AKG WMS UHF VOCALS

Angle of incidence

To get a well-balanced, natural sound, sing to one side of the microphone or above and across the microphone’s top (left). If you sing directly into the microphone, it will not only pick up excessive breath noise but also overemphasize sibilants (right).

Holding the transmitter

Be sure never to cover the lower half of the wire-mesh cap with your hand. If you do, the microphone element's polar pattern will change from cardioid to omnidirectional. In a concert hall, this change in the pickup pattern will signi- ficantly lower the usable gain before feedback. Also, do not grasp the transmitter body at the lower end, where your hand would cover the integrated antenna and weaken the radio signal.

Working distance and proximity effect

Basically, your voice will sound the bigger and mellower, the closer you hold the microphone to your lips. Moving away from the microphone will produce a more reverberant, more distant sound as the microphone will pick more of the room’s reverberation. Proximity effect is a more or less dramatic boost of low frequencies that occurs when you sing into the microphone from less than 2 inches. It gives more "body" to your voice and a sexy, bass-heavy sound.

Feedback

To increase usable gain before feedback, the microphone on the HT 40 has a supercardioid polar pattern. This means the microphone is most sensitive to sounds arriving from in front of it (your voice) while hardly responding to sounds arriving from the sides or rear (from monitor speakers for instance). To maximize gain before feedback, never point any microphone directly at a speaker. The safest place for a microphone is usually behind the FOH speakers.

Antenna

The swiveling antenna is mounted on the front panel, allowing the receiver to be rack mounted.

Case

The side panel supports are removable for mounting the receiver in a 19" rack.

Alternative receivers

You can also use the HT 40 with the SR 40 diver- sity receiver or the PR 40 portable receiver.

Squelch threshold control

(on rear panel).

On/off switch

with status LED.

RF LED

Illuminates to indicate that RF signal is being received. If the RF signal fails or the squelch comes on, the MUTE LED will be lit.

SR 40 Receiver

Frequency color code platelet

Receivers using the same frequen- cy are marked with the same color code.

Volume

Matches the output level of the receiver to the input gain of the mixer. (For details refer to page 27)

Microphone cleaning and maintenance

Microphones, like any other instrument, need regular clea- ning to maintain clarity and intelligibility. As a microphone is being used, its foam pop screen and front grill collect dirt particles that may ultimately clog the acoustically transpa- rent foam cells. Just unscrew the front grill and remove the internal windscreen. Soak the windscreen in sudsy water for a night, then allow it to dry completely. Clean the front grill with isopropyl alcohol.

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AKG Acoustics WMS 4000 Angle of incidence, Holding the transmitter, Working distance and proximity effect, Feedback, Case
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.
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