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Mesa/Boogie pmn Factory Sample Settings, Combo Version Shown, Sparkling Clean, Gain, Treble, Bass

Models: pmn

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FACTORY SAMPLE SETTINGS

FACTORY SAMPLE SETTINGS

COMBO VERSION SHOWN

	SAMPLE 1	Sparkling Clean
	CLEAN
							CH1
	PUSHED	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
	RAW	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
	RAW	V
	INPUT	I					OUTPUT
		N					OUTPUT
		T
		A					CH2
	MODERN	G					CH2
	MODERN	E

SAMPLE 2 Pushed Bluesy Rhythm / Solo: Both Channels

CLEAN

CH1

PUSHED	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
RAW	V
INPUT	I
	N						OUTPUT
	T					CH2	OUTPUT
	A					CH2
	G
MODERN	E

SAMPLE 3 Blues Lead: Both Channels

CLEAN

							CH1
	PUSHED	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
	RAW	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
	RAW	V
	INPUT	I
		N					OUTPUT
		T					OUTPUT
		A					CH2
		G					CH2
	MODERN	E

SAMPLE 4 High Gain Lead / Crunch: Both Channels

CLEAN

							CH1
	PUSHED	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
	RAW	GAIN	TREBLE	MID	BASS	PRESENCE	MASTER
	RAW	V
	INPUT	I
		N
		T					OUTPUT
		A					CH2
		G					CH2
	MODERN	E
	MODERN

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Mesa/Boogie pmn Factory Sample Settings, Combo Version Shown, Sparkling Clean, SAMPLE 3 Blues Lead Both Channels, Gain

Contents

MESA BOOGIE SeriesHello from the Tone Farm TABLE OF CONTENTS REAR PANEL CONTROLS, SWITCHES & JACKSCONTROLS SeriesREAD AND FOLLOW INSTRUCTIONS OF PROPER USAGE PRECAUTIONS & WARNINGSSeries OVERVIEWOperating Instructions SERIESFRONT PANEL INSTANT GRATIFICATION Demo Setting #1INSTANT GRATIFICATION Demo Setting #2 CHANNEL 2 / Modes CHANNEL / MODE SELECTCHANNEL CONTROLS CHANNEL / MODE SELECT ContinuedMODERN Gain all the way upPAGE CONTROLS Continuedhigher than that of Channel CONTROLS Continued5. The EFFECTS MIX Control must be set to 90% CONTROLS Continuedpresent CONTROLS Continuedand used on some of the best recordings to date REAR PANELand go to other amps for their wet sound BIAS SELECT Continued REAR PANEL: ContinuedFUSE STANDBY switch to the ON positionREAR PANEL Continued FACTORY SAMPLE SETTIINGS SAMPLE 1 Sparkling CleanHEAD VERSIION SHOWN SAMPLE 3 Blues Lead Both ChannelsCOMBO VERSION SHOWN FACTORY SAMPLE SETTINGSSAMPLE Sparkling CleanHEAD VERSION SHOWN PERSONAL SETTINGS PAGESOUND SOUNDPERSONAL SETTINGS PAGE COMBO VERSION SHOWNSOUND SOUND12AX7 V4A= FX Send V4B=FX Return V5=A Phase Inverter6L6 6L6 V5 A BPOSITIVE = SPEAKER IMPEDANCE MATCHING & HOOK-UPGUIDENEGATIVE = Speaker A = 8 OhmsSpeaker B 8 Ohms Speaker A 8 OhmsNEGATIVE POSITIVE Total Load = 4 Ohms POSITIVE NEGATIVE8 Ohm Cabinet SAFE MISMATCH16 Ohm Cabinet WIRING SCHEMES...Amplifier to Speaker CabinetsCORRECT MATCH 8 OhmCORRECT MATCH8 Ohm WIRING SCHEMES...Amplifier to Speaker Cabinets16 Ohm 16 OhmSAFE MISMATCH 16 OhmWIRING SCHEMES...Amplifier to Speaker Cabinets 8 OhmPage Because your ampliﬁ er is an all tube design, it is quite possible that you will at some point experience minor pre-amptube noise. Rest assured - this is no cause for alarm and you can take care of the problem yourself in a matter of minutes by simply swapping tubes Here’s a question we often hear Continued control grids. Voltage and current are NOT the same. Current is the AMOUNT of electricity, the “quantity” - and is measured in amperes. Voltage is the degree of electric charge - like the “pressure” to use the old water analogy. Let me illustrate how different voltage and current are Page ON TRIODES, PENTODES & IRISHMEN PENTODES Occasionally though, bar doors - even the louvered type - were found to be too effective, and too many customers turned away. Something further was needed to increase the attraction of the bar and overcome the resistance created by the door. Thus the cocktail waitress was invented PENTODES Continued A feature article by Randall SmithDesigner / President ONLY REVERB RECT-O-VERBALL CONTROL KNOBS Pt # FRONT VIEW HEAD VERSIONPage Page 1317 Ross Street Petaluma, CA USA The Spirit of Art in TechnologyPhone 707 778-6565Fax 09/18/06