d.2 Pro DJ Production Console
46. REVERSE LED
| PGM 1 |
|
This LED lights when |
|
|
the reverse switch [49] |
|
|
has been activated |
|
|
for the crossfader. For | TRANSFORM |
|
(CENTER =MUTE) |
| |
more details, see the |
|
|
discussion of the reverse | OL |
|
15 |
| |
switches on the next |
| |
10 |
| |
|
| |
page. | 6 |
|
3 |
| |
| 0 |
|
47. CROSSFADER | 2 |
|
4 |
| |
7 |
| |
| 10 |
|
The crossfader is used | 20 |
|
30 |
| |
to fade between the two | REVERSE |
|
|
| |
pgm signals in the main |
|
|
outputs. When the cross- |
|
|
fader is all the way to | infinium | A |
the left, pgm 1 is heard | ||
| ||
|
| |
in the main outs. When |
|
|
the crossfader is all the |
|
|
way to the right, pgm |
|
|
2 is heard. When the |
|
|
crossfader knob is in the |
|
|
center, the main outs get an even mix of pgm 1 and 2. |
|
The characteristics of how the crossfader affects the audio signal are determined by its corresponding contour control [48] and the reverse switch [49].
The crossfader is a
the lifetime of the d.2 Pro with no degradation in quality.
You can adjust the tension of the fader movement to your specific taste, by following these steps:
1.Turn off the AC power, and remove the power cord from the mixer.
2.Move the crossfader all the way to the left.
3.Remove the fader cap (knob) by grasping it firmly and pulling straight up.
4.Use a small
Rotate the screw clockwise to tighten the ten- sion, and rotate the screw
5.Replace the fader cap, and you’re all done.
PGM 2
|
| TRANSFORM |
MAIN | (CENTER =MUTE) | |
| ||
L | R |
|
| OL | OL |
| 15 | 15 |
| 10 | 10 |
| 6 | 6 |
| 3 | 3 |
| 0 | 0 |
| 2 | 2 |
| 4 | 4 |
| 7 | 7 |
| 10 | 10 |
| 20 | 20 |
| 30 | 30 |
REVERSE | REVERSE |
B
16 | d.2 Pro DJ Production Console |