
| YX |
N | |
O |
|
9
1
MIC PRE
|
|
| 2 |
|
|
| 3 |
| YX | M |
|
| YX | M |
|
| IC | PR |
| IC | PR | ||
N |
| N |
| ||||
O |
|
| E | O |
|
| E |
| YX |
N | |
O |
|
MIC
4 | CTRL - RM OUT |
| MAIN OUT | ALT | 15 TAPE | 16 | ||
| BAL/UNBAL |
|
| BAL/UNBAL | BAL/UNBAL |
| L |
|
P |
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| |
R |
|
|
|
|
|
|
|
|
E | 12 |
|
| 13 | 14 |
|
|
|
|
|
|
| IN | OUT | |||
|
|
|
|
|
|
| ||
| L | R | L | R | L/3 | R/4 | R |
|
| LINE IN | LINE IN |
| LINE IN | LINE IN |
|
|
|
10 | 1 | 2 | 3 | 4 |
| L | L | L | L | 17 |
LINE | LINE | LINE | LINE | 11 | (MONO) | (MONO) | (MONO) | (MONO) |
| |
18 | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL | BAL/UNBAL |
| |
LINE | LINE |
|
|
|
|
|
|
| ||
75Hz | 75Hz |
| R | R | R | R |
| |||
|
| 18dB/OCT | 18dB/OCT |
|
| |||||
|
|
|
|
|
|
|
| |||
19 | 48V 20 | 48V | 48V | 48V |
|
|
|
|
| PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE |
|
|
|
|
|
|
Insert jacks continued...
| ring |
| SEND to processor | |
tip | (TRS plug) | “tip” | ||
sleeve |
| |||
This plug connects to one of the | “ring” | |||
mixer’s Channel Insert jacks. | ||||
RETURN from processor |
Insert jacks can be used as channel direct outputs;
Connection Section
This is where you plug in things such as: microphones,
9. MIC INPUTS
This is a female XLR connector, that accepts a balanced microphone input from almost any type of microphone. The microphone preamps feature our Onyx design, with higher fidelity and headroom rivaling any standalone mic preamp on the market today.
The XLR inputs are wired as follows:
Pin 1 = Shield or ground
Pin 2 = Positive (+ or hot)
Pin 3 = Negative (– or cold)
We use
Professional ribbon, dynamic, and condenser mics all sound excellent through these inputs. The mic inputs will handle any kind of mic level you can toss at them, without overloading.
PHANTOM POWER
Most modern professional condenser mics require 48V phantom power, which lets the mixer send low- current DC voltage to the mic’s electronics through the same wires that carry audio.
Phantom power for each channel can be selected using that channel's phantom [20] switch.
Never plug
microphones, or ribbon mics into the mic input jacks if phantom power is on. Do not
plug instrument outputs into the mic XLR input jacks with phantom power on, unless you are certain it is safe.
10. MONO LINE INPUTS (Ch. 1-4)
These 1/4" jacks share circuitry (but not phantom power) with the mic preamps, and can be driven by balanced or unbalanced sources.
To connect balanced lines to these inputs, use a 1⁄4"
Tip = Positive (+ or hot) Ring = Negative (– or cold) Sleeve = Shield or ground
Owner's Manual 13