Balanced sources should be wired as shown in Figure
6.3.Notice that the shield is not connected to the chassis ground of the source if the source is also connected to the AC ground (that is, it has a grounded AC plug). This prevents unwanted ground loops.
Floating | Shield connected |
|
|
|
source | to ground terminal |
|
|
|
Output + |
|
|
| cable |
| INPUT |
| ||
(or battery power) | + | – | shielded | |
Grounded | Shield not connected |
| ||
source | at this end |
|
|
|
Output + |
|
|
|
|
| INPUT |
| ||
(or other ground connection) | + | – | ||
|
|
| ||
Floating | Shield connected to both negative |
|
| |
source |
|
| ||
Output + |
|
|
|
|
| INPUT | – | ||
(or battery power) | + | |||
Grounded | INPUT |
| ||
| Input ground |
|
| |
source |
| terminal not used |
|
|
Output + |
|
|
|
|
(or other ground connection) | + | – |
|
Figure 6.4 Unbalanced Audio Input Wiring
Unbalanced sources should be wired as shown in Figure 6.4. The examples in Figure 6.4 are grouped according to whether
6.1.2 IQ–AMB-5 Ambient Sensing Input
In addition to its automatic mixing capabilities, the IQ–
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5 the paging level at a train station can be automati- cally adjusted so pages can be heard over the roar of an incoming train and yet quieted to an appropriate level during periods of softer ambient sound levels.
The sensing input section of the back panel is shown in Figure 6.5 below. It has the same features as the other mic/line inputs: input gain control and input level switch.
SENSE | ADD 25 | |
IN | 0 | 5 FOR MIC |
10 | ||
|
| |
| 15 | |
| 21 |
M L P
+ –
Figure 6.5 Sensing Input Section
The most common use of the sensing input is to con- nect a microphone (such as a Crown PZM®) and lo- cate the microphone so that it can accurately receive the ambient sound level. Great care must be taken in the placement of the ambient sensing microphone so that it is not too close to the loudspeakers being driven by the system.
It is also possible to connect more than one ambient sensing microphone to the sense input. This can be accomplished by taking advantage of the manual mix- ing function of Channel 2. Simply connect each ambi- ent sensing microphone to one of the five regular inputs of the
Be sure the microphone has adequate sensitivity for the spectral content of the ambient sound. For ex- ample, a microphone with a bandwidth designed solely for speech reinforcement may not have ad- equate