Index
Looped Recording | 51 |
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Rehearsal | 51 |
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Tape Length | 52 |
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Footswitch Controls | 53 |
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Footswitch Controlled Punching | 53 | ||
Footswitch Controlled Autolocating | 53 | ||
Using the XT Remote | 54 |
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5:MULTIPLE
Overview 55
Synchronizing Machines | 56 |
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Master/Slave Interaction | 56 |
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Achieving Lock57 |
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Independent Slave Mode | 57 |
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Formatting Multiple Tapes | 57 |
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Master Format Enabled, Complete Format | 57 | |||
Master Format Enabled, Format Extend 57 |
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Master Format Disabled | 58 |
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Master Format Disabled, Format Extend | 58 | |||
Bouncing Tracks Between XTs | 59 |
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Reassigning Channels to Different Tracks | 59 | |||
Making Digital Backups | 60 |
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Recording Digital Audio from Other Sources | 61 | |||
Digital Clock Considerations | 61 |
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Tape Offset | 62 |
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Combining XTs and ADATs | 63 |
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XT Transport Speed | 63 |
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Sample rate vs. Pitch Control | 63 |
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Input Monitoring | 63 |
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Phase Inversion |
| 64 |
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Connections | 65 |
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6:APPLICATIONS 67
Overview 67
Combined Multitrack/Mastering Deck 67
Computer Control | 69 |
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MIDI Systems: Virtual Tracking | 69 | |
MIDI Machine Control: Virtual Remote Control69 | ||
Libraries and Archives 70 |
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Modular Recording | 70 |
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Using Track Copy as a Digital Router 71 |
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Calculating Tape Offset Using the Locates | 71 |
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APPENDIX A: DIGITAL RECORDING CONCEPTS | 73 | |||
Analog Recording Basics | 73 |
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Digital Recording Basics | 73 |
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Why |
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APPENDIX B: TROUBLESHOOTING | 75 |
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Checking Software Version | 76 |
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Error Rate Display | 76 |
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About Error Rate Readings | 76 |
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ADAT Head Life | 76 |
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ADAT Head Maintenance | 77 |
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Tape Maintenance: Safe Tape | 78 |
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ADAT XT Reference Manual | 7 |