CREATING A PROGRAM

9.4OUT 1, OUT 2, etc.

Each tab selects an output channel. Use this screen to program crossover frequencies, fil- ter type, and up to five parametric EQ’s. In addition, the same programming choices as on the GAIN screen are duplicated here, but just for the selected output channel.

9.5Crossover Filters: [insert screen shot of PEQ filet settings screen]

The Low and High frequencies set the frequency bandwidth for the selected channel of the crossover. For example, in a three-way crossover, the Low Band might be 60 Hz to 200Hz; the Mids 200Hz to 1800Hz and the Highs 1800Hz to 15 kHz.

The different filter types and slopes, including Bessel, Butterworth, Linkwitz-Reilly and shelving filters with different Q values each offer particular advantages and disadvan- tages depending on the application and conditions.

Most analog crossovers use 24 dB/octave, so this is a good place to start.

The window also includes a graphic display that shows the response curve of the current- ly selected filters and equalizers in a Level vs. Frequency graph.

Clicking on any of the filter text boxes (lower left of the window) opens a new window called XOVER. Use the sliders to browse the available filter types and click on the desired one. Use the horizontal slider to select the corner or “knee” frequency. This is the frequen- cy point at which a filter begins to attenuate any signal above (for Low Pass) and below (for High Pass) the selected frequency. The choices are preset in specific increments and ranges that correspond to the selected crossover architecture (2 Way, 3 Way. etc.).

You can use the PEQ to help compensate for dips or peaks at the crossover points. Remember though that less equalization is better: try to use a combination of slope, filter type and frequency to get the crossover point between bands (for instance: low to mids or mids to highs) as “flat” as possible. The will minimize the need for additional equaliza- tion

Always check the manufacturers specifications for the speakers you are using so the proper crossover settings can be used, Incorrect settings or mis-wiring (sending lows to a HF driver for instance) can damage or destroy your equipment. BBE Sound is not liable for any direct or consequential damages caused by improper use of its equipment.

9.6Parametric Equalizers:

The next set of text boxes provides Frequency, Gain and Q setting choices for five bands of parametric equalization (PEQ) per output channel. There is also a check box for Flat, which will bypass the settings for that particular filter. In a similar manner to the Crossover filters above, clicking on any text box will open the PEQ filter settings window.

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BBE DS24, DS26 manual Creating a Program, OUT 1, OUT 2, etc, Parametric Equalizers
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DS24, DS26 specifications

BBE DS26 and DS24 are innovative digital signal processors designed to enhance audio quality and provide professional-grade sound processing capabilities. Both models are part of BBE Sound’s commitment to delivering superior audio performance, making them popular choices among audio engineers, musicians, and sound enthusiasts alike.

The BBE DS26 is a multi-channel digital signal processor that offers comprehensive control over audio signals through its user-friendly interface. One of its main features is the advanced 24-bit/96kHz sample rate processing, which ensures high-fidelity sound reproduction. This model supports up to 6 inputs and 6 outputs, allowing for flexible routing and mixing configurations. Additionally, the DS26 is equipped with BBE's proprietary high-definition audio processing technology, which enhances clarity and detail in the sound, making it ideal for both live sound reinforcement and studio applications.

On the other hand, the BBE DS24 is a slightly more compact version, designed primarily for use in smaller setups without compromising on audio quality. It supports 2-channel input and output, making it an excellent option for smaller venues or personal studio use. The DS24 also features BBE's Sonic Maximizer technology, which helps restore lost clarity and dynamic range in audio signals. This feature is particularly beneficial for audio systems that have been compromised by over-compression or poor acoustics.

Both models incorporate a range of cutting-edge technologies, such as digital shelving filters and parametric equalization, which provide users with precise control over their sound. The DS26 offers additional features like delay adjustments and crossover functions, making it suitable for complex audio environments where precise timing and frequency management are essential.

In terms of build quality, both the DS26 and DS24 are designed for durability and reliability, making them capable of withstanding the rigors of live performances. They also offer multiple connectivity options, including balanced XLR and TRS outputs, ensuring compatibility with a wide range of audio equipment.

In conclusion, the BBE DS26 and DS24 are advanced digital signal processors that provide exceptional audio processing capabilities. With their high-quality sound reproduction, user-friendly interfaces, and advanced technologies, they are ideal for both professional and personal audio applications, delivering exceptional performance in a variety of settings.
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