Since Project Everest was introduced, sound recording and playback technology has undergone a revolution of its own. With the advent of CD, extremely demanding recorded signals had become the rule rather than the exception - the average source material used by the typical audio enthusiast had become superior to the best demonstration material of even just a few years ago. In overall dynamics and transient response, transducers are once again a potential weak link in the high-end audio reproduction chain.
It was in this environment that JBL set out to create its fourth and fifth Project loudspeakers, K2 S9500 and K2 S5500. As with Hartsfield, the puritan simplicity of a two -way system was considered the most promising design track. Advances in transducer design and low frequency alignment would make the construction of a two -way system of unprecedented physical and acoustical scale possible. Engineers took the core components - the low and high frequency drivers - and optimized them by redesigning their magnetic structures, diaphragms and framework for greater linearity, dynamic capability and transient response.
In the years following the introduction of the K2 S9500 and K2 S5500, sound reproduction technology underwent another series of revolutionary changes, with the introduction of DVD -Video, Dolby Digital, DTS, DVD -Audio, and Super Audio CD (SACD). Frequency responses to 50 kHz and 3 -digit dynamic range and signal-to-noise ratios have now become commonplace. In order to faithfully reproduce such robust sonic properties, the loudspeaker needed to undergo drastic improvements to its transducer, network and enclosure technologies .
The new K2 S9800 employed a 3-way design, incorporating an Ultra High Frequency (UHF) compression driver and horn to reproduce high frequencies up to 50 kHz. With the UHF handling the high frequencies, the High Frequency (HF) transducer could then be upgraded to a new design using a 3 inch diaphragm for better reproduction of lower frequencies and better blend with the woofer than the older generations’ 2-inch diaphragm. Both compression drivers utilized newly developed Beryllium diaphragms to provide the lowest distortion and flattest frequency response possible.
In order to recreate the extremely high dynamic range provided by today’s audio sources, a brand new low frequency transducer was developed from ground up, utilizing an Alnico magnet, 4-inch edge wound Voice Coil, and a 15 inch cone. Extensive computer-aided engineering and design effort made to develop the optimized port tuning employed in Project K2 S9800 has resulted in a significant advance in the concept of state-of-the-art acoustic reproduction.
