48 EN |
| USING MENUS FOR DETAILED ADJUSTMENT (cont.) | |||
Menu Screen Explanations (cont.) |
| ||||
|
|
|
|
| |
| TELE | OFF | Usually the distance to a subject where the lens is in focus depends on the | ||
| MACRO |
| zoom magnification. Unless there is a distance more than 1m (3.3 ft.) to the | ||
|
|
|
| subject, the lens is out of focus at the maximum telephoto setting. When set to | |
|
|
| ON | “ON”, you can shoot a subject as large as possible at a distance of approx. 60 | |
|
|
| cm (2 ft.). |
| |
|
|
|
|
| |
|
|
|
| • Depending on the zoom position, the lens may go out of focus. | |
|
|
|
|
| |
| WIDE | OFF | Records with no change in the screen ratio. For playback on a TV with a | ||
| MODE |
| normal screen ratio. |
| |
|
|
| CINEMA | Inserts black bands at the top and bottom of the screen. During playback on | |
MANUAL |
| ||||
| the screen and the image appears like a letterboxed 16:9 movie. | ||||
|
|
|
| and the screen ratio becomes 16:9. | appears. When using this mode, refer |
|
|
|
| to your | |
|
|
|
| TVs/LCD monitor/viewfinder, black bands are inserted at the top and bottom of | |
•The “CINEMA” mode is effective only when the VIDEO/MEMORY Switch is set to “VIDEO”.
SQUEEZE For playback on TVs with an aspect ratio of 16:9. Naturally expands the image | ||||
|
| to fit the screen without distortion. |
| appears. When using this mode, refer |
|
|
| ||
|
| to your | ||
|
| TVs/LCD monitor/viewfinder, the image is elongated vertically. | ||
•The “SQUEEZE” mode is effective only when the VIDEO/MEMORY Switch is set to “VIDEO”.
S.WIDE | “ |
|
|
|
|
|
|
| ” appears. The zoom range is extended beyond the maximum optical | |||
|
|
|
| |||||||||
|
|
|
| zoom wide angle range. This mode’s wide angle setting is equivalent to using | ||||||||
|
|
|
| |||||||||
|
|
|
| a 0.9X wide conversion lens. Zooming is possible from 0.9X to 10X. This mode | ||||||||
|
|
|
| is suitable for shooting in a small room. | ||||||||
|
|
|
| • “S.WIDE” mode is effective only when the VIDEO/MEMORY Switch is set to | ||||||||
|
|
|
|
|
| “VIDEO”. | ||||||
|
|
| WIND | OFF | Disengages the function which cuts down on noise created by wind. | |||||||
|
|
| CUT |
|
|
|
|
|
| |||
|
|
|
|
| ON | Helps cut down on noise created by wind. “ | ” appears. The quality of the | |||||
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
| sound will change. This is normal. |
|
|
|
|
|
|
|
| |||||||
|
|
| BEEP | OFF | Even though not heard while shooting, shutter sound is recorded on the tape. | |||||||
|
|
|
|
|
|
|
|
|
|
| ||
SYSTEM |
|
|
|
|
|
| BEEP | The beep sounds when the power is turned on or off, and at the beginning and end | ||||
|
|
|
|
|
|
| of recording. Also to activate the shutter sound effect ( pg. 26, 42). | |||||
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
| MELODY | Instead of a beep, a melody sounds when any operation is performed. It also | ||
|
|
|
|
|
|
|
|
|
| activates the shutter sound effect ( pg. 26, 42). |
| |
|
|
| TALLY | OFF | The tally lamp remains off at all times. |
|
| |||||
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
| ON | The tally lamp comes on to signal the start of recording. | ||
|
|
|
| : |
|
|
| |||||
|
|
|
|
|
|
| ||||||
NOTES: |
|
|
|
| MANUAL |
| ||||||
● The “ |
|
| MANUAL” settings are effective only when the Power Switch is set to “ | ”. | ||||||||
● “ |
|
|
| SYSTEM” functions which are set when the Power Switch is set to “ MANUAL ” are also applied when the Power | ||||||||
|
|
| ||||||||||
Switch is set to “PLAY” ( pg. 50). |
|
| ||||||||||
