Hookup Diagrams

Acoustic Guitar

and Mic

Microphone

 

3

 

4

CTRL - RM OUT

 

MAIN OUT

ALT 3-4 OUT

TAPE

 

M

 

M

BAL/UNBAL

 

 

BAL/UNBAL

BAL/UNBAL

 

L

 

 

 

 

 

 

 

 

ONYX

IC PRE

ONYX

IC PRE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IN

OUT

 

 

 

 

L

R

L

R

L/3

R/4

R

 

 

 

 

LINE IN 5-6

LINE IN 7-8

 

LINE IN 9-10

LINE IN 11-12

 

 

Drum Machine

 

1

 

2

 

3

 

4

 

LINE

 

LINE

 

LINE

 

LINE

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

LINE

 

LINE

 

 

 

 

 

HI-Z

 

HI-Z

75Hz

 

75Hz

 

 

 

 

 

18dB/OCT

18dB/OCT

 

48V

 

48V

 

48V

 

48V

30

30

30

30

20 U

40

20 U

40

20 U

40

20 U

40

 

GAIN

 

GAIN

 

GAIN

 

 

U

60

U

60

U

60

U

60

-20dB

+40dB

-20dB

+40dB

-20dB

+40dB

-20dB

+40dB

SEND

 

SEND

 

SEND

 

SEND

 

 

PRE

 

PRE

 

PRE

 

PRE

 

POST

 

POST

 

POST

 

POST

U

EQ

U

EQ

U

EQ

U

EQ

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

12kHz

 

12kHz

 

12kHz

 

12kHz

-15

+15

-15

+15

-15

+15

-15

+15

1k

 

1k

 

1k

 

1k

 

 

FREQ

 

FREQ

 

FREQ

 

FREQ

100

8k

100

8k

100

8k

100

8k

U

 

U

 

U

 

U

 

 

MID

 

MID

 

MID

 

MID

-15

+15

-15

+15

-15

+15

-15

+15

U

 

U

 

U

 

U

 

 

LOW

 

LOW

 

LOW

 

LOW

 

80Hz

 

80Hz

 

80Hz

 

80Hz

-15

+15

-15

+15

-15

+15

-15

+15

 

AUX

 

AUX

 

AUX

 

AUX

 

1

 

1

 

1

 

1

OO

MAX

OO

MAX

OO

MAX

OO

MAX

 

2

 

2

 

2

 

2

OO

MAX

OO

MAX

OO

MAX

OO

MAX

PAN PAN PAN PAN

 

L

 

L

 

L

 

L

 

(MONO)

 

(MONO)

 

(MONO)

 

(MONO)

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

R

 

R

 

R

 

R

U

 

U

 

U

 

U

 

 

GAIN

 

GAIN

 

GAIN

 

GAIN

-20dB

+20dB

-20dB

+20dB

-20dB

+20dB

-20dB

+20dB

SEND

 

SEND

 

SEND

 

SEND

INPUT

 

PRE

 

PRE

 

PRE

 

 

 

POST

 

POST

 

POST

 

 

U

EQ

U

EQ

U

EQ

U

LINE

FW 1-2

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

12kHz

 

12kHz

 

12kHz

 

12kHz

-15

+15

-15

+15

-15

+15

-15

+15

U

 

U

 

U

 

U

 

 

MID

 

MID

 

MID

 

MID

 

2.5kHz

 

2.5kHz

 

2.5kHz

 

2.5kHz

-15

+15

-15

+15

-15

+15

-15

+15

U

 

U

 

U

 

U

 

 

LOW

 

LOW

 

LOW

 

LOW

 

80Hz

 

80Hz

 

80Hz

 

80Hz

-15

+15

-15

+15

-15

+15

-15

+15

 

AUX

 

AUX

 

AUX

 

AUX

 

1

 

1

 

1

 

1

OO

MAX

OO

MAX

OO

MAX

OO

MAX

 

2

 

2

 

2

 

2

OO

MAX

OO

MAX

OO

MAX

OO

MAX

 

PAN

 

PAN

 

PAN

 

PAN

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE

CTRL ROOM/PHONES

SOURCE 0dB=0dBu

 

 

 

 

L

R

 

 

 

 

 

 

20 CLIP

 

MAIN MIX

 

 

15

 

 

 

 

 

 

10

 

 

 

 

 

 

6

 

 

TAPE

 

 

3

 

 

 

 

 

 

0

 

 

FW 1-2

ALT 3-4

 

2

LEVEL

 

 

 

 

 

4

SET

 

 

 

 

 

 

 

 

 

 

 

7

 

 

ASSIGN TO

 

 

10

 

 

MAIN MIX

 

 

20

 

 

 

 

 

 

 

 

 

 

 

 

30

 

OO

MAX

OO

MAX

RUDE

 

CONTROL

PHONES

 

ROOM

 

 

SOLO

 

AUX MASTER

 

SEND

RETURN

 

 

1

 

1

PRE

OO

+15

OO

+10

POST

 

 

 

RTN TO

 

 

 

 

AUX1

 

 

 

2

 

2

PRE

OO

+15

OO

+10

POST

Aux 2 set to

PRE

Laptop with

audio production

software

L R

L R

L R

L R

L R

L R

L R

L R

 

 

POWER

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SRM150

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

 

 

 

 

Powered

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

 

 

 

 

Monitor

dB

dB

dB

dB

dB

dB

dB

dB

MIC

dB

 

 

10

10

10

10

10

10

10

10

 

 

10

 

 

5

5

5

5

5

5

5

5

 

 

5

 

 

U

U

U

U

U

U

U

U

 

 

U

 

 

OL

OL

OL

OL

OL

OL

OL

OL

 

 

 

 

 

5

5

5

5

5

5

5

5

OO

MAX

5

 

 

- 20

- 20

- 20

- 20

- 20

- 20

- 20

- 20

LEVEL

 

 

 

10

10

10

10

10

10

10

10

 

 

10

 

 

30

30

30

30

30

30

30

30

DESTINATION

30

Send

Guitar Processor

20

20

20

20

20

20

20

20

 

 

20

 

 

40

40

40

40

40

40

40

40

PHONES

AUX

40

 

 

50

50

50

50

50

50

50

50

 

1-2

50

 

 

60

60

60

60

60

60

60

60

 

 

60

 

 

O

OO

OO

OO

OO

OO

OO

OO

 

 

OO

 

 

 

 

 

 

 

 

 

 

TALKBACK

 

 

 

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

 

 

 

 

 

1

2

3

4

5-6

7-8

9-10

11-12

TALKBACK

MAIN MIX

 

Return

Stereo Effects Processor

Mackie

SRM450v2

Powered

Speaker

 

 

DESIGNED BY

IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE

Mackie

 

 

& "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008

 

FIREWIRE

BALANCED

AUX

 

( PRE-FADER / PRE EQ

TIP SEND / RING RETURN )

 

MAIN OUT

 

 

CHANNEL INSERT

 

SRM450v2

POWER

 

 

4

3

2

1

R

 

L

 

 

 

 

 

 

2

R

2 L

1

 

Powered

 

 

BAL/UNBAL

 

AUX

 

 

 

 

 

 

 

 

 

 

Speaker

This diagram shows an acoustic guitar mic'd up directly to channel 1 and a microphone connected to channel 2 for vocals. A guitar processor is connected to the insert jack of channel 1.

An effects processor receives a mono input from the aux 1 send, and its stereo outputs connect to the stereo return inputs. Aux 1 is set post-fader, using the Aux 1 pre/post switch in the Aux Master section.

A Mackie SRM150 powered speaker is connected to aux send 2 as a monitor for the performer(s). Aux 2 is set to pre-fader, using the Aux 2 pre/post switch in the Aux Master section.

Mackie SRM450v2 powered speakers are connected to the left and right main outputs.

A laptop connects to the FireWire port, and allows the 2-channel main mix of the performance to be recorded using your audio production software. Two channels of audio can also play from the computer to the main mix. For example, you can play intermission music when the call for an egg-nog decaf latté or green tea gets too strong and you have to take a break.

1-2 Man Coffeehouse Gig

Owner's Manual 7