Brightness, contrast, and color balance palette |
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| An introduction to color |
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Click the brightness, contrast, |
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| In photography, red, green, and blue are the |
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| primary colors. The secondary colors, cyan, |
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| magenta, and yellow, are made from combin- |
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Drag the brightness, contrast, or color sliders, or enter specific |
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| ing the primary colors: cyan = blue + green, | MAGENTA | YELLOW |
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| magenta = blue + red, and yellow = red + |
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values in the corresponding text box to make corrections. |
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| green. The primary and secondary colors are |
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Dragging each slider to the right or inputting a positive number |
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| grouped in complementary pairs: red and |
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in the text box increases the brightness, contrast, and color. |
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| cyan, green and magenta, and blue and yel- |
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Changes are reflected in the displayed image and in the graph |
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| low. | BLUE | GREEN |
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at the top of the palette. The horizontal axis of the chart indi- |
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| Knowing the complementary colors is very |
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cates the original image values and the vertical axis the new |
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| important in color balancing. If the image has |
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values. |
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| a specific color cast, either subtracting the |
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Clicking the |
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| color or adding its complementary color creates a natural looking image. For example, if the | ||
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| image is too red, decrease the amount of red; if it is too yellow, increase the amount of blue. | |||
contrast automatically without affecting the color balance. Click |
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the reset button to cancel all changes. Click the close button to |
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| Adding or subtracting equal parts of red, green, and blue has no affect on the color balance. | ||
close the palette and apply any changes. |
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| However, it can change the overall image brightness and contrast. Usually, no more than two | |||
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| color channels are needed to color balance an image. |
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| Close button | Color balancing is a skill that develops with practice. While the human eye is extremely sensitive | |||
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| in making comparative judgements, it is a poor tool when making absolute measurements of | ||
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| color. Initially, it can be very difficult to distinguish between blue and cyan, and red and magenta. | ||
Is this picture too light? Adjusting brightness and contrast can |
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| However, adjusting the wrong color channel never improves an image; subtracting blue from an | ||
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| image that is too cyan gives a green cast to the image. |
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be more difficult than it looks. The image on the right looks too bright, especially the mountains in the background.
Undoing and redoing image corrections
Simply making everything darker with the brightness controls creates a muddy image - the snow and sky are a dull gray and there are no strong blacks.
By adding contrast to the image, the snow is brightened while the darker trees are accentuated. The extra contrast also gives the image the appearance of being sharper as well as revealing fine details.
The undo, redo, and
Click the undo button to cancel the last image correction applied to the image. The number of image corrections that can be undone depends on the computer memory capacity.
Click the redo button to reapply the last image correction canceled with the undo button.
Click the
38 | Basic image processing | 39 |