Пî óìîë÷àíèþ óñòàíîâëåíû çíà÷åíèå “YES” äëя ñàáâóôåðà è “SML” ôðîíòàëüíûõ, öåíòðàëüíîãî è òûëîâûõ äèíàìèêîâ. Дëя äîñòèæåíèя íàèëó÷øåãî çâó÷àíèя èçìåíèòå íàñòðîéêè ñàáâóôåðà è äèíàìèêîâ â ñîîòâåòñòâèè ñ ðàñïîëîæåíèåì îòíîñèòåëüíî ïîçèöèè ïðîñëóøèâàíèя.

Вâîä èíôîðìàöèè î ñàáâóôåðå

Remote

NOT

Нåîáõîäèìî óêàçàòü, ïîäêëþ÷åí ëè ê ñèñòåìå ñàáâóôåð èëè íåò. Еñëè ñàáâóôåð óæå ïîäêëþ÷åí, ñëåäóåò âûïîëíèòü ïðîöåäóðó, îïèñàííóþ íèæå.

Пåðåä íà÷àëîì ðàáîòû, çàïîìíèòå...

Пðè âûïîëíåíèè îïèñàííûõ íèæå äåéñòâèé ñóùåñòâóåò îïðåäåëåííûé ëèìèò âðåìåíè. Еñëè íàñòðîéêà áóäåò îòìåíåíà äî îêîí÷àíèя ïðîöåäóðû, åå ïðèäåòñя íà÷èíàòü çàíîâî ñ ïóíêòà 1.

1Нàæìèòå SETTING.

SETTING

Кíîïêè CONTROL òåïåðü ìîæíî

 

èñïîëüçîâàòü äëя íàñòðîéêè óñòàíîâî÷íûõ

 

çíà÷åíèé.

2Пîâòîðíî íàæèìàéòå CONTROL °(èëè 5) äî ïîяâëåíèя íà äèñïëåå îáîçíà÷åíèя îäíîãî èç

äèíàìèêîâ (ñ òåêóùåé íàñòðîéêîé)*.

CONTROL

 

 

 

ANALOG

L

C

R

PR ΙΙ

 

LPCM

SUBWFR LFE DSP

 

DOLBY D

LS

S

RS

AUTO SR

VOL

DTS

INPUT ATT

1Нàæìèòå SETTING.

SETTING

Кíîïêè CONTROL òåïåðü ìîæíî

 

èñïîëüçîâàòü äëя íàñòðîéêè óñòàíîâî÷íûõ

 

çíà÷åíèé.

2Пîâòîðíî íàæèìàéòå CONTROL °(èëè 5) äî ïîяâëåíèя íà äèñïëåå “SUBWFR (Сàáâóôåð)”

(ñ òåêóùåé íàñòðîéêîé)*.

CONTROL

RΙΙ

SR

 

ATT

VOL

*Пî óìîë÷àíèþ óñòàíàâëèâàåòñя “YES”. Еñëè çíà÷åíèå óæå áûëî èçìåíåíî, íà äèñïëåå ïîяâèòñя èíäèêàöèя“NO”.

3Нàæìèòå CONTROL 3(èëè 2) äëя âûáîðà “YES”.

• Пðè êàæäîì íàæàòèè ýòîé êíîïêè ïàðàìåòð ñàáâóôåðà

ïåðåêëþ÷àåòñя ìåæäó “YES” è “NO”.

 

CONTROL

 

 

ANALOG

L

C

R

PR ΙΙ

 

LPCM

SUBWFR LFE DSP

 

DOLBY D

LS

S

RS

AUTO SR

VOL

DTS

INPUT ATT

YES : Вûáèðàåòñя â òîì ñëó÷àå, åñëè ñàáâóôåð áûë ïîäêëþ÷åí. Нà äèñïëåå çàãîðàåòñя èíäèêàöèя

(SUBWFR ) (ñì. ñòð. 11). Вûõîäíîé óðîâåíü ñàáâóôåðà ìîæíî íàñòðàèâàòü (ñì. ñòð. 22).

NO

: Вûáèðàåòñя, åñëè ñàáâóôåð íå èñïîëüçóåòñя.

Вâîä èíôîðìàöèè

Remote

î äèíàìèêàõ

NOT

Дëя îáåñïå÷åíèя íàèëó÷øåãî çâó÷àíèя ïðè ïðîñëóøèâàíèè àïïàðàòà â ðåæèìå îáúåìíîãî çâó÷àíèя (ñì. ñòð. 32) ïîñëå çàâåðøåíèя âûïîëíåíèя âñåõ ñîåäèíåíèé ââåäèòå â ïàìяòü àïïàðàòà èíôîðìàöèþ î ïîäêëþ÷åííûõ äèíàìèêàõ.

Рàçìåð äèíàìèêà—FRNT SP, CNTR SP, REAR SP

Рàññòîяíèå äî äèíàìèêà—FRNT D, CNTR D, REAR D

Чàñòîòà ðàçäåëåíèя—CROSS

Оñëàáëåíèå íèçêî÷àñòîòíîãî ýôôåêòà—LFE

Сæàòèå äèíàìè÷åñêîãî äèàïàçîíà—D.COMP

Рàçìåð äèíàìèêà—FRNT SP, CNTR SP, REAR SP

Вâåäèòå â ïàìяòü àïïàðàòà ðàçìåð ïîäêëþ÷àåìûõ äèíàìèêîâ.

Пðè óñòàíîâêå íîâûõ äèíàìèêîâ äàííûå î íèõ ñëåäóåò ââåñòè â ïàìяòü àïïàðàòà çàíîâî.

Пåðåä íà÷àëîì ðàáîòû, çàïîìíèòå...

Пðè âûïîëíåíèè îïèñàííûõ íèæå äåéñòâèé ñóùåñòâóåò

FRNT SP (Фðîíòàëüíûé äèíàìèê) :

Дëя ââîäà èíôîðìàöèè î ôðîíòàëüíîì äèíàìèêå.

CNTR SP (Цåíòðàëüíûé äèíàìèê) :

Дëя ââîäà èíôîðìàöèè î ðàçìåðå öåíòðàëüíîãî äèíàìèêà.

REAR SP (Тûëîâîé äèíàìèê) :

Дëя ââîäà èíôîðìàöèè î ðàçìåðå òûëîâîãî äèíàìèêà.

*Зíà÷åíèå “SML (ìàëåíüêèé)” óñòàíîâëåíî ïî óìîë÷àíèþ. Еñëè çíà÷åíèå óæå áûëî èçìåíåíî, íà äèñïëåå áóäåò îòîáðàæåíî äðóãîå çíà÷åíèå.

3Нàæìèòå CONTROL 3(èëè 2) äëя âûáîðà ñîîòâåòñòâóþùåãî ðàçìåðà äèíàìèêà.

Пðè êàæäîì íàæàòèè ýòîé êíîïêè èçìåíåíèå ðàçìåðà äèíàìèêà ïðîèñõîäèò â òàêîé ïîñëåäîâàòåëüíîñòè:

 

CONTROL

 

 

ANALOG

L

C

R

PR ΙΙ

 

LPCM

SUBWFR LFE DSP

 

DOLBY D

LS

S

RS

AUTO SR

VOL

DTS

INPUT ATT

Пðèìåð: Пðè ââîäå èíôîðìàöèè î ðàçìåðå òûëîâîãî äèíàìèêà.

LRG (Бîëüøîé) : Вûáèðàåòñя â òîì ñëó÷àå, åñëè ðàçìåð äèíàìèêà îòíîñèòåëüíî áîëüøîé. (Сì. “Пðèìå÷àíèя” íèæå.)

SML (Мàëåíüêèé): Вûáèðàåòñя â òîì ñëó÷àå, åñëè ðàçìåð äèíàìèêà îòíîñèòåëüíî ìàëåíüêèé. (Сì. “Пðèìå÷àíèя” íèæå.)

NO

: Вûáèðàåòñя â òîì ñëó÷àå, åñëè äèíàìèê

 

âîîáùå íå ïîäêëþ÷åí. (Дëя ôðîíòàëüíûõ

 

äèíàìèêîâ äàííîå çíà÷åíèå âûáðàòü íåëüçя.)

 

 

4Пîâòîðèòå ïóíêòû 2 è 3 äëя âûáîðà ñîîòâåòñòâóþùåãî ðàçìåðà äðóãèõ äèíàìèêîâ.

Пðèìå÷àíèя:

• Пðè âûáîðå óñòàíîâî÷íûõ çíà÷åíèé ðóêîâîäñòâóéòåñü ñëåäóþùèì:

– Еñëè ðàçìåð êîíè÷åñêîãî äèíàìèêà, âñòðîåííîãî â äèíàìèê, ïðåâûøàåò 12 ñì âûáèðàéòå“LRG (áîëüøîé)”, åñëè æå îí ìåíüøå 12 ñì, âûáèðàéòå“SML (ìàëåíüêèé)”.

• Еñëè ïàðàìåòð ñàáâóôåðà áûë óñòàíîâëåí íà çíà÷åíèå “NO”, òî äëя ôðîíòàëüíûõ äèíàìèêîâ ìîæíî âûáðàòü òîëüêî “LRG (áîëüøîé)”.

• Еñëè äëя ôðîíòàëüíûõ äèíàìèêîâ áûëî âûáðàíî çíà÷åíèå “SML (ìàëåíüêèé)”, òî óñòàíîâèòü çíà÷åíèå “LRG (áîëüøîé)”

Рóññêèé

îïðåäåëåííûé ëèìèò âðåìåíè. Еñëè íàñòðîéêà áóäåò îòìåíåíà äî îêîí÷àíèя ïðîöåäóðû, åå ïðèäåòñя íà÷èíàòü çàíîâî ñ ïóíêòà 1.

äëя öåíòðàëüíîãî è òûëîâûõ äèíàìèêîâ íåëüçя.

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JVC RX-E112RSL, RX-E111RSL manual Нàæìèòå Control 3èëè 2 äëя âûáîðà YES, Рàçìåð äèíàìèêà-FRNT SP, Cntr SP, Rear SP

RX-E112RSL, RX-E111RSL specifications

The JVC RX-E112RSL and RX-E111RSL are two powerful receivers that exemplify JVC's commitment to audio excellence and user-friendly design. These models are tailored for both casual listeners and audiophiles, offering an array of features that enhance the home entertainment experience.

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One of the standout features of these receivers is their compatibility with multiple audio inputs. They include several analog and digital inputs, allowing users to connect a wide range of devices, from DVD players to gaming consoles. This versatility ensures that users can enjoy their favorite media without the hassle of switching equipment. Furthermore, both models feature built-in radio tuners, enabling users to enjoy countless FM and AM stations directly through the receiver.

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Another notable characteristic of these models is their ergonomic design. The user interface is intuitive, with clearly labeled buttons and an easy-to-navigate menu. This thoughtful design invites experimentation and makes it simple to customize settings according to personal preferences.

In conclusion, the JVC RX-E112RSL and RX-E111RSL stand out in the crowded market of audio receivers. Their combination of powerful amplification, extensive connectivity options, advanced audio technologies, and user-friendly design make them ideal choices for anyone looking to enhance their home audio experience. Whether you're a seasoned audiophile or just starting to explore the world of home audio, these receivers deliver quality performance that meets a wide range of listening needs.