1

 

 

 

2

 

 

 

3

 

 

 

4

CTRL - RM

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

BAL/UNBA

 

YX

M

 

 

YX

M

 

 

YX

M

 

 

YX

M

 

 

 

IC

PR

 

IC

PR

 

IC

PR

 

IC

PR

 

N

 

N

 

N

 

N

 

 

O

 

 

E

O

 

 

E

O

 

 

E

O

 

 

E

 

9

 

 

 

 

 

 

 

 

 

 

12

 

 

 

 

 

 

 

 

 

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LINE IN 5-6

10

1

 

 

2

 

3

 

4

 

 

L

LINE

 

 

LINE

 

LINE

 

LINE

11

 

(MONO)

18

BAL/UNBAL

 

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

LINE

 

 

LINE

 

 

 

 

 

 

HI-Z

 

 

HI-Z

75Hz

 

75Hz

 

 

 

R

 

 

 

 

18dB/OCT

18dB/OCT

 

 

 

 

 

 

 

 

 

19

48V 20

 

48V

 

48V

 

48V

 

 

 

30

30

30

30

 

U

 

20 U

 

20 U

 

 

20 U

 

20 U

 

 

 

40

 

40

40

40

 

 

 

21U

60

U

 

60

U

60

U

60

 

 

GAIN

 

GAIN

 

 

GAIN

 

GAIN

 

GAIN

 

 

-20dB

+40dB

-20dB

+40dB

-20dB

+40dB

-20dB

+40dB

-20dB

 

+20dB

SEND

 

SEND

 

SEND

SEND

SEND

 

22

PRE

 

 

PRE

 

PRE

 

PRE

 

 

PRE

 

POST

 

 

POST

 

POST

 

POST

 

 

POST

U

EQ

 

U

EQ

U

EQ

U

EQ

 

U

EQ

 

 

 

 

 

 

 

24

HIGH

 

 

HIGH

 

HIGH

 

HIGH

 

 

HIGH

12kHz

-15

 

12kHz

-15

12kHz

-15

12kHz

 

 

12kHz

-15

+15

 

+15

+15

+15

-15

 

+15

1k

1k

1k

1k

 

U 27

25

FREQ

 

 

FREQ

 

FREQ

 

FREQ

 

 

 

 

 

 

 

 

 

100

8k

100

 

8k

100

8k

100

8k

 

 

MID

U

 

 

U

 

U

 

U

 

 

 

26

 

 

 

 

 

 

 

 

 

 

2.5kHz

MID

 

 

MID

 

MID

 

MID

-15

 

+15

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-15

+15

-15

 

+15

-15

+15

-15

+15

 

 

 

U

 

 

U

 

U

 

U

 

 

U

 

28

LOW

 

 

LOW

 

LOW

 

LOW

 

 

LOW

80Hz

 

 

80Hz

 

80Hz

 

80Hz

 

 

80Hz

-15

+15

-15

 

+15

-15

+15

-15

+15

-15

 

+15

 

AUX

 

 

AUX

 

AUX

 

AUX

 

 

AUX

29

1

 

 

1

 

1

 

1

 

 

1

OO

MAX

OO

 

MAX

OO

MAX

OO

MAX

OO

 

MAX

29

2

 

 

2

 

2

 

2

 

 

2

 

 

 

 

 

 

 

OO

MAX

OO

 

MAX

OO

MAX

OO

MAX

OO

 

MAX

30

PAN

 

 

PAN

 

PAN

 

PAN

 

 

PAN

R

 

 

R

 

R

 

R

 

 

R

L

L

 

L

L

L

 

31 MUTE

 

MUTE

MUTE

MUTE

 

MUTE

 

ALT 3/4

 

ALT 3/4

ALT 3/4

ALT 3/4

 

ALT 3/4

 

dB

 

dB

dB

dB

 

dB

 

10

32

10

10

10

 

10

 

5

5

5

5

 

5

 

U

 

U

U

U

 

U

 

 

OL

OL

 

OL

OL

OL

 

5

- 20

5

5

5

- 20

5

33

 

- 20

 

- 20

- 20

10

 

10

10

10

 

10

 

20

 

20

20

20

 

20

 

30

 

30

30

30

 

30

 

40

 

40

40

40

 

40

 

50

 

50

50

50

 

50

 

60

 

60

60

60

 

60

 

OO

 

OO

OO

OO

 

OO

34 SOLO

 

SOLO

SOLO

SOLO

 

SOLO

 

 

1

2

 

3

4

5-6

32. –20 and OL LEDs

These LEDs indicate the channel’s signal level after the gain and EQ controls, but just before the channel’s level. So even if the level is turned down, you can see if a signal is present, or if the channel is being overloaded.

The OL (overload) LED will come on when the channel’s input signal is too high. This should be avoided, as distortion will occur. If the OL LED comes on regularly, check that the gain control [21] is set correctly for your input device, and that the channel EQ is not set with too much boost.

The –20 LED comes on when the channel signal strength has reached that level.

33. CHANNEL FADER

This is the last control in a channel’s signal path, and it adjusts the level of each channel onto the main mix. The “U” mark indicates unity gain, meaning no increase or decrease of signal level. All the way up provides an additional 10 dB, should you need to boost a section of a song. If you find that the overall level is too quiet or too loud with the level near unity, check that the gain control [21] is set correctly.

34. SOLO

Whenever a solo switch is engaged, you will only hear the soloed channel(s) in the headphones and control room. This gives you the opportunity to audition the channels before they are added to the main mix or alt 3–4 mix. You can still hear, even when the fader is down.

Solo is also used to set the gain of each channel correctly. When a channel is soloed, you can adjust the channel gain [21] until your input source reaches the level of the 0 dB LED of the right meter.

Solo signals reaching the headphones and

control room are not affected by the channel level or main level; therefore, turn down the phones level [39] and control room level [38] first, as

soloed channels may be loud.

The rude solo light [41] will turn on as a reminder that what you are listening to in the headphones and control room is just the soloed channel(s).

For stereo channels, the mono sum of the left and right is soloed.

Soloed channels are sent to the source mix, which ultimately feeds your control room, phones, and meters. Whenever solo is engaged, all source selections (main mix, alt 3-4, tape, and FireWire) are defeated, to allow the soloed signal to do just that—solo!

Owner's Manual 21