a. Setting Room Equalization
Step | Action | Indication |
No. |
|
|
5
CONT'D
6
7 | NORMAL BYPASS | bypass |
|
|
(switch behind panel)
POWER AMP
ON
a. Setting Room Equalization
Notes
•Check that speakers are correctly connected; that the speaker on the left is really connected to the left power amplifier.
Amplifiers
•Distortion.
•Gross gain differences among amplifiers.
If one amplifier differs in performance from the others, it should be checked and repaired, if necessary, before proceeding further. Input gain controls should all be at the same setting.
•Blown fuses.
Some types of power amplifiers operate at very low gain and distortion even if fuses are blown.
•Good air movement through power amplifiers.
General
If
Set all the gain controls on all power amplifiers to a known repeatable setting, but do not turn amplifiers on. The preferred setting for the amplifier gain controls is maximum. If a different setting is required in order to optimize the noise performance of the system, the controls should be locked in position or marked clearly.
Position calibrated microphones in the theatre. Whenever possible use multiple microphones and a multiplexer.
For a single microphone the recommended position is shown in the diagram — 2/3 of the way from the front speakers to the rear — but off the axis of the center speaker — 5 feet off the floor level — and angled 45 degrees upward toward the screen. Connect the microphone to the RTA.
Open the front door of the CP65 and ensure that the NORMAL/BYPASS switch is in the BYPASS position.
Turn power ON to the power amplifiers.