V-AMPIRE/V-AMP PRO/V-AMP 2
FOREWORD
Dear Customer,
welcome to the team of BEHRINGER users, and thank you very much for expressing your confi- dence in us by pur- chasing this virtual guitar amplifier.
Writing this foreword for you gives me great pleasure, because it represents the cul- mination of many months of hard work delivered by our engineering team to achieve a very ambitious goal: to develop three outstan- ding devices, that give you maximum flexibility
and performance with their unique sound character and broad range of functions. The task of designing these new products certainly meant a great deal of responsibility, which we assumed by focusing on you, the discerning user and musician. Meeting your expectations also meant a lot of work and night shifts. But it was fun, too. Developing a product usually brings a lot of people together, and what a great feeling it is when all who participated in such a project can be proud of what they’ve achieved.
It is our philosophy to share our enjoyment with you, because you are the most important member of the BEHRINGER team. With your highly competent suggestions for new products you’ve made a significant contribution to shaping our company and making it successful. In return, we guarantee you uncompromising quality as well as excellent technical and audio properties at an extremely reasonable price. All of this will enable you to give free rein to your creativity without being hampered by budget constraints.
We are often asked how we manage to produce such high- quality devices at such unbelievably low prices. The answer is quite simple: it’s you, our customers! Many satisfied customers means large sales volumes, enabling us to get better purchasing terms for components, etc. Isn’t it only fair to pass this benefit on to you? Because we know that your success is our success too!
I would like to thank all of you who have made the
My friends, it’s been worth the effort!
Thank you very much,
Uli Behringer
TABLE OF CONTENTS
1. INTRODUCTION | 5 | ||
1.1 | ... before you get started | 5 | |
| 1.1.1 | Serial number | 5 |
2. CONTROL ELEMENTS | 5 | ||
2.1 | Front panel/surface | 5 | |
2.2 | Rear panel/side | 7 | |
3. OPERATING MODES AND APPLICATIONS | 8 | ||
3.1 | Selecting an operating mode in CONFIGURATION |
| |
| mode | ............................................................................. | 8 |
3.2 | Rehearsal or recording at home | 8 | |
| 3.2.1 | 8 | |
| 3.2.2 | 8 | |
| 3.2.3 | 8 | |
3.3 | Live on stage or in a rehearsal room | 8 | |
| 3.3.1 | 9 | |
| 3.3.2 | 9 | |
| 3.3.3 | 9 | |
3.4 | Recording | 9 | |
| 3.4.1 | 9 | |
| 3.4.2 | 9 | |
| 3.4.3 | 9 | |
4. PRESETS | ................................................................. | 10 | |
4.1 | Calling up presets | 10 | |
4.2 | Editing presets | 10 | |
4.3 | Storing presets | 10 | |
4.4 | Discarding an edited preset/restoring a single |
| |
| factory preset | 11 | |
4.5 | Restoring all factory presets | 11 | |
5. AMP/SPEAKER SIMULATION | 11 | ||
5.1 | Amp descriptions | 11 | |
5.2 | Speaker descriptions | 12 | |
6. EFFECTS PROCESSOR | 13 | ||
6.1 | Wah Wah | 13 | |
6.2 | Effect descriptions | 13 | |
| 6.2.1 | Reverb and delay algorithms | 13 |
| 6.2.2 | Modulation effects | 14 |
| 6.2.3 | Combinations of effect algorithms |
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| 14 | |
| 6.2.4 | Special effects | 14 |
6.3 | The separate reverb effect | 14 | |
7. TUNER | 14 | ||
7.1 | Tuning your guitar | 14 | |
7.2 | Setting reference pitch “A” | 14 | |
8. INSTALLATION | 15 | ||
8.1 | Mains voltage | 15 | |
8.2 | Audio connections | 15 | |
8.3 | MIDI connections | 15 | |
| 8.3.1 | Sending/receiving | 16 |
8.4 | AES/EBU and S/PDIF standards | 16 | |
9. APPENDIX | 17 | ||
10.SPECIFICATIONS | 18 | ||
11.WARRANTY | 19 |
CAUTION!
+Please note that high volume levels may cause permanent damage to your hearing and/or your headphones. Turn all LEVEL controls to the left before you switch on the unit. Be sure to keep the volume at an appropriate level.
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