Control Section
32. MAIN LEVEL
This knob adjusts the main output level at the main out XLRs [9] (and to the RCA main outs
[11]when the live/re- cord switch [12] is out). (Remember, when the live record switch is pushed in, the RCA main outs are not affected by the main level control.)
33. BOOTH LEVEL
This knob adjusts the output level at the booth outputs [8].
MIC
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SIG 48V
OFF
+3 +50ON LEVEL
EQ
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MID
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PAN
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PGM 1 | PGM 2 | CONTROL |
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KILL | +10 | KILL | +10 |
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Leave it pressed out if the wet return signals come into the FX return jacks [7] from an external processor.
d.2 Pro DJ Production Console
14
34. STEREO/MONO
With this switch up, the booth outputs [8] provide a stereo left and right output of the main mix. Push the switch in to combine the left and right signals to mono if you only have one booth monitor speaker.
35. FX SEND LEVEL
This knob controls the amount of signal being sent to FX send outputs [6]. Adjust this knob to provide an appropriate input signal level to your external effects processor (or whatever you have connected to the FX sends). It ranges from off to +13 dB at maximum.
Note: The FX sends are affected by the transform switches [41], so if you mute a pgm channel with the transform switch, the FX send for that pgm channel is muted as well.
36. FX RETURN LEVEL
This adjusts the signal level coming from your external effects processor via the FX return jacks [7]. Use it to adjust the processed signal going to the main mix bus. It ranges from off to +13 dB at maximum.
37. FIREWIRE FX RETURN
Press this in if the FX return comes from your computer via FireWire. For example, a processed (wet) audio signal to add to the main mix.
d.2 Pro DJ Production Console
38. PHONES LEVEL
This controls the volume of the phones output from off to maximum gain.
Turn it to off before connecting and putting
on headphones. Increase it slowly to a safe
listening level. See headphone jack [50] on page 17.
39. PGM/MAIN
Use this switch to select the source for the headphones signal. When the switch is up (pgm position), the signal is tapped just after the bal control [31] on the pgm channels. You can use the pgm source cross- fader [40] to fade between pgm 1 and pgm 2.
When the switch is down (main position), the signal is tapped from the main mix bus, just before the main level control [32].
40. PGM SOURCE
When the pgm/main switch [39] is up (in the pgm position), you can use this crossfader to listen to pgm 1 and pgm 2 in the headphones. When the crossfader is all the way to the left, pgm 1 is heard in the headphones. When the crossfader is all the way to the right, pgm 2 is heard in the headphones. When the knob is in the center, the headphones get an even mix of pgm 1 and 2.
Note: When the pgm/main switch is down (main posi- tion), this control has no effect on the phones output.