FRONT PANEL: Controls & Features (Continued)
GAIN: This control adjusts the predominant gain stage in each channel’s circuit with the function and taper being optimized for each individual channel. Remember that your LONE STAR is really two amplifi ers built onto one chassis, so though each channel looks identical, the GAIN control for each channel comes in a different place and adjusts a different point in that channel’s circuit.
CH 1
FT SW
INPUT | CH 2 | |
CLEAN GAIN | ||
DRIVE |
FT.SWTHICK
NOR MAL
THICKER
In most guitar amplifi ers, and especially in
To simplify the GAIN controls’ role in shaping the overall tone of the sound we will look at it in two ways - 1) alone and 2) in conjunction with the tone controls.
1) By itself the GAIN control has basically three tonal regions -
Low ( 7:00 - 11:00 ) provides the cleanest, least saturated sounds and in this region the sound will be brighter and contain more upper harmonics lending a three dimensional character to the sound.
Middle ( 11:15 - 2:00 ) enhances the saturation and replaces some of the upper harmonics with a richer, warmer quality and a fuller bottom end response. Not yet fully saturated, this region is the easiest place to get a great sound in both channels. This region contains many of the LONE STAR’s best sounds...especially for soloing due to the crucial blend of an expressive attack combined with ample sustain.
High ( 2:15 - 5:00 ) saturates the signal and enhances low and low mid frequencies. While this region provides the maximum satu- ration and therefor sustain, it also compresses and softens the attack characteristics. For this reason we suggest using this higher region of the GAIN control sparingly and only when maximum sustain is needed.
NOTE: Due to the LONE STAR’s extreme gain potential, the highest regions of the GAIN control may possibly push the
If you must for a specifi c part or at very low volumes, back down the TREBLE and PRESENCE controls. The LONE STAR was de- signed to provide amazing gain and tone at less than extreme settings removing the need for you to crank everything all the way up. If you are not able to achieve the sound you want at sensible settings on any or all of the controls, your problem may lie elsewhere in the signal chain, i.e.
2.) GAIN - In conjunction with the Tone Controls - Basically, a simple rule applies...as the Gain is increased the Tone control string has less and less effect on the signal until at 5:00 the signal is so saturated that you are getting mostly Gain and very little Tone. Again, this is the reason we suggest using the GAIN control in its middle region. Here the Tone control string is very active and provides maximum shaping power - allowing you to dial virtually any sound you desire.
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