What You Should Know About Copyright

Written By Suzy Vaughan Associates for High End Systems

I want to use a film clip from "When Harry Met Sally" in a promotional piece advertising my services. What do I have to do to be able to do that? First of all, you need to obtain permission to use the clip from its owners. The clip is considered intellectual property, just as though it were your car or some software code developed by and belonging to Microsoft. This is because the U.S. Copyright Act gave creators of literary works (which include books, films, television programs, art works, still photos and musical compositions and recordings) the right to sell or license these works and to make money from them for the period of the copyright.

But what about public domain material? I heard that lots of material is in the public domain and can be used for free. Once the copyright runs out, the creative work falls into the public domain and can be used freely by anyone without payment or licensing. If the work is not public domain, it is considered literary property. The Copyright Act provides substantial penalties for copyright infringement ranging from $10,000 for accidental infringement to $250,000 for willful infringement. However, contrary to popular belief, there really is not that much material in the public domain so this approach will limit you creatively.

What if I want to use a clip in a public performance? It's not being filmed or taped. Surely I don't need permission for that? Public gatherings require clearance whenever copyrighted data is projected to audiences, or for any use other than just personal viewing. Concerts, tradeshows, industrial shows, parties and raves are all examples of public performance and permission must be obtained.

Suppose I want to use a still photo or a magazine cover or a television clip? Do I have to obtain permission for them too? Yes, they are also copyrighted works, whose owners must grant a license for their usage.

Do I need any other permissions to use this material? In many cases you do. You may need to obtain permission to use the appearance of actors who appear in the clip as well as pay the writers and directors of the film that your clip comes from.

What about music? I hear you can use 8 bars for free. 8 bars for free is a fallacy that has been passed around as a fact for a long period of time. However, it isn't true. Both musical compositions and records require licensing and payment.

What about High End Systems material included with the Catalyst? Do I have to clear that? No. High End Systems has worked to provide clearance for the content that is provided with the Catalyst system. Any materials you received directly from HES with the purchase of a new Catalyst system have already been properly licensed for your use in shows and presentations. That does not, however, license you to sell this content separately from the Catalyst system. Also, please be sure that any new content you obtain from outside sources is properly cleared for public presentation.

This sounds really difficult and I don't know how to do it? What do I do to properly license copyrighted material? You need to consult with a Content Clearing House or with a properly licensed Intellectual Property Attorney. Content clearinghouses are typically

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DL1 User Manual

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High End Systems DL1 user manual What You Should Know About Copyright
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DL1 specifications

The High End Systems DL1 is a cutting-edge digital light fixture designed for dynamic and engaging lighting applications in the entertainment industry. Known for its versatility, high performance, and user-friendly interface, the DL1 has become a staple in various venues, including theaters, concert halls, and corporate events.

One of the standout features of the DL1 is its advanced digital projection technology. This fixture combines powerful imaging capabilities with high-quality optical components, allowing users to project vibrant images, videos, and animations onto various surfaces. The DL1 boasts a high-resolution output and color fidelity, ensuring that visuals are displayed with stunning clarity and richness. This makes it an excellent choice for productions requiring intricate image presentations.

In terms of flexibility, the DL1 offers an impressive range of features tailored for live events. It comes equipped with a highly configurable lens system that allows users to alter the beam angle, focusing on the fine details or casting a wider light for broader coverage. This adaptability is coupled with a robust gobo system, enabling designers to create dynamic patterns and shapes that can enhance any performance setting.

The DL1 integrates seamlessly into existing lighting rigs, thanks to its compatibility with industry-standard control protocols, such as DMX and Art-Net. This allows for precise control and integration with other lighting fixtures, providing designers and operators with extensive creative possibilities. Its on-board programming features also empower designers to set up shows quickly and efficiently, reducing time spent on setup and increasing the focus on artistic direction.

In terms of construction and durability, the DL1 is built to withstand the rigors of tour and rental environments. Its rugged yet lightweight design ensures reliability, while the efficient cooling system prolongs the lifespan of its internal components. This durability is essential for maintaining peak performance during demanding shows and events.

Lastly, the High End Systems DL1 emphasizes ease of use. With an intuitive user interface and robust onboard capabilities, operators can quickly navigate settings and access features, making it ideal for both novice and experienced lighting designers. The combination of its innovative technology, flexible features, and ease of use firmly establishes the DL1 as an essential tool for any modern lighting designer looking to enhance their productions with high-impact visuals.
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