TC electronic SDN BHD 48 user manual Limiter, EQ Section, De-Esser, Headroom

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FABRIK C STUDIO

the overtones intact.

3-band compression on grouped sources

If you have grouped several sources and want to do a “global” compression on this section, the 3-band mode can be very effective. It will give you more transparency in your overall mix as you can apply independent compression to each of the three frequency bands.

Full-band compression on vocals

You probably know that “in-your-face” airy kind of vocal that you hear on some tracks? The way to get that effect is by using a full-band compressor on your vocal track, slowing the attack time, and speeding up the release time. It’s pretty simple when you know how to do it.

Full-band compression on Guitar

It’s amazing how some tonal instruments can get a very percussive quality to them when the right type of effect is applied. Using a full-band compressor on a rhythm guitar will give you a sound that is sharp, sweaty, funky and really emphasizes the rhythmic and percussive qualities of your track.

Limiter

The Limiter is used to prevent overloads occurring at extreme and occasional peaks in the source material, - peaks that may not be caught and attenuated sufficiently in the Compressor. As the Limiter can be used to limit the extreme, the Compressor can be used to apply a much more “musical” and gentle compression.

EQ Section

The Fabrik C Studio EQ section is a 4-band parametric EQ that gives you full control of high- and low-pass filters. Four filter types are available offering Notch, Parametric, Shelving and Cut. If you are looking for a razor sharp filter, use the Notch filter which has a range as low as 0.01 of an octave. For a more gentle approach go for the shelving filter that sports a variable slope with a range from 3 dB/oct over 6 and 9 to 12 dB/oct. The Cut filter can be switched between a flat amplitude maximum of 12 dB to an octave, and a flat group delay type. For a natural and “well behaved” bandwidth, apply the parametric EQ.

De-Esser

A De-Esser is a compressor type used to reduce only specific sibilant frequencies. Typically the “s” sounds can be far too dominant on a vocal track and the track would therefore often benefit from being processed by a De-Esser.

Headroom

To avoid internal clipping and to secure ease of use, all processing is done in the 48 bit domain, and is not truncated to 24 bit before the output of the Limiter.

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Contents User’s Manual Page Important Safety Instructions ServiceEMC / EMI & Certificate of Conformity For Customers in CanadaTable of Contents Introduction 24/8 channel digital mixer with double precision summingSpeaker management based on AIR technology World-class DSP effectsSetup Notes Computer RequirementsFront Panel FireWire/Power LED indicator Phantom Power +48VMeters Valid LEDRear Panel FireWire connectors RemoteControl Panel Mixer Konnekt select tabs TabsAdd Channel Removing a channelAll Channels Output section Linked Unlinked Monitor mix on/offTalkback function Talkback microphone Selecting talkback microphoneFabrik C studio even on talkback Dim levelTalkback routing Talk buttonMaster Level Channel Setup Optical Format Stand-Alone Clock SettingsInput section Routing Channels to Outputs Introduction basicsLink button Source selectDAW DSPSpeaker or Line level ? Assigned toBass management Levels Bass Management16 + 17 High Pass & Low Pass Setup Examples Studio Recording & Monitoring Features used in this setup Setup Examples Bass Management & Integration Mainl LINE8Setup Examples Bass Management & Integration Integrator Parameters Objects Integrating external hardware with your DAWConnections TC Near WDM Setting upKonnekt WDM Driver Clock System SettingsBuffer Size Example 2 Studio Konnekt 48 Jitter Elimination Prevent from changing sample rate DPC Safety Buffers PC onlySample Rate +7 Clock Recovery and Status Check for updateStudio Kontrol Optional Studio Kontrol Encoder and Lightring Speaker SET selectAUX 2 Shift + Effect Momentary or latchingCH on/off Channel on/off Studio ControlTuner Shift + Talk Studio Control Remote Midi Effect buttonReverb TIME/DECAY Introduction Main featuresFabrik C Studio Band compression on Bass Fabrik COverview Full-band or 3-band compression? Limiter EQ SectionDe-Esser HeadroomSignal Flow 3-band mode Signal Flow Full-band modeAdjusting Frequency and gain Adjusting BW/TYPEBands On/Off Grab handle to select BypassFilter types Notch Filter Narrow typeGain TypeSource selection CompressionVia the drop down menu Source Selection Band and Full-band modes Gain Gain ControlBand mode only Compressor Control Compressor control Band mode only Level Level ControlGrid Adjusting Parameters Compressor sectionFull-band mode Threshold AmountRouting modes Fabrik R Studio OverviewReverb Types Tweak section MetersLevel Color Modulation Time Overload indicationPreDelay Time ModulationDecay Modulation RateColor Kill Dry Kill wet Additional parametersIn/Out Preset Handling Fabrik C & Fabrik R Preset HandlingPreset File Menu P1, P2 & P3Page Resonance Filter Basic operationFilter OutputCommunication Example Cross fade between two tracks Tuner Tuner IndicationMode selector Play tonePitch Scale modesAppendix Asio Channel Names OutputsStudio Konnekt 48 Signal Flow Monitor SpeakerAppendix FAQ Shortcut keysFirmware Update & Resetto Default Reset to DefaultCheck for updates VersionsTechnical Specifications THD

48 specifications

TC Electronic SDN BHD 48 is a cutting-edge digital signal processing system designed to deliver high-quality audio solutions for various applications including live sound, broadcasting, and installation projects. This advanced system is a testament to TC Electronic’s commitment to innovation and excellence in the audio industry.

One of the standout features of the SDN BHD 48 is its unique digital audio processing engine which utilizes advanced algorithms to achieve superior sound quality. This engine allows users to manipulate and enhance audio signals in real-time, resulting in exceptional sonic clarity and detail. The system supports up to 48 channels of processing, making it versatile enough for any large-scale audio operation.

SDN BHD 48 comes equipped with an intuitive user interface that provides easy access to a plethora of controls and settings. Users can navigate through the system seamlessly, making adjustments on the fly. This user-centric design ensures that audio engineers can focus more on the sound rather than getting bogged down in complex operational tasks.

The system also incorporates state-of-the-art connectivity options, including a robust networked audio protocol which allows for seamless integration with other digital devices. This opens the door to myriad configuration possibilities and enables users to customize their setup according to specific needs. The SDN BHD 48 supports various protocols such as AES67 and Ravenna, ensuring compatibility with a wide range of equipment.

In terms of signal routing, SDN BHD 48 offers flexible options that allow for both simple and complex configurations. This means that users can easily set up audio signals for different areas or zones, making it ideal for installations in large venues like concert halls and hotels.

Robustness is also a key characteristic of the SDN BHD 48. Built to withstand the rigors of touring and professional use, it boasts a rugged chassis and high-quality components that enhance durability. Additionally, the system provides extensive monitoring and diagnostic capabilities so users can ensure optimal performance and troubleshoot issues quickly.

In summary, TC Electronic SDN BHD 48 merges state-of-the-art audio technology with user-friendly features, making it an indispensable tool for professionals who demand high performance from their audio systems. With its advanced processing capabilities, connectivity options, and robust design, it stands out as a leading solution in the competitive audio technology market.
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