EN53

SYMPTOM

16.The picture wipe function does not work.

17.Scene transition does not go as expected.

18.The Video Echo mode does not work.

19.Even when Slow Shutter is not selected, the image looks like it is activated.

20.There is no strobe when the Classic Film or Strobe mode is activated.

21.White Balance cannot be activated.

22.When shooting a subject illuminated by bright light, vertical lines appear.

23.When the screen is under direct sunlight during shooting, the screen becomes red or black for an instant.

POSSIBLE CAUSES

 

CORRECTIVE ACTION

16 •The Slow Shutter mode is

 

16. • Disengage the Slow Shutter

activated.

 

mode or set “WIDE MODE”

•“WIDE MODE” is not set to

 

to “OFF” before preparing

“OFF”.

 

to use the Picture Wipe

 

 

( pg. 24, 26, 28).

 

 

 

17. •When using “Picture Wipe/

 

17.

Dissolve” ( pg. 26), there

 

 

is a delay of a fraction of a

 

 

second between the

 

 

previous record stop-point

 

 

and the Dissolve start-point.

 

————

This is normal, but this slight

 

 

delay becomes especially

 

 

noticeable when shooting

 

 

fast-moving subject or

 

 

during rapid panning.

 

 

 

 

 

18. •The Picture Wipe or

 

18. • Set “WIDE MODE” to

Dissolve functions are in use.

 

“CINEMA” or “OFF” mode

•“WIDE MODE” is set to

 

( pg. 24).

“SQUEEZE” in the Menu

 

• Do not try to use the Video

Screen.

 

Echo mode during a Fade-In

•A Fade-In or Fade-Out is in

 

or Fade-Out ( pg. 26, 28).

progress.

 

 

 

 

 

19 •When shooting in the dark,

 

19. • If you want the lighting to

the unit becomes highly

 

look more natural, set GAIN

sensitive to light and the

 

UP to “AGC” or “OFF” in

image takes on an effect

 

the Menu Screen

similar to Slow Shutter.

 

( pg. 23).

 

 

 

20. •The Picture Wipe or

 

20. • Do not try to use the Classic

Dissolve function is in use.

 

Film or Strobe mode during

 

 

a scene transition

 

 

( pg. 26, 28).

 

 

 

21. •The Sepia or Monotone

 

21. • Turn off Sepia or Monotone

mode is activated.

 

before setting White

 

 

Balance ( pg. 28, 30).

 

 

 

22. •This is a result of exceed-

 

22.

ingly high contrast, and is

 

————

not a malfunction.

 

 

 

 

 

23. •This is not a malfunction.

 

23.

 

 

————

 

 

 

CONTINUED ON NEXT PAGE

Page 53
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JVC GR-DVL100 specifications EN53, Slow Shutter mode is

GR-DVL100 specifications

The JVC GR-DVL300 and GR-DVL100 are part of JVC's line of compact and versatile MiniDV camcorders that gained popularity in the early 2000s. Both models are designed to cater to the needs of amateur videographers and provide high-quality video recording in a user-friendly format.

The JVC GR-DVL300 stands out with its progressive scan technology, which enhances video clarity and reduces motion blur. This feature is particularly beneficial when shooting fast-moving subjects, making it a great choice for capturing sports events or action-packed scenes. The GR-DVL300 also boasts a 20x optical zoom lens, which allows users to get closer to their subjects without sacrificing image quality, while a digital zoom feature extends this capability even further.

In contrast, the GR-DVL100 is equipped with a 16x optical zoom and offers slightly fewer advanced features compared to its sibling. However, it remains a robust option for those who prioritize simplicity and ease of use. Both camcorders incorporate JVC’s advanced Image Stabilization technology, reducing camera shake and ensuring smooth footage, even during handheld use.

A key characteristic of both models is their ability to record in both LP (long play) and SP (standard play) modes, providing flexibility in recording time and video quality. Users can choose the mode that best suits their needs, whether they want longer recording durations or superior video quality.

Additionally, both camcorders feature a built-in digital still camera function, allowing users to capture snapshots at 640x480 resolution. This dual functionality adds value for those who want to capture both video and still images without the need for separate devices.

The JVC GR-DVL300 and GR-DVL100 also come with an array of connectivity options, including USB ports for easy transfer of videos to computers as well as S-Video and AV outputs for playback on larger screens. Their compact design makes them portable and convenient for on-the-go shooting, catering to travelers and event documentarians alike.

With their blend of functionality, ease of use, and versatile features, the JVC GR-DVL300 and GR-DVL100 remain noteworthy options for casual filmmakers who want reliable performance and impressive video quality in a compact camcorder package.