Menu Screen Explanations | EN23 | ||||||
|
|
| |||||
|
|
|
|
|
| ||
|
| FADER/WIPE | Refer to “Fade/Wipe Effects” ( pg. 26, 27). |
| |||
|
|
|
| ||||
|
|
|
|
| |||
|
| P.AE/EFFECT | Refer to “Program AE With Special Effects” ( pg. 28). |
|
| ||
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
| EXPOSURE | Refer to “Exposure Control” and “Iris Lock” ( pg. 29). |
|
| ||
|
|
|
| ||||
|
|
|
| ||||
|
|
|
|
| |||
|
| W.BALANCE | Refer to “White Balance Adjustment” and “Manual White Balance Operation” |
|
| ||
|
|
|
| ||||
|
|
|
| ( pg. 30). |
|
|
|
|
|
|
|
|
| ||
|
| REC MODE | Allows you to set the recording mode (SP or LP) depending on your |
|
| ||
|
|
|
| preference ( pg. 13). |
|
|
|
|
| SOUND | 12 BIT | Enables recording of stereo sound on four separate channels, and is recom- |
|
| |
|
| MODE |
| mended for use when performing audio dubbing ( pg. 49). (Equivalent to |
| ||
|
|
|
| the 32 kHz mode of previous models) |
| ||
|
|
| 16 BIT | Enables recording of stereo sound on two separate channels. (Equivalent to |
| ||
|
|
|
| the 48 kHz mode of previous models) |
| ||
|
|
|
|
|
| ||
|
| ZOOM | 10X | When set to “10X” while using digital zoom, the zoom magnification will |
|
| |
|
|
|
| reset to 10X since digital zoom will be disengaged. |
| ||
|
|
|
|
|
| ||
MENU |
| 40X | Allows you to use the Digital Zoom. By digitally processing and magnifying |
|
| ||
|
| images, zooming is possible from 10X (the optical zoom limit), to a maximum |
|
| |||
|
|
|
|
| |||
|
|
|
| of 40X digital magnification. |
|
|
|
CAMERA |
| 250X | Allows you to use the Digital Zoom. By digitally processing and magnifying |
|
| ||
|
| images, zooming is possible from 10X (the optical zoom limit), to a maximum |
|
| |||
|
|
|
|
| |||
|
|
|
| of 250X digital magnification. |
|
|
|
|
|
|
|
|
| ||
|
| GAIN UP | OFF | Allows you to shoot dark scenes with no picture brightness adjustment. |
|
| |
|
|
|
|
|
| ||
|
|
| AGC | The overall appearance may be grainy, but the image is bright. |
|
| |
|
|
| AUTO | The shutter speed is automatically adjusted (1/30 — 1/200 sec.). Shooting a |
|
| |
|
|
|
| subject in low or poor lighting at 1/30 sec. shutter speed provides a brighter |
| ||
|
|
|
| image than in the AGC mode, but the subject’s movements are not smooth or |
| ||
|
|
|
| natural. The overall appearance may be grainy. When the shutter speed is |
| ||
|
|
|
| automatically adjusted, “ | ” is displayed. |
| |
|
|
|
|
|
| ||
|
| TALLY | ON | The tally lamp comes on to signal the start of recording. |
|
| |
|
|
| OFF | The tally lamp remains off at all times. |
|
| |
|
|
|
|
|
| ||
|
| ID | This number is necessary when connecting the camcorder to a device such as a computer |
|
| ||
|
| NUMBER | using the J terminal (JLIP). The numbers range from 01 to 99. Factory setting is 06. |
| |||
|
|
|
|
|
|
|
|
:
NOTES:
●The “ 
CAMERA MENU” settings are effective when the Power Switch is set to both “
” and “ 
”.
● “REC MODE” can be set when the Power Switch is set to “ 
” or “ 
” ( pg. 13, 32).
CONTINUED ON NEXT PAGE
