TC electronic SDN BHD 48 user manual Bass management

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SETUP PAGE

10Speaker sets

The speaker sets can be labeled individually. Simply click in the text field and enter a name of your choice.

Assigning an output to a speaker set

With no bass management an output is assigned directly to a speaker set by checking the ASSIGN check box for the output.

However, when bass management is used you must set main speakers to “main” and sub to “sub”.

Example:

Example:

Without Bass Management

With Bass Management

11Trim

Range: -20 dB to 0 dB

Individual trim levels for each channel.

12DLY

Range: 0 to 30 ms

Perfect listening conditions and placement of speakers according to an ITU 775 circle are not always possible. This delay parameter allows for individual alignment of speakers.

13Output label

The physical outputs have fixed names according to the labels on the rear panel. However, you can also add an additional personal label to these channel

outputs.

Bass management

The bass management system is designed to subtract the bass contents of all main channels and reproduce this by the use of a subwoofer and is easily set up with the Studio Konnekt 48.

Let us take at look at the components and how to set up bass management using the Studio Konnekt 48.

The Subwoofer

A subwoofer is a monitor that reproduces low frequencies. The purpose is to take over from the main monitor(s) as frequencies approach the lower end of the monitors frequency range. Depending on the performance and size of the main monitors the used threshold frequency between main monitors an sub, may vary from 80 to 120 Hz. From psycho-acoustics we know that there is no directional information in audio signals below approximately 120 Hz. Hence the advantage of placing the subwoofer in a position where the best distribution is achieved.

The LFE Channel

LFE is short for Low Frequency Enhancement or Low Frequency Effects, the first being the original name but the second being the most correct with regards to its application.

It is also referred to as the “.1”-channel, which indicates that the frequency range of this channel is only a fraction of the other channels in a multi-channel setup. The actual frequency range is 20 Hz to 120 Hz.

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Contents User’s Manual Page Important Safety Instructions ServiceEMC / EMI & Certificate of Conformity For Customers in CanadaTable of Contents Speaker management based on AIR technology Introduction24/8 channel digital mixer with double precision summing World-class DSP effectsSetup Notes Computer RequirementsFront Panel Meters FireWire/Power LED indicatorPhantom Power +48V Valid LEDRear Panel FireWire connectors RemoteControl Panel Mixer Add Channel Konnekt select tabsTabs Removing a channelAll Channels Talkback function Talkback microphone Output sectionLinked Unlinked Monitor mix on/off Selecting talkback microphoneTalkback routing Fabrik C studio even on talkbackDim level Talk buttonMaster Level Channel Setup Input section Stand-Alone Clock SettingsOptical Format Link button Routing Channels to OutputsIntroduction basics Source selectSpeaker or Line level ? DAWDSP Assigned toBass management 16 + 17 High Pass & Low Pass Bass ManagementLevels Setup Examples Studio Recording & Monitoring Features used in this setup Setup Examples Bass Management & Integration Mainl LINE8Setup Examples Bass Management & Integration Integrator Parameters Connections Integrating external hardware with your DAWObjects Konnekt WDM Driver Setting upTC Near WDM Buffer Size System SettingsClock Example 2 Studio Konnekt 48 Jitter Elimination Sample Rate DPC Safety Buffers PC onlyPrevent from changing sample rate +7 Clock Recovery and Status Check for updateStudio Kontrol Optional Studio Kontrol AUX 2 Shift + Effect Encoder and LightringSpeaker SET select Momentary or latchingTuner Shift + Talk Studio ControlCH on/off Channel on/off Studio Control Remote Reverb TIME/DECAY Effect buttonMidi Fabrik C Studio Main featuresIntroduction Overview Full-band or 3-band compression? Fabrik CBand compression on Bass De-Esser LimiterEQ Section HeadroomSignal Flow 3-band mode Signal Flow Full-band modeBands On/Off Grab handle to select Adjusting Frequency and gainAdjusting BW/TYPE BypassFilter types Notch Filter Narrow typeGain TypeVia the drop down menu Source Selection Source selectionCompression Band and Full-band modes Gain Gain ControlBand mode only Compressor Control Compressor control Band mode only Level Level ControlFull-band mode Adjusting Parameters Compressor sectionGrid Threshold AmountRouting modes Fabrik R Studio OverviewReverb Types Level Color Modulation Time Tweak sectionMeters Overload indicationDecay PreDelayTime Modulation Modulation RateColor In/Out Additional parametersKill Dry Kill wet Preset File Menu Preset Handling Fabrik C & Fabrik RPreset Handling P1, P2 & P3Page Resonance Filter Basic operationFilter OutputCommunication Example Cross fade between two tracks Tuner Tuner IndicationPitch Mode selectorPlay tone Scale modesAppendix Asio Channel Names OutputsStudio Konnekt 48 Signal Flow Monitor SpeakerAppendix FAQ Shortcut keysCheck for updates Firmware Update & Resetto DefaultReset to Default VersionsTechnical Specifications THD

48 specifications

TC Electronic SDN BHD 48 is a cutting-edge digital signal processing system designed to deliver high-quality audio solutions for various applications including live sound, broadcasting, and installation projects. This advanced system is a testament to TC Electronic’s commitment to innovation and excellence in the audio industry.

One of the standout features of the SDN BHD 48 is its unique digital audio processing engine which utilizes advanced algorithms to achieve superior sound quality. This engine allows users to manipulate and enhance audio signals in real-time, resulting in exceptional sonic clarity and detail. The system supports up to 48 channels of processing, making it versatile enough for any large-scale audio operation.

SDN BHD 48 comes equipped with an intuitive user interface that provides easy access to a plethora of controls and settings. Users can navigate through the system seamlessly, making adjustments on the fly. This user-centric design ensures that audio engineers can focus more on the sound rather than getting bogged down in complex operational tasks.

The system also incorporates state-of-the-art connectivity options, including a robust networked audio protocol which allows for seamless integration with other digital devices. This opens the door to myriad configuration possibilities and enables users to customize their setup according to specific needs. The SDN BHD 48 supports various protocols such as AES67 and Ravenna, ensuring compatibility with a wide range of equipment.

In terms of signal routing, SDN BHD 48 offers flexible options that allow for both simple and complex configurations. This means that users can easily set up audio signals for different areas or zones, making it ideal for installations in large venues like concert halls and hotels.

Robustness is also a key characteristic of the SDN BHD 48. Built to withstand the rigors of touring and professional use, it boasts a rugged chassis and high-quality components that enhance durability. Additionally, the system provides extensive monitoring and diagnostic capabilities so users can ensure optimal performance and troubleshoot issues quickly.

In summary, TC Electronic SDN BHD 48 merges state-of-the-art audio technology with user-friendly features, making it an indispensable tool for professionals who demand high performance from their audio systems. With its advanced processing capabilities, connectivity options, and robust design, it stands out as a leading solution in the competitive audio technology market.