SLAVE OUT:

REAR PANEL:

SINGLE RECTIFIER SERIES 2 SOLO HEAD

ALL TUBE AMPLIFIER

HANDMADE IN PETALUMA, CALIF USA

PATENTED 4,211,000 & OTHERS PENDING FOR SOLO, MUTE & LOOP CONFIGURATION

 

 

 

 

FX LOOP

 

SLAVE

SPEAKERS

BIAS SWITCH

FX MIX

RETURN

SEND

EXT. SWITCHING

SOLO CHANNEL

FOOT

CHANNEL 1

 

 

 

 

6L6

EL34

 

 

 

 

 

 

10%

90 %

OUT

4 OHM

4 OHM

8 OHM

CAUTION

 

WARNING: To reduce risk of fire or

(TO EXT. PWR AMP)

 

 

 

SWITCH MUST MATCH

 

electric shock, replace fuse with

 

 

 

 

same type and rating only. Do not

 

 

 

 

TUBES IN USE

 

expose this unit to rain or moisture.

CAUTION: To reduce risk of fire or electric shock, do not remove cover. No user- serviceable parts inside. Refer

servicing to qualified personnel.

 

 

U

E

POWER

FUSE

WARNING:

 

 

F

120 V~

2.5 A

Unplug power

 

 

S

F

before replacing

 

 

50-60 Hz

SLO

fuse or removing

 

 

E U

 

 

 

 

 

 

2.5 A

BLO

bolts mounting

SWITCH

CHANNEL 2

FUSE

chassis.

 

 

 

SET TO CHANNEL 1

TO USE FOOTSWITCH

REAR VIEW - HEAD VERSION

This 1/4” jack provides a signal derived from the speaker jack. Perfect for using the RECT-O 50 as a master pre- amp, or additional power amps may be connected for more power when needed. Some players use this to derive an FX Send Signal

and go to other amps for their wet sound.

SINGLE RECTIFIER SERIES 2

ALL TUBE AMPLIFIER HANDMADE IN PETA

SLAVE SPE

NOTE: Once a signal is taken from the SLAVE, it can not be inserted back into the FX Loop Return jack or a feedback loop will occur. Much like holding a microphone into the PA system’s cabinets...a loud high pitched squeal will occur.

OUT

4 OHM

4 O

(TO EXT. PWR AMP)

SPEAKERS: Sensitivity to speaker mismatching in regards to ohmage differences is low, hence no damage to the amplifi er will occur. However, very low ohmage loads will cause the power tubes to wear faster. The RECT-O 50 (combo only) is equipped with a Celestion Custom 90 single 12 inch - 8 Ohm speaker, but as you can see, other speaker

SINGLE RECTIFIER SERIES 2 SOLO HEAD

confi gurations may be used.

ALL TUBE AMPLIFIER HANDMADE IN PETALUMA, CALIF USA

 

SLAVESPEAKERS

OUT

4 OHM

4 OHM

8 OHM

(TO EXT. PWR AMP)

When using two 8 Ohm speakers, connect each of them to the 4 Ohm speaker jacks that are provided, this will equal a 4 Ohm load which is the proper impedance required when using this particular speaker confi guration.

HEAD VERSION

BIAS SELECT: Your RECT-O 50 amplifi er was designed with versatility in mind. So to add to the already awesome array of on board features...we felt it essential that these new RECT-O 50 Series 2 amplifi ers be able to adapt their power output section to use the other classic pentode power tubes, the British style EL 34. These tubes are largely responsible for the signature sound of many immediately identifi able and wonderful sounding amps created in Great Britain

and used on some of the best recordings to date.

BIAS SWITCH

6L6EL34

CAUTION

SWITCH MUST MATCH

TUBES IN USE

The nature of their sound is usually brighter in the extremely high frequencies...some players fi nd this almost thin at fi rst. However, afi cionados of the EL34 sound know that nothing has the lushness of harmonics or spread like a power amp using EL34’s. In truth EL34’s do focus in on a region of upper harmonics that 6L6’s reproduce, but not really enhance, in the same way the EL34’s do.

This characteristic is sometimes preferred for sounds that range from a soft clip that would be used for

PAGE 9

Page 13
Image 13
Mesa/Boogie pmn owner manual Go to other amps for their wet sound, Used on some of the best recordings to date

pmn specifications

Mesa/Boogie has long been at the forefront of amplifier innovation, and the Mesa/Boogie PMN (Powerful Musical Network) is a testament to the brand’s commitment to exceptional sound quality and versatility. The PMN series is designed primarily for guitarists and musicians seeking a blend of power, flexibility, and tone-shaping capabilities.

One of the main features of the PMN series is its robust power output. With variants that can handle 50 to 100 watts, the PMN delivers enough volume for live performances while also providing the opportunity to dial back the wattage for studio use. This flexibility allows musicians to achieve that desirable "cranked" tube amp sound at lower volumes, making it an excellent choice for in-home practice or studio environments.

Another key characteristic of the PMN series is its advanced tone-shaping capabilities. The amplifiers come equipped with multiple channels, each offering distinct tonal characteristics. Musicians can switch from clean, sparkling tones to rich, saturated overdrives with the flick of a switch. The amp's comprehensive EQ controls allow for detailed adjustments, ensuring that players can sculpt their sound precisely to their liking.

Mesa/Boogie is also known for its innovative technologies, and the PMN series incorporates several cutting-edge features. The "Multi Watt" technology provides options for optimizing power and headroom according to the player's preferences and needs. This design allows the amp to operate in different power modes, giving artists the option to tailor their sound further.

Additionally, the PMN series includes the "Graphic EQ" feature which allows players to visualize and manipulate their sound in real-time. This interactive aspect of tone shaping helps musicians develop their own unique sonic signature.

The construction of the PMN series amplifiers also reflects Mesa/Boogie's commitment to quality. Built from durable materials with a focus on reliability, these amplifiers are designed to withstand the rigors of touring and frequent use. The attention to detail in both craftsmanship and electronics guarantees that players will get reliable performance over time.

Overall, the Mesa/Boogie PMN series stands out as a powerful tool for musicians who demand versatility and exceptional sound quality. With its potent output, advanced tone control, and innovative technology, it serves as a valuable asset for players in a variety of musical genres.