Fender T5A125V manual Acoustasonic Ultralight Amplifier, Front Panel, Features include

Acoustasonic™ Ultralight Amplifier

This highly portable, great sounding amp delivers toneful repro- duction of acoustic-electric instruments…with unprecedented features and power, available for the first time via Fender’s pro- prietary design. Now you can carry your tone with you to the recording session or gig, quickly & easily; enjoy stereo effects while practicing with headphones; plug in a mic/transducer pickup system, or even a vocal mic when needed. Integrated for use with the Acoustasonic Ultralight Stereo Enclosure.

Features include:

•2 X 125 Watt Output Power switchable for stereo or mono

•Only weighs 7.6 lb (3.5 kg)!

•Instrument channel tailored for acoustic instruments

•Wide-range EQ

•Notch filter and Phase feedback controls

•String Dynamics™—tames harshness when you play hard

•Microphone channel designed for vocals

•True electronically balanced XLR input

•Phantom Power supplied for Condenser mics

•16 hand-crafted DSP effects selections for each channel

•Professional Line Out—Level control and Ground Lift

•Switchcraft HPC® speaker output—Speakon® compatible, superior power transfer and locking connectors

•Voltage Selector—plug-in worldwide (approved power cord required)

•Premium solid Maple wood top & side panels

•Invisible cabinet docking system (patent pending)— magnetically secures your amplifier on top of an Acoustasonic™ Ultralight Enclosure

•Stereo Headphones output

•2-button Footswitch and padded Gig bag included

Front Panel

A.INSTRUMENT INPUT— Plug your acoustic-elec- tric instrument in here. The instrument channel controls are all in the top row.

B.MICROPHONE INPUT— Balanced XLR jack for a low-impedance microphone. The mic channel controls are all in the bottom row. Phantom power supplied (+15VDC ).

C.PHASE— Reverses the phase of the instrument channel which will reduce feedback in some situations.

D.VOLUME—Adjusts the loudness of each channel.

E.TREBLE / MID / BASS—Adjusts the tone character of each channel.

F.NOTCH— Rotate slowly to locate and supress feedback that occurs at a particular frequency on the instrument channel. Rotate fully counter-clockwise when not needed.

G.STRING DYNAMICS—A dynamic tone shaping filter that varies with your playing intensity. Rotate clockwise to reduce treble-frequency harshness at peak levels (or high volume settings) without affecting the crisp brightness when playing more gently.

H.EFFECTS LEVEL—Adjusts the amount of the effects in each channel. To turn OFF effects: rotate fully counter- clockwise or use the footswitch.

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I.EFFECTS SELECT—Selects the active effect for each channel. See Effects Descriptions on page 8.

J.TUNER/MUTE— Press IN to disable all audio output

from the amplifier; useful for silent tune-ups. LED flashes when selected.

K.PHONES—Plug your stereo headphones in here; speaker outputs are automatically disabled.

L.POWER INDICATOR— Illuminates when the unit is on.

Flashes if the unit detects an overload condition such as a faulty speaker cable, improper connection, overheating, or incorrect speaker impedance. The ampli- fier may be more susceptible to overload if high-output effects or other devices are used. The unit will automati- cally try to reset, but if an overload condition still exists after 5 attempts, the unit will remain in protection mode until powered OFF. Remove the overload condition then switch the power back ON; if this LED still flashes, take the unit to an authorized Fender® service center.

If the Power Indicator does not illuminate, check the fuse. If the fuse is good, leave the unit unplugged for 15 minutes to allow the power supply to reset. If that fails, take the unit to an authorized Fender® service center.

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