MATRIX™ 100 Manual
2.3 LEAD | a hip effect sound offering |
Yields |
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2.3.1 LEAD/WARP GAIN | 3.1.1 CHORUS |
Controls the LEAD and WARP channel’s input sensitivity and | Low CHORUS settings yield a slow throb for thick, underwater |
thus the amount of saturation, with distortion option ranges | sounds that work great with ballads. Courtesy of automatic |
from creamy smooth to British grit and chunky NuMetal | effect depth adjustment, higher CHORUS settings do not evoke |
thunder. | that dreaded “seasick” tone. |
2.3.2 LEAD Vol | 3.1.2 FLANGER |
Controls the LEAD channel’s level; use it to determine the | Slow FLANGER settings yield a stately sweeping whoosh effect, |
balance between it and the other channels. | while faster settings give you swirly effects often heard in con- |
| temporary rock and pop tunes. |
2.4 WARP |
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Beware! The MATRIX™ 100’s heart of darkness, this channel offers fierce
2.4.1 WARP VOL
Controls the WARP channel’s level; use it to determine the balance between it and the other channels.
2.5CRUNCH, LEAD, WARP Voicing Section
For handling ease, the MATRIX™ 100’s three overdrive channels share common voicing controls. However, behind these tone controls are three different EQ circuits that are automatically switched along with the channel. This is why an EQ setting that you have dialed in for the LEAD channel works so well with the CRUNCH and WARP channels.
3 The MATRIX™ 100’s Effects
3.1.3 TREMOLO
Though the classic TREMOLO effect is great for recreating the sounds of ‘60s, it also serves up some hip effects that work wonders for contemporary tunes.
3.2 DELAY
DELAY is controlled via two knobs: TIME is an infinitely variable knob that sweeps smoothly to the next repetition from 80 ms to 1400 ms. Feedback is adjusted accordingly and automatically. Short DELAYs with minimal feedback conjure great
3.3 REVERB
The REVERB is an
english
The MATRIX™ 100 features three independent effects -
3.1 MOD FX
The MATRIX™ 100 puts at your disposal the three most sought- after modulation effects: A CHORUS, FLANGER and TREMOLO are all assigned to one knob. CHORUS is assigned to the first third of the knob’s control range, FLANGER to the second, and TREMOLO to the final third. You can sweep the knob within each third to adjust the effect’s characteristics. We staked out the parameters so that you can swiftly and easily dial in settings that elicit
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