CONTROLS: (Continued)
MASTER: This control is the master feed from the end of the
see each Channel is fi tted with its own MASTER Control, enabling the two channels relative volumes to be matched regardless of their extremely different sound styles and gain signatures. The MASTER Control makes possible a wide range of sounds through its ability to use very low Gain sounds at high volumes and conversely, high Gain sounds at low volumes
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| and everywhere between. |
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| Again, we suggest using the MASTER Control in its sensible ranges ( 9:00 - 2:00 ). Here, the channels will |
MASTER | PRESENCE | be easier to match with each other and the Effects Loop will see more reasonable signal levels. |
HEAD VERSION
NOTE: Because the MASTER Control creates the send to the Effects Loop, extreme settings will cause a large signal to be sent to the Loop for that Channel. Not only may this cause possible overloading of the processors Input stage, but will make balancing the two channels’ Effect Send level diffi cult.
OUTPUT: This control determines the overall output volume level of the amplifi er. After the GAIN Controls have been set for the desired sound style and the two channels levels have been balanced with the channel MASTER Controls, the OUTPUT Control allows you to change the playing level by adjusting a single control. The OUTPUT Control is also wired as the Effects Loop Return Level Control. Should you ever use your
the OUTPUT Control will serve as the master level control.
HEAD VERSION
NOTE: When using the EFFECTS RETURN as an input - to use the
SOLO | OUTPUT | NOTE: The Effects Loop RETURN jack can serve as a power amp input so that you may use the |
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50amplifi er as a power amp for either stereo reproduction or to incorporate additional
1.) Connect “Dummy” plug or loose cable to SEND jack. ( This prevents any possible loading that could result in diminished RETURN sensitivity.)
2.) The OUTPUT Level will be the only active control on the Front Panel (the PRESENCE Control of Channel 1 will be active only when that channel is engaged - see #3 )
3.) The SOLO Control may be used to footswitch to a
4.) Channel 2’s MODERN mode - as part of its voicing - utilizes substantially less negative feedback in the power stage creating a scenario of greatly increased power sensitivity. This internal revoicing produces amazing results in the lead sounds and requires a sophisticated network of elements to switch to prevent the increased power sensitivity from blowing you out of the room as Channel 2’s RAW & MODERN modes are toggled between.
Therefor, we recommend selecting Channel 1 when you wish to use the
5.) The EFFECTS MIX Control must be set to 90%.
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