Control Section

32. MAIN LEVEL

This knob adjusts the main output level at the main out XLRs [9] (and to the RCA main outs

[11]when the live/re- cord switch [12] is out). (Remember, when the live record switch is pushed in, the RCA main outs are not affected by the main level control.)

33. BOOTH LEVEL

This knob adjusts the output level at the booth outputs [8].

MIC

OL

SIG 48V

OFF

+3 +50ON LEVEL

EQ

U

HIGH

-15 +15

U

MID

-15 +15

U

LOW

-15 +15

ON

PAN

L R

PGM 1

PGM 2

CONTROL

 

U

SOURCE

SOURCE

U

MAIN

 

 

 

LINE/

LINE/

 

 

 

 

 

PHONO

PHONO

 

 

 

 

OFF MAX

 

 

OFF MAX

 

OFF MAX

 

LEVEL

CD

CD

LEVEL

 

LEVEL

 

 

EQ

EQ

 

BOOTH

 

 

HIGH

 

 

HIGH

STEREO

OFF MAX

 

 

 

 

 

MONO

 

 

 

 

 

LEVEL

 

 

 

 

 

 

 

KILL

+10

KILL

+10

 

 

 

 

 

 

 

FX

 

 

MID

 

 

MID

 

 

 

 

 

 

 

 

OFF MAX

 

KILL

+10

KILL

+10

 

SEND

 

 

 

 

LOW

 

 

LOW

 

OFF MAX

 

 

 

 

 

 

RETURN

 

KILL

+10

KILL

+10

PHONES

 

 

 

 

 

 

 

 

 

 

 

 

PGM

 

 

 

 

 

 

MAIN

 

 

 

FX

FX

 

OFF MAX

 

 

 

 

 

 

 

 

 

 

 

 

LEVEL

 

 

 

 

 

PGM SOURCE

 

 

BAL

BAL

 

1

 

2

 

 

 

 

 

 

 

 

 

 

 

L

R

L

R

 

 

 

Leave it pressed out if the wet return signals come into the FX return jacks [7] from an external processor.

d.2 Pro DJ Production Console

14

34. STEREO/MONO

With this switch up, the booth outputs [8] provide a stereo left and right output of the main mix. Push the switch in to combine the left and right signals to mono if you only have one booth monitor speaker.

35. FX SEND LEVEL

This knob controls the amount of signal being sent to FX send outputs [6]. Adjust this knob to provide an appropriate input signal level to your external effects processor (or whatever you have connected to the FX sends). It ranges from off to +13 dB at maximum.

Note: The FX sends are affected by the transform switches [41], so if you mute a pgm channel with the transform switch, the FX send for that pgm channel is muted as well.

36. FX RETURN LEVEL

This adjusts the signal level coming from your external effects processor via the FX return jacks [7]. Use it to adjust the processed signal going to the main mix bus. It ranges from off to +13 dB at maximum.

37. FIREWIRE FX RETURN

Press this in if the FX return comes from your computer via FireWire. For example, a processed (wet) audio signal to add to the main mix.

d.2 Pro DJ Production Console

38. PHONES LEVEL

This controls the volume of the phones output from off to maximum gain.

Turn it to off before connecting and putting

on headphones. Increase it slowly to a safe

listening level. See headphone jack [50] on page 17.

39. PGM/MAIN

Use this switch to select the source for the headphones signal. When the switch is up (pgm position), the signal is tapped just after the bal control [31] on the pgm channels. You can use the pgm source cross- fader [40] to fade between pgm 1 and pgm 2.

When the switch is down (main position), the signal is tapped from the main mix bus, just before the main level control [32].

40. PGM SOURCE

When the pgm/main switch [39] is up (in the pgm position), you can use this crossfader to listen to pgm 1 and pgm 2 in the headphones. When the crossfader is all the way to the left, pgm 1 is heard in the headphones. When the crossfader is all the way to the right, pgm 2 is heard in the headphones. When the knob is in the center, the headphones get an even mix of pgm 1 and 2.

Note: When the pgm/main switch is down (main posi- tion), this control has no effect on the phones output.