Alesis ADAT-XT manual Basic Operations

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Chapter 4: Basic Operations

The [TRACK COPY] button is used to digitally bounce tracks within a single XT. To digitally bounce tracks, you must first press [TRACK COPY]; the TRK COPY icon in the INPUT icon group will light. Next, select the source tracks, select (record enable) the destination tracks, and initiate recording. The track copies will be an exact duplicate of the original (i.e. it is exactly aligned with the original and is an exact clone).

While holding the [TRACK COPY] button, the track’s INPUT LEDs will indicate the selected source channel(s). While still holding the [TRACK COPY] button, the source tracks may be selected and de-selected by pressing the RECORD ENABLE buttons

[1]– [8]. Releasing the [TRACK COPY] button will return the channel REC and INPUT indicators and RECORD ENABLE buttons to their normal status. At this point, you may record-enable the destination tracks (see next section).

When copying tracks:

The source tracks will be recorded onto the destination tracks in ascending order. Example: If source tracks 1 and 3 are selected and tracks 5 and 6 are record enabled, then track 1 will be copied to track 5 and track 3 to track 6.

If more destination tracks are selected than source tracks, the source tracks will repeat (cycle). Example: If tracks 7 and 8 were added to the destination tracks of the previous example, then track 1 would be copied to tracks 5 and 7 and track 3 would be copied to tracks 6 and 8. This scheme also allows for copying a single track to multiple tracks.

Since no more than 4 tracks may be copied within a single machine, a maximum of 4 source tracks will be allowed. This means that if 4 source tracks are already selected, then no other tracks can be selected until one of the 4 tracks is de - selected.

A digital source track cannot be selected as a digital destination track (i.e. digital source tracks will not be allowed to be record enabled when Track Copy is enabled).

If no source tracks are selected, you will not be able to place any tracks into record-ready. If user attempt to record enable a track, the track will not be enabled (REC LED will not light) and “noSovrcE” will be temporarily displayed in the TIME counter.

When Track Copy mode is enabled (TRK COPY icon lit), the All Input Monitor will not function. If the All Input Monitor is on when Track Copy is enabled, it will automatically be turned off (ALL icon in the INPUT MON icon group will turn off). See page 39 for more information about the All Input Monitor.

Any track delays that you have programmed will be in effect.

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ADAT XT Reference Manual

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Contents Alesis ADAT-XT Introduction Adat XT Reference Manual Conventions Adat XT Reference Manual Contents Basic Operations Analog Recording Basics Digital Recording Basics Why S-VHS? Index Maintenance/Service Cleaning Obtaining Repair Service Unpacking and Inspection Setting UPAC Power Hookup ChapterSetting Up About Audio Cables Line Conditioners and ProtectorsBasic Audio Hookup Input NormalingThreaded VS. Unthreaded Word on ADAT’S S-VHS Cassette TapeMounting on a Shelf or NON-RACK Enclosure Operating EnvironmentThermal Considerations in Rack Mounting Avoiding Electromagnetic InterferenceABS 0H 15M 48S POWER-UP,AND Tape InsertionYour First Session ABS n0 F0Formatting a NEW Tape Formatting a Tape a MustSample Rate Selection Recording While FormattingREL 0H 01M 29S Track Selection and Setting LevelsTo record-enable a track Making a RecordingTo make a recording Transport ButtonsRecording Record LED turns off, while the Play LED remains litPlayback To engage Review modeTo engage Cue mode Reviewing and CueingREL 0H 00M 00S LocatingPage Creating a Loop To loop a section of tapeTo automatically punch in and out Automated RecordingRehearsing Measure twice or more, and cut only once70 mS Track DelayABS 00 % 00 C Pitch ControlDisplay Brightness To adjust the display brightnessTrack Copy To bounce audio from one track to anotherAnalog Audio Unbalanced Inputs Input Jack CharacteristicsConnections Analog Audio Unbalanced OutputsAnalog Audio Balanced Inputs and Outputs Additional groundsAnalog Audio Input Mode Input ModeSync IN/OUT To synchronize multiple XTs and/or ADATsDigital Audio IN/OUT To connect the digital optical networkXT Remote FootswitchesRehearse and Auto Record features VersaFormatting Considerations Basic OperationsTape Formatting Complete FormatFormat Extend Be sure the tape is completely rewoundWrite Protect Override ABS Pr 0t 0 FFABS Pr 0t 0 n To extend the format on a partially formatted tapeReading the Display Display Icons Basic Operations Locate 01M 29STime Counter & ABS/REL Button SelectedEntering Numeric Values Basic EditingEdit Value Button Editing Individual DigitsDigital Input Input SelectAnalog Input Track CopyBasic Operations Input Monitor Auto Input MonitorALL Input Monitor Meters Peak Mode ButtonFine Meter Mode Recording a Benchmark T APERecord Enable Setting LevelsRewind /REVIEW Transport ControlsEject Fast Forward /CUEWhether the tape being played is formatted or not RECORD/PUNCH in or OUTStop To start recordingPositions as before Sample Rate ClockRecord Crossfade Time To select the sample rateFA dE 2 Displaying Frames VS THS/SECONDSTo set the Crossfade Time About Pitch Changing To set multiple tracks to the same Track Delay value To turn Track Delay on and offTo set the Track Delay amount 10 mSAutolocation Controls Absolute ABS Time VS . Relative TimeLocate To store a Locate Point memory on the fly Setting Locate PointsLocating To edit a Locate Point memoryAuto Play Auto LoopingAuto Return Loop LimitLooped Recording Auto RecordTape Length RehearsalTo set the tape length European equivalents and approximate recording timesErroneously selected, to avoid damage to the tape Footswitch Controls Footswitch Controlled PunchingFootswitch Controlled Autolocating Using the XT Remote Operation OverviewSynchronizing Machines Master /SLAVE Interaction Achieving LockMaster Format ENABLED, Format Extend Independent Slave ModeMaster Format ENABLED, Complete Format Formatting Multiple TapesMaster Format Disabled Master Format DISABLED, Format ExtendBefore punching into format record Bouncing Tracks Between Adats Making Digital BackupsRecording Digital Audio Reassigning Channels to Different TracksTo make a backup tape Recording Digital Audio from Other SourcesTape Offset Digital Clock ConsiderationsSetting the Machine Offset ABS 0H 00M 00SSample Rate VS. Pitch Control Combining XTS and AdatsXT Transport Speed Input MonitoringHere are some possible solutions Polarity DifferencesConnections Multiple ADAT-XT Operation Chapter Multiple ADAT-XT Operation Adat XT Reference Manual Applications Combined MULTITRACK/MASTERING DeckLIVE/LONG-TERM Recording Computer Control Midi Machine Control Virtual Remote ControlLocking to Video Code only Master Midi Systems Virtual TrackingLibraries and Archives Modular RecordingUsing Track Copy AS a Digital Router Calculating Tape Offset Using the LocatesPress Edit VALUE, then press Locate Digital Recording Basics Digital Recording ConceptsAnalog Recording Basics Appendix aWHY S-VHS? RE-INITIALIZING TroubleshootingTROUBLE-SHOOTING Index Appendix BABS d1 SP E rr Error Rate DisplayAbout Error Rate Readings ABS d1 SP r E9Adat Head Maintenance Cleaning Tape Maintenance Safe TapeMAINTENANCE/SERVICE Drum Time DisplayRefer ALL Servicing to Alesis MaintenanceObtaining Repair Service Customers in the USAAppendix B Troubleshooting Error Codes Appendix CAutomatic Brake Calibration Procedure Specifications Steps to Take Before Calling for HelpAppendix D Audio Digital Inputs/Outputs Glossary Or Analog-to-Digital ConverterBus DATMidi MMCOutput SMPTE/LTCVHS VitcIndex Index Adat XT Reference Manual