52 EN

 

TROUBLESHOOTING (cont.)

 

SYMPTOM

 

POSSIBLE CAUSES

 

CORRECTIVE ACTION

 

9. The color of Snapshot

 

9. • The light source or the

 

9. •Find a white subject and

 

looks strange.

 

subject does not include

 

compose your shot so that it

 

 

 

white. Or there are various

 

also appears in the frame

 

 

 

different light sources

 

( pg. 16).

 

 

 

behind the subject.

 

•Turn off Sepia and

 

 

 

• The Sepia or Monotone

 

Monotone ( pg. 28).

 

 

 

mode is activated.

 

 

 

 

 

 

 

 

 

10. The image taken using

 

10. • Shooting was performed

 

10. •Press the BACKLIGHT

 

Snapshot is too dark.

 

under backlit conditions.

 

Button ( pg. 29).

 

 

 

 

 

 

 

11. Digital Zoom does not

 

11. • 10X optical zoom is

 

11. •Set “ZOOM” to “40X” or

 

work.

 

selected.

 

“250X” in the Menu Screen

 

 

 

• “P.AE/EFFECT” is set to

 

( pg. 23).

 

 

 

“VIDEO ECHO” in the

 

•Disengage the “VIDEO

 

 

 

Menu Screen.

 

ECHO” mode ( pg. 18,

 

 

 

• Picture Wipe or Dissolve are

 

28).

 

 

 

being used in a scene

 

•Wait until the Picture Wipe

 

 

 

transition.

 

or Dissolve effects are

 

 

 

 

 

completed ( pg. 18, 26).

 

 

 

 

 

 

 

12. Program AE with special

 

12. • The Power Switch is set to

 

12. •Set the Power Switch to

 

effects and Fade/Wipe

 

“ ”.

 

“ ” ( pg. 26, 28).

 

Effects do not work.

 

 

 

 

 

 

 

 

 

 

 

13. The Black & White Fader

 

13. • The Sepia or Monotone

 

13. •Turn off Sepia and Mono-

 

does not work.

 

mode is activated.

 

tone ( pg. 26, 28).

 

 

 

 

 

 

 

14. The Dissolve function does

 

14. • The Sepia, Monotone or

 

14. •Turn off Sepia, Monotone or

 

not work.

 

Slow Shutter mode of

 

Slow Shutter before adding

 

 

 

Program AE with special

 

Dissolve to a scene

 

 

 

effects is activated.

 

transition ( pg. 26, 28).

 

 

 

• “WIDE MODE” is set to

 

•Set “WIDE MODE” to

 

 

 

“SQUEEZE” in the Menu

 

“CINEMA” or “OFF” mode

 

 

 

Screen.

 

( pg. 24).

 

 

 

• The previously selected

 

•Make sure you have

 

 

 

mode of Program AE with

 

selected the mode of

 

 

 

special effects was changed

 

Program AE with special

 

 

 

after the last selected scene

 

effects you want before

 

 

 

for editing was registered.

 

starting editing

 

 

 

 

 

( pg. 26, 28).

 

 

 

 

 

 

 

15. The Picture Wipe and

 

15. • The last selected editing

 

15. •Select Picture Wipe or

 

Dissolve functions do not

 

scene is ending.

 

Dissolve before beginning

 

work.

 

• At the end of the last

 

recording. The effects are

 

 

 

selected scene for editing,

 

then automatically activated

 

 

 

the Power Switch was set to

 

( pg. 26).

 

 

 

“OFF”.

 

•Do not turn off the

 

 

 

• The power is off.

 

camcorder’s power after

 

 

 

 

 

setting Edit-In and Edit-Out

 

 

 

 

 

points, as they will all be

 

 

 

 

 

erased ( pg. 26).

 

 

 

 

 

•The camcorder automati-

 

 

 

 

 

cally shuts off after 5 minutes

 

 

 

 

 

have elapsed in the Record-

 

 

 

 

 

Standby mode. Make sure

 

 

 

 

 

you continue operations

 

 

 

 

 

within 5 minutes after

 

 

 

 

 

engaging Record-Standby

 

 

 

 

 

mode ( pg. 26).

 

 

 

 

 

 

Page 52
Image 52
JVC GR-DVL100 specifications 52 EN

GR-DVL100 specifications

The JVC GR-DVL300 and GR-DVL100 are part of JVC's line of compact and versatile MiniDV camcorders that gained popularity in the early 2000s. Both models are designed to cater to the needs of amateur videographers and provide high-quality video recording in a user-friendly format.

The JVC GR-DVL300 stands out with its progressive scan technology, which enhances video clarity and reduces motion blur. This feature is particularly beneficial when shooting fast-moving subjects, making it a great choice for capturing sports events or action-packed scenes. The GR-DVL300 also boasts a 20x optical zoom lens, which allows users to get closer to their subjects without sacrificing image quality, while a digital zoom feature extends this capability even further.

In contrast, the GR-DVL100 is equipped with a 16x optical zoom and offers slightly fewer advanced features compared to its sibling. However, it remains a robust option for those who prioritize simplicity and ease of use. Both camcorders incorporate JVC’s advanced Image Stabilization technology, reducing camera shake and ensuring smooth footage, even during handheld use.

A key characteristic of both models is their ability to record in both LP (long play) and SP (standard play) modes, providing flexibility in recording time and video quality. Users can choose the mode that best suits their needs, whether they want longer recording durations or superior video quality.

Additionally, both camcorders feature a built-in digital still camera function, allowing users to capture snapshots at 640x480 resolution. This dual functionality adds value for those who want to capture both video and still images without the need for separate devices.

The JVC GR-DVL300 and GR-DVL100 also come with an array of connectivity options, including USB ports for easy transfer of videos to computers as well as S-Video and AV outputs for playback on larger screens. Their compact design makes them portable and convenient for on-the-go shooting, catering to travelers and event documentarians alike.

With their blend of functionality, ease of use, and versatile features, the JVC GR-DVL300 and GR-DVL100 remain noteworthy options for casual filmmakers who want reliable performance and impressive video quality in a compact camcorder package.