| 0° | 180° |
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| AUX 1 | PHONO/ | MADRIGAL AUDIO LABORATORIES |
| 4 | 5 |
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| AUX 2 |
| 6 |
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| INPUT | TAPE 2 | TUNER | TAPE 1 |
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| 3 |
| 7 | +1 | +1 | ||||
DEFEAT | MONITOR | TAPE 1 | CD |
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TAPE 2 | DUAL MONAURAL |
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| 2 |
| 8 | +2 | +2 | |||
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| PREAMPLIFIER |
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| Nº 26 |
| 1 | 9 | +3 | +3 | ||
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| OFF | 10 | +4 | +4 | ||
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| INPUT |
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| OUTPUT | +5 | +5 | ||||
RECORD SELECTOR | MONITOR SELECTOR | SELECTOR |
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| LEVEL | BALANCE 1 | BALANCE 2 | |||||
1 | 2 | 4 | 5 | 6 | 7 |
3 | 6 |
Front panel
1RECORD SELECTOR
Selects between the program source (selected via the INPUT SELECTOR), and either of two tape monitor inputs (selected via the
MONITOR SELECTOR).
In the DEFEAT position, the tape outputs are disconnected.
In the INPUT position, the tape outputs are connected while still monitoring the selected source.
In the MONITOR position, the selected tape machine can be monitored without affecting the signal at the tape outputs.
Note: Because of the switching arrangement employed in the Nº26, we recommend that while making a critical recording you don't operate the RECORD SELECTOR switch.
If you wish to monitor the signal from tape, set the RECORD SELECTOR to MONITOR and use your tape machine's monitor switch to switch between input and tape.
20° /180°
In the 0° position, the signal at the main outputs is in phase with the input signal. In the 180° position, the output signal is inverted 180 degrees. This allows you to optimize your system's sonic performance based on recording/mastering processes used for a specific program.
The 0° /180° switch doesn't affect the tape outputs.
3MONITOR SELECTOR
When the RECORD SELECTOR is in the MONITOR position, this selects between the TAPE 1 and TAPE 2 inputs.
4INPUT SELECTOR
Selects one of the six inputs: CD, TUNER, AUX 1, PHONO/AUX 2 (depending on the installed option), TAPE 1, or TAPE 2.
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