BIAS ADJUSTMENT: (Part of a continuing series)

An Article written by Randall Smith that we thought you might fi nd interesting.

Here’s a question we often hear:

“Why doesn’t Mesa put bias adjustments in their amplifi ers?”

 

 

 

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Well, there’s a short answer and a long answer to this question.

The short answer is that during my 12 years of repairing Fenders, one of the most frequent problems I saw was bias controls that were either set wrong or that had wandered out of adjustment due to vibration. As any honest tech will tell you, there’s lot’s of easy money to be made by sprinkling “holy water” on amplifi ers ... uh, what I meant to say is “Your amp needed biasing.” See what I mean? What customer is going to argue with that?

It only takes a moment and a volt meter: The Fender diagram shows how: “Adjust this trim pot for - 52 volts.” That’s it. Nothing

more.

Now don’t be fooled into thinking that tubes “draw” more or less bias, they don’t. The way a bias supply is connected to a tube is akin to a dead end road, it just trails off to nowhere without really completing a circuit. It’s a static voltage and regardless of what tube is in the socket — or even if the tubes aren’t plugged in at all, it doesn’t change the bias voltage a bit.

So the end of the short answer is this: Since a bias supply needs to put out the right voltage and never vary, I wanted to build amplifi ers that were individually hard wired to the correct values and NEVER needed adjustment. And for 25 years, that’s how MESA/Boogies have been built.

Time to change tubes? Just plug our tubes into any one of our amps and you’re DONE. No tech needed. NO bills and no BS about biasing. And most important: The bias is RIGHT because it can’t change!

Now, you want the long answer? Here’s more information on how our hard-wired bias avoids trouble. Please read on.

But fi rst, let’s make an important distinction. Our business is designing and building high performance amplifi ers. And for this we need tubes whose variance is within a narrow range. Our warehouse is full of rejects ...oh, they work — they just don’t perform within our tolerance range. We have a very sophisticated computer - based tube testing system (nicknamed “Robotube”) that matches and measures tubes over seven important parameters. It can even predict which tubes are likely to have a shortened lifetime — even though they work perfectly during the test.

Because our business is building quality amps, we can afford to reject a lot of wayward tubes.The guys you hear complaining because Boogies don’t have bias adjusters are primarily in the business of selling tubes - not amps. They don’t want to throw away 30 percent of their inventory, so they promote the idea that tubes outside our parameters can be used to “customize” amplifi ers and they criticize us because our amps can’t be adjusted to accommodate their out-of-MESAtolerance tubes.

Now you might be thinking, “But I thought you just said that tubes don’t “draw” bias, therefore they don’t effect the bias supply and thus it doesn’t need to be adjustable.” When you set the bias (whether it’s by selecting the right resistors, as we do, or adjusting a trimmer

which is quicker) what you are doing is establishing the correct amount of idle CURRENT that fl ows through the power tubes. But you can’t adjust the current directly, you can only change it by adjusting the amount of bias VOLTAGE that goes onto the tubes’

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Mesa/Boogie pmn owner manual More

pmn specifications

Mesa/Boogie has long been at the forefront of amplifier innovation, and the Mesa/Boogie PMN (Powerful Musical Network) is a testament to the brand’s commitment to exceptional sound quality and versatility. The PMN series is designed primarily for guitarists and musicians seeking a blend of power, flexibility, and tone-shaping capabilities.

One of the main features of the PMN series is its robust power output. With variants that can handle 50 to 100 watts, the PMN delivers enough volume for live performances while also providing the opportunity to dial back the wattage for studio use. This flexibility allows musicians to achieve that desirable "cranked" tube amp sound at lower volumes, making it an excellent choice for in-home practice or studio environments.

Another key characteristic of the PMN series is its advanced tone-shaping capabilities. The amplifiers come equipped with multiple channels, each offering distinct tonal characteristics. Musicians can switch from clean, sparkling tones to rich, saturated overdrives with the flick of a switch. The amp's comprehensive EQ controls allow for detailed adjustments, ensuring that players can sculpt their sound precisely to their liking.

Mesa/Boogie is also known for its innovative technologies, and the PMN series incorporates several cutting-edge features. The "Multi Watt" technology provides options for optimizing power and headroom according to the player's preferences and needs. This design allows the amp to operate in different power modes, giving artists the option to tailor their sound further.

Additionally, the PMN series includes the "Graphic EQ" feature which allows players to visualize and manipulate their sound in real-time. This interactive aspect of tone shaping helps musicians develop their own unique sonic signature.

The construction of the PMN series amplifiers also reflects Mesa/Boogie's commitment to quality. Built from durable materials with a focus on reliability, these amplifiers are designed to withstand the rigors of touring and frequent use. The attention to detail in both craftsmanship and electronics guarantees that players will get reliable performance over time.

Overall, the Mesa/Boogie PMN series stands out as a powerful tool for musicians who demand versatility and exceptional sound quality. With its potent output, advanced tone control, and innovative technology, it serves as a valuable asset for players in a variety of musical genres.