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Quick Guide Overview Outputting Sound Eects Saving Pedal Settings System MIDI/USB Appendices
Quick Guide

The edits you made here will be lost if you switch patches. If you want to keep the patch you created, press the [WRITE] button to save your edits as

a user patch. page 13

Choose Amp or DriveAdjust the amount of distortion
3
4

Use to select the type.

Initially, “CURRENT” will be displayed; then, below that the preamp type

or OD/DS type (p. 52) that is set for the current patch will be displayed.

Use to switch screens.

Use to adjust the

distortion.

Turn the knob to
change the type.
Move horizontally Move vertically
Amount of distortion
Up: For soloing
Down: For backing
Left: Warm distortion
Right: Sharp distortion
Finish editing
5
Press .

For AMP CUSTOM

Type Explanation
JC CLEAN This models the sound of the Roland JC-120.
TW CLEAN This models a Fender Twin Reverb.
CRUNCH This is a crunch sound that can faithfully reproduce the
nuances of picking.
COMBO DRIVE This is a combo amp sound that it suited to sixties-style British
rock.
COMBO LEAD This is a lead sound of a combo tube amp typical of the late
‘70s to ‘80s.
MS HiGAIN This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
MODERN
STACK
This original high-gain amp delivers thick lows and intense
distortion while still preserving the sound’s clear denition.
* In order to use AMP CUSTOM, you rst need to turn on PREAMP A or B,
whichever is currently selected.

For OD/DS CUSTOM

Type Explanation
OD-1 This models the sound of the BOSS OD-1.
OD-2 This is an overdrive sound with high gain.
CRUNCH This is a crunch sound.
DS-1 This gives a basic, traditional distortion sound.
DS-2 This creates a heavier distortion sound.
METAL1 This is a metal sound with a characteristic midrange.
METAL2 This gives a heavy metal sound.
FUZZ This gives a basic, traditional fuzz sound.
* In order to use OD/DS CUSTOM, you rst need to turn on OD/DS.

For AMP CUSTOM or OD/DS CUSTOM