Studio Reference I & II Professional Studio Amplifiers
| ILLUSTRATIONS |
|
1.1 | Studio Reference I Amplifier | 6 |
2.1 | Front Facilities | 8 |
2.2 | Rear Facilities | 9 |
3.1 | Mounting Dimensions | 10 |
3.2 | Removing an End Cap | 10 |
3.3 | Top View of a | 10 |
3.4 | Proper Air Flow with a | 11 |
3.5 | Stereo Wiring | 11 |
3.6 | 12 | |
3.7 | 13 | |
3.8 | Unbalanced Input Wiring | 14 |
3.9 | Balanced Input Wiring | 14 |
3.10 Balanced and Unbalanced Phone Plugs | 14 | |
3.11 | Subsonic Filter Capacitors | 15 |
3.12 | Unbalanced RF Filters | 15 |
3.13 | Balanced RF Filters | 15 |
3.14 | Wire Size Nomograph | 16 |
3.15 | Inductive Load (Transformer) Network | 17 |
3.16 | Loudspeaker Fuse Nomograph | 18 |
4.1 | Indicators | 19 |
4.2 | Studio Reference Indicator States | 20 |
4.3 | Removing a Handle | 22 |
4.4 | Meter Switches | 23 |
4.5 | Input Sensitivity and Ground Lift Switches | 23 |
5.1 | Circuit Block Diagram | 25 |
6.1 | Studio Reference I Minimum Power Matrix | 29 |
6.2 | Studio Reference II Minimum Power Matrix | 30 |
6.3 | Studio Reference I Maximum Power Matrix | 31 |
6.4 | Studio Reference II Maximum Power Matrix | 32 |
6.5 | Typical Frequency Response | 33 |
6.6 | Typical Damping Factor | 33 |
6.7 | Typical Output Impedance | 33 |
6.8 | Typical Phase Response | 34 |
6.9 | Typical Common Mode Rejection | 34 |
6.10 | Typical Crosstalk | 35 |
7.1Studio Reference I Power Draw, Current Draw and
Thermal Dissipation at Various Duty Cycles | 36 |
7.2Studio Reference II Power Draw, Current Draw and
Thermal Dissipation at Various Duty Cycles | 37 |
8.1 Installing a P.I.P. Module | 38 |
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