Gibson Guitars 1550-07 GUS manual

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In 1954 the growing popularity of the Les Paul Model prompted Gibson to expand the line. On the high end, the Les Paul Custom sported an Ebony finish and low frets for fast action, and it immediately gained two nicknames: the Black Beauty and the Fretless Wo n d e r. On the more a ff o rdable end, the Les Paul Jr. featured a flat “slab” top and a single pickup, and it became the best-selling Les Paul of the 1950s.

One year after the Les Paul Jr., Gibson off e red a two-pickup version of the slab-body model called the Les Paul Special. The Special was further distinguished by its yellow-stained “TV” f i n i s h .

The double-coil humbucking pickup, invented by Gibson engineer Seth Lover, debuted in 1957 on the Standard and Custom, introducing the sound that would shape rock 'n' roll music in the 1960s.

In 1958, Gibson introduced more important design innovations than in any other year in the company’s history. Gibson president Ted McCarty combined the look of an ƒ-hole a rchtop with the perf o rmance of a solidbody and came up with a completely new type of gui- tar—the semi-hollowbody ES-335. McCarty also designed two radically modern solidbody shapes: the Flying V and Explore r.