8[SYNC IN] synchronization input

terminal (BNC)

This is the terminal for inputting reference syn- chronization signals from an external source. For external synchronization signals, input com- posite video signals of 1V (p-p) or lower (e.g., black burst signal).

(☞ Page 29 “Synchronization signal”)

9[TIME CODE IN] terminal (BNC)

This is the EBU-compliant time code input ter- minal.

It is for connecting to an external time code gen- erator.

For external time code signals, use those that synchronize with the video signals.

•To input external time codes, set TCG SOURCE of the TC/UB/CLOCK Menu to “EX- TERNAL”.

0[TIME CODE OUT] terminal (BNC)

This is the EBU-compliant time code output ter- minal.

It outputs time codes recorded on the tape dur- ing playback and data generated by the time code generator during recording.

With the COUNTER switch set to CTL, time code is not output.

![CH1/3 AUDIO IN] terminal (RCA)

Use this terminal to input analog audio signals. To enable audio input via this terminal, set the INPUT SELECT switch located on the front panel to “LINE” or “Y/C (CPN)”.

Usually, analog signals are recorded on CH1. For audio dubbing, they are recorded on CH3.

@[CH2/4 AUDIO IN] terminal (RCA)

Use this terminal to input analog audio signals. To enable audio input via this terminal, set the INPUT SELECT switch located on the front panel to “LINE” or “Y/C (CPN)”.

Usually, analog signals are recorded on CH2. For audio dubbing, they are recorded on CH4.

Memo

If the AUDIO IN terminal and the MIC terminal located on the front panel are used simulta- neously, the MIC terminal will precede.

#[CH1/3 AUDIO OUT] terminal

(RCA)

Use this terminal to output analog audio sig- nals.

In the 48k audio mode, it outputs the sound of CH1.

When audio dubbing is paused, it outputs the sound of CH3.

In the 32k audio mode, the sound is selected with the AUDIO OUTPUT switch located on the front panel.

(Refer to the table below.)

$[CH2/4 AUDIO OUT] terminal

(RCA)

Use this terminal to output analog audio sig- nals.

In the 48k audio mode, it outputs the sound of CH2.

When audio dubbing is paused, it outputs the sound of CH4.

In the 32k audio mode, the sound is selected with the AUDIO OUTPUT switch on the front panel.

(Refer to the table below.)

Memo

In the following modes, the channel that receives output signals from the AUDIO OUT terminal can be selected with the AUDIO OUTPUT switch.

•During playback of tapes recorded in the 32k audio mode

•During audio dubbing

•In the EE mode for DV input in the 32k audio mode

AUDIO OUTPUT

AUDIO OUT terminal

 

 

switch

CH1/3

CH2/4

 

 

 

 

CH1/2

CH1

CH2

 

 

 

MIX

CH1, 3 mix

CH2, 4 mix

 

 

 

CH3/4

CH3

CH4

 

 

 

%[AUDIO MONITOR] terminal (RCA)

This terminal is for connecting to a monitor TV and monitors the sound from its speakers. Monaural sounds are output.

•The audio channel to be monitored can be selected with the AUDIO MONITOR switch located on the front panel.

For audio channels that receive output sig- nals from this terminal in the 32k audio mode, refer to the table in page 13.

E-17

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JVC BR-DV6000E Sync in synchronization input Terminal BNC, Time Code in terminal BNC, Time Code OUT terminal BNC
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BR-DV6000E specifications

The JVC BR-DV6000E is a professional DV deck that has become a staple for many video production specialists, offering a blend of robust features and reliable performance. Known for its versatility and user-friendly interface, the BR-DV6000E is designed to meet the needs of various applications, from broadcasting to video editing, making it an essential asset for professional environments.

One of the standout features of the BR-DV6000E is its ability to support multiple formats, including DV, miniDV, and DVCAM. This flexibility allows users to work with different types of media without the need for multiple decks, thus streamlining the workflow in any production setup. Additionally, the deck offers comprehensive compatibility with different video resolutions, ensuring that it meets the varying demands of modern video standards.

The BR-DV6000E is equipped with advanced technologies that enhance its performance. It boasts a high-quality digital video processing engine that ensures superior image quality, along with low noise levels, making it ideal for professional broadcast applications. The deck supports both NTSC and PAL formats, providing users with the freedom to work with international projects seamlessly.

Another notable characteristic of the BR-DV6000E is its robust build quality. Designed for everyday use in demanding environments, the deck features a durable chassis that withstands the rigors of regular operation, while the intuitive front panel layout provides easy access to essential controls and functions. This design not only aids in usability but also enhances productivity during editing sessions.

For connectivity, the BR-DV6000E offers a range of input and output options, including FireWire (IEEE 1394), which enables fast data transfer and easy integration with non-linear editing systems. This connectivity is crucial for professionals who require quick access to video footage during editing and post-production.

In conclusion, the JVC BR-DV6000E is a highly versatile and reliable DV deck that caters to the needs of professional videographers and broadcasters. With its support for multiple formats, high-quality digital processing, robust build, and extensive connectivity options, it is an invaluable tool for anyone looking to create high-quality video content in an efficient manner. The combination of these features ensures that the BR-DV6000E remains a popular choice among industry professionals, cementing its reputation as a dependable workhorse in the world of video production.
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