BIAS ADJUSTMENT:

(Continued) Again, this has some merit .. but it’s still not as good as using tubes that are matched in the fi rst place because compensating for the mis-match causes the push-pull circuit itself to become unbalanced. Two wrongs don’t really make a right.

Some of the other recommended biasing, “methods” — such as -”.. tubes running red hot, increase the bias .. sounds harsh and runs too cool, turn it down ...” are guesswork at best. Luckily, one of the great things about tube amps is that they can usually stand some abuse without causing any real harm ... at least not immediately. But don’t these alterations imply that you are second-guessing the amp designer and that there’s a better set of operating conditions that the designer missed but the tube sellers have discovered?

Now some players may like the sound of their amp altered by tubes with extreme characteristics and with the bias set to help compen- sate. But often it is the mere novelty of change that they’re really responding to and when the amp goes back to the proper original way, we’ve seen them be far happier still!

Because every part in every one of our designs has been meticulously evaluated, compared and stressed over — no matter how seemingly insignifi cant it might be. And with every design we look for a “sweet spot” where all the parameters — including the bias

come together to give the best sonic performance, consistently and reliably. Every part and voltage is important — yet no one complains that these other parameters aren’t available for tinkering.

Consider our patented Simul-Classcircuitry where there are two different bias voltages used for separate pairs of power tubes ...

and changing one voltage also changes the other. Great care goes into getting this just right and we think we’d be asking for trouble

to have it adjustable for the world to play with ... unless you like paying to have your amp messed up. Sorry, I meant to say, “Uh, ...

your amp needed biasing.”

If that doesn’t appeal to you, then merely plug a matched set of MESA tubes into one of our amps and you’re ready for tone. Guar- anteed. You’d be amazed at the number of service calls we fi eld every day that lead to a diagnosis of out-of-tolerance, non-spec tube problems. To think these would be prevented by including a bias adjustment is something of an insult to you and us. If you put the wrong size tires on your car, do you think changing the pressure will make them right?

Please, don’t think this is a blanket indictment of the other guys selling tubes — it isn’t. And their tubes aren’t all bad either. It just doesn’t make sense to pay more of your hard earned cash for tubes that were probably made in the same Russian or Chinese fac- tory and which have the possibility of being outside the performance window we select for your amp. And it pains us to hear the hype and mystique built up around biasing when twenty-fi ve years of evidence affi rms our decision to make bias circuits that “never need adjustment”. How much money and trouble that has saved MESA/Boogie players you couldn’t estimate.

Our rigorously tested and hand selected tubes are available at your nearest MESA/Boogie Pro Center or from us directly. Nobody offers better price, quality or warranty than we do ... so why swerve?

Next time we’ll talk about our part in developing the great Sylvania STR 415 type 6L6 and how we’re on the verge of seeing something fairly close reappear on the market. Remember, we still have some of these super rugged mondo-bottles available for older amps

Boogies only please! Until then, Relax, Breathe and Nourish your soul!

Cheers!

MESA/Boogie Ltd.

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Mesa/Boogie LoneStar Amplifier owner manual Your amp needed biasing

LoneStar Amplifier specifications

The Mesa/Boogie LoneStar Amplifier is a standout choice for guitarists seeking a high-quality, versatile tube amplifier that excels in both clean and overdriven tones. Designed for performers who require reliability and tonal variety, the LoneStar is a blend of vintage warmth and modern performance, making it ideal for various musical genres, from blues to rock to country.

One of the main features of the LoneStar is its dual-channel configuration, allowing players to toggle between pristine clean tones and rich, dynamic overdrives. Each channel offers independent tone controls, including bass, mid, treble, and presence, enabling precise sound shaping. The amplifier also includes a unique "Boost" feature on the overdrive channel, which provides an additional gain stage for solos or dynamic passages.

The LoneStar is powered by a quartet of EL84 power tubes, which deliver a sweet, harmonically rich output. This choice of tubes contributes to the amp's tonal character; the EL84s are known for their smooth breakup and dynamic response. Additionally, the amplifier can operate in either 30-watt or 15-watt modes, offering flexibility for both stage and studio environments.

A hallmark characteristic of the LoneStar is its use of the "CabClone" technology, which gives players the ability to silently record or practice by sending a speaker-emulated signal directly to a mixing console or recording interface. This innovation means you can achieve high-quality recordings without the need for a mic'd cabinet.

The amplifier also features a rugged design, with a sturdy chassis and durable tolex covering, ensuring it withstands the rigors of touring. Its aesthetic appeal, paired with its functional controls and footswitch capabilities, makes it a favorite among professional musicians.

With its distinctive tone, versatility, and advanced features, the Mesa/Boogie LoneStar Amplifier has established itself as a modern classic in the amplification world. Whether you are seeking lush clean sounds, soaring leads, or earthy mid-range overdrive, the LoneStar provides all the tools you need to shape your signature sound effectively. For players who appreciate quality craftsmanship and performance, this amplifier is an investment that pays dividends in tonal richness and reliability.