Pro DJ Production Console
Rear Panel Features
MAIN OUT |
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| BOOTH |
| FX | PGM 2 |
| PGM 1 | MIC | ||
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| SEND | PHONO | CD |
| PHONO | CD |
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L | R | LINE | L | L | R L |
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| MIC |
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| LIVE |
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| RETURN |
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| RECORD |
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| R | L(MONO) |
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| LINE | GND |
| LINE | GND |
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| PHONO |
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1. MIC Input | 5. GND Terminal |
d.2
This is a Neutrik “combo” input connector that accepts either a balanced male XLR connector or a 1/4" balanced or unbalanced connector. Professional mics usually have XLR connectors, while consumer or semi- pro mics often have 1/4" connectors.
The mic input signal is routed through the mic input section, mic EQ, and then to the main mix bus.
These terminals are provided to connect a ground wire from your turntable(s) to the d.2 Pro. Most turn- tables provide a ground wire to connect to the preamp for the purpose of eliminating “hum” in the audio signal. Simply turn the ground terminal on the d.2 Pro counterclockwise to loosen it, wrap the end of the ground wire clockwise around the terminal, and
2. CD Inputs
These RCA jacks accept a stereo
3. LINE/PHONO Inputs
These RCA jacks accept a stereo
4. LINE/PHONO Switch
If you connect a turntable with
| If you are connecting a |
| a CD or MP3 player, leave this switch out to select the |
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| Do not press it in if you have a |
| signal connected. |
10 | d.2 Pro DJ Production Console |
6. Stereo FX SEND
These 1/4" TRS jacks provide a balanced
7. Stereo FX RETURN
These 1/4" TRS jacks accept a balanced
If you are using a stereo effects processor, connect its left and right outputs to the corresponding left and right FX return jacks. If it is a mono effects processor, connect its output signal to the left FX return jack, and it will appear on both the left and right main mix bus.
8. BOOTH Outputs
These 1/4" TRS jacks provide a balanced