – – – – –

CC#29

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

 

 

 

 

 

 

 

 

PATCH 3

Intensity

– – – – – – – – – – –

CC#30

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

 

 

 

 

 

 

 

 

PATCH 4

Intensity

– – – – – – – – – – –

CC#31

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

0 / 1: –63, 2: –62 63: –1, 64: 0, 65: +1

127: +63

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SEQ

ON/OFF

– – – – – – – – – – –

CC#89

0: OFF, 127: ON

 

 

0...

63: OFF, 64...

127: ON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MOD FX

LFO Speed

LFO Speed

CC#12

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Depth

Depth

CC#93

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DELAY FX

Delay Time

Delay Time

CC#13

0...

127, Tempo Sync=ON; see p.66

 

 

0...

127, Tempo Sync=ON; see p.66

 

 

 

Depth

Depth

CC#94

0...

127

 

 

0...

127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Different parameters are assigned to synth parameters and vocoder parameters.

For programs whose voice mode is Split/Dual, this will apply only to the timbre selected by the TIMBRE SELECT [SELECT] key if the timbre MIDI channel (LCD Edit mode Page 03B: VOICE “MIDI ch”) is GLB.

Effect parameters are transmitted and received on the global MIDI channel, regardless of the timbre MIDI channel.

If you are using two MS2000/MS2000R units to transmit and receive these parameters, you must set the transmitting and receiving programs to the same settings.

65

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Contents Page FCC Regulation Warning for U.S.A Power supplyLocation Interference with other electrical devicesIii About this manualHow this manual is organized Printing conventions in this manualTable of Contents Parameter Guide About Midi How Resolution and Sync Note values correspondBasic Guide Basic GuideModes Main featuresStructure MS2000/MS2000R EG1/2 How a program is structuredSynth programs OSC1/OSC2/NOISEAudio in 2 jack modulator Vocoder programsOSC1/NOISE/AUDIO in 1 jack carrier MS2000 MS2000R Front panelControl 1 knob POWER/VOLUME knobKnob Wave keyLCD Edit and Global modes, this will display parameters Original Value LEDLCD Phones jack MS2000R Rear panelSelect 1-16 keys Modulation wheel Control panel MS2000Cable hook Pitch Bend wheelConnecting Midi devices Connecting the AC adapterConnecting external devices Connecting pedals and switchesConnections to a computer/ sequencer Setting the Midi channel preparations for playingConnecting the MS2000 to a computer/ sequencer Connecting the MS2000R to a com- puter/sequencerListen to the demo perfor- mance Select a program Playing a programMS2000 Changing the pitch sounded by the keys in one-octave steps Using the BANK/OCTAVE UP Down keys and the Select 1-16 keysSelecting a program Use the Select 1-16 keys to play the programPlay a program in which the arpeggia- tor is turned on Using the knobs and keys to modify the settingsPlaying arpeggios Checking the value recorded for each step Using MOD Sequence to modify the soundPlaying a program in which MOD Sequence is on Checking the parameter that is assigned to each sequenceUsing an external waveform as the carrier Using external inputUsing the vocoder function Using an internal waveform as the carrierEditing program parameters Basic editing proceduresEditing in Program Play mode Editing in LCD Edit modeWriting saving an edited program Switching timbresReturning to the state before editing CompareSpecify how notes will be sounded Make oscillator settingsEditing a synth program Set the volume of each oscillator Make filter settings Specify time-varying change in the tone Adjust the output of the timbreSpecify time-variant changes in volume Apply modulation to parameters Virtual Patch Make LFO settingsSpecify sequence data for each step Make MOD Sequence settingsSet SEQ Common parameters Editing effect parameters Modulation effect settingsEditing arpeggio parameters Delay settingsSet the filter Adjust the mic input audioEditing vocoder program Changing the program name Editing parameters Basic editing procedureRestoring settings to their factory state Editing Global parametersSynchronizing an external Midi device to the MS2000/MS2000R Synchronization with external Midi devicesSaving data on an external device Data Dump Screen will ask you to confirm the data transmis- sion Program parameters Global parameters Parameter Guide+3, 2+2, 3+1 Page01 CommonGLB VoicePage02 Name Page03 VoicePage05 OSC PitchOscillator Page04 PitchDwgs OFF MixerPage06 OSC Page07 MixerPage08 Filter FilterPage10 EG Page11 EG AMP AmplifierEG Envelope Generator Page09 AMP32...1/1 LFO Low Frequency OscillatorPage12 LFO Page13 LFO Page18 SEQ Common Virtual PatchMOD Sequence Page14 PATCH1 Page15 PATCH2 Page16 PATCH3 Page17 PATCH4Page21 SEQ3 Page19 SEQ1Page20 SEQ2 Page24 EQ Page23 Delay FXEffects Page22 MOD FXPage25 Arpeggio ArpeggiatorPage26 Utility UtilityCopySeq SwapTimbreInitSeq Swap Seq CopySeqAllSwapSeq Threshold  000...127 AudioPage06 Audio Wave  Saw...Audio Control1  000 127 Control2 AMP CH Param Init ch Pan Init ch LvlConst Page1 Global430.0Hz...450.0Hz 001...127Internal...Auto Page2 Memory Page3 MidiPreload A00...H16 Page4 Midi FilterChg Page6 PEDAL&SW Page5 Ctrl ChangePage8 Calib Page7 User ScaleAftertouch About MidiMidi channels Program changeControl changes Bn, cc Control changesGate values Parameters transmitted and received via NrpnControlling the arpeggiator Controlling the FC MOD source of a vocoder program Filter Other controlsControlling the Virtual Patch 1-4 Source Controlling the Virtual Patch 1-4 DestinationSEQ2/CH PAN System exclusive messages Transmitting sound settings etc. Data Dump Wave CC#77 Front panel knob/key control change assignmentsOSC 2 Semitone values Control 2 values when OSC 1 Wave = DwgsSEQ Arpeggiator Voice Name ListD01 Ana Fuzz Synth Hard Single G01 Square Comp Synth Hard Single Program No Program Name Blank chartTimbre2 Dual/Split Vocoder Program Specifications and options TroubleshootingIndex SymbolsLatch Delay FX LFO Midi Implementation Chart
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