Display

6e Audio Dub

Standby mode

Speaker

Power Switch

Remote sensor

Stereo microphone

PLAY

STOPPAUSE

A.DUB

EN49

Audio Dubbing

The audio track can be customized only when recorded in the 12-bit mode ( pg. 23).

NOTES:

Audio Dubbing is not possible on a tape recorded in

16-bit audio, on a tape recorded in the LP mode or on a blank portion of a tape.

To perform Audio Dubbing while watching on the television, make connections (  pg. 34).

1 Play back the tape to locate the point where editing will start, then press PAUSE (6).

2 While holding A.DUB (e) on the remote control, press PAUSE (6). “6e” appears.

3 Press PLAY (4), then begin “narrating”. Speak into the microphone.

To pause dubbing, press PAUSE (6).

4 To end Audio Dubbing, press PAUSE (6), then STOP (5).

To hear the dubbed sound during playback . . .

.... set “12BIT MODE” to “SOUND 2” or “MIX” in the

Menu Screen ( pg. 32, 33).

NOTES:

Sound is not heard from the speaker during Audio Dubbing.

When editing onto a tape that was recorded at 12-bit, the old and new soundtracks are recorded separately.

If you dub onto a blank space on the tape, the sound may be disrupted. Make sure you only edit recorded areas.

If feedback or howling occurs during TV playback, move the camcorder’s microphone away from the TV, or turn down the TV’s volume.

If you change from 12-bit to 16-bit in mid-recording and then use the tape for Audio Dubbing, it is not effective from the point where 16-bit recording began.

During Audio Dubbing, when the tape moves to scenes recorded in the LP mode, scenes recorded in 16-bit

audio or a blank portion, Audio Dubbing stops (  pg. 59).

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JVC GR-DVL100 specifications Audio Dubbing, EN49, To hear the dubbed sound during playback

GR-DVL100 specifications

The JVC GR-DVL300 and GR-DVL100 are part of JVC's line of compact and versatile MiniDV camcorders that gained popularity in the early 2000s. Both models are designed to cater to the needs of amateur videographers and provide high-quality video recording in a user-friendly format.

The JVC GR-DVL300 stands out with its progressive scan technology, which enhances video clarity and reduces motion blur. This feature is particularly beneficial when shooting fast-moving subjects, making it a great choice for capturing sports events or action-packed scenes. The GR-DVL300 also boasts a 20x optical zoom lens, which allows users to get closer to their subjects without sacrificing image quality, while a digital zoom feature extends this capability even further.

In contrast, the GR-DVL100 is equipped with a 16x optical zoom and offers slightly fewer advanced features compared to its sibling. However, it remains a robust option for those who prioritize simplicity and ease of use. Both camcorders incorporate JVC’s advanced Image Stabilization technology, reducing camera shake and ensuring smooth footage, even during handheld use.

A key characteristic of both models is their ability to record in both LP (long play) and SP (standard play) modes, providing flexibility in recording time and video quality. Users can choose the mode that best suits their needs, whether they want longer recording durations or superior video quality.

Additionally, both camcorders feature a built-in digital still camera function, allowing users to capture snapshots at 640x480 resolution. This dual functionality adds value for those who want to capture both video and still images without the need for separate devices.

The JVC GR-DVL300 and GR-DVL100 also come with an array of connectivity options, including USB ports for easy transfer of videos to computers as well as S-Video and AV outputs for playback on larger screens. Their compact design makes them portable and convenient for on-the-go shooting, catering to travelers and event documentarians alike.

With their blend of functionality, ease of use, and versatile features, the JVC GR-DVL300 and GR-DVL100 remain noteworthy options for casual filmmakers who want reliable performance and impressive video quality in a compact camcorder package.