SYSTEM FEATURES

•Available on selected frequencies in the VHF high band

(171-216 MHz) for interference-free, long-range performance

•Proprietary companding circuitry for an industry-best 120dB Dynamic Range, and the clearest, most natural sound available

•Operating Range: Up to 250 feet typical (depending on site conditions) – up to 500+ feet line-of-sight

•Noise-free transmitter ON-OFF operation

•Rugged, foam-padded traveling case provides easy, safe transport and storage

ENCORE I RECEIVER

•Half-rack receiver design with retractable front panel antenna

•RF and AF 5-LED displays for monitoring incoming signal strength and audio level

•Balanced XLR and unbalanced adjustable 1/4" jack outputs

•Mute (squelch) adjust control

•Externally powered by AC/DC power adapter

•Unique snap-out panel locking tabs for single receiver or dual receiver (side-by-side) optional rack mounting

WHT-15 HANDHELD MIC TRANSMITTER

•Features the Nady DM-10D unidirectional neodymium dynamic cartridge for optimum true sound, maximum feedback rejection and minimal handling noise

•OFF/STANDBY/ON switch allows convenient audio muting with the transmitter "ON"

•Low battery LED indicator flashes once for unit "ON"; lights steady for low battery alert

•Rubber, "easy-mount" mic clip included

WGT-15 & WLT-15 BODYPACK TRANSMITTERS

•Choice of instrument (WGT-15) or headworn/lavalier microphone (WLT-15) bodypack transmitter

•OFF/STANDBY/ON switch allows convenient audio muting with the transmitter "ON"

•Low battery LED indicator flashes once for unit "ON"; lights steady for low battery alert

•Locking 3.5mm mini-jack provides secure connection for removable micro phone or instrument cable

•Easily accessible input level adjust control for optimum sound

LINK 2™ PLUG-IN TRANSMITTER

•Plug-in transmitter converts your favorite XLR handheld or lavalier micro phone to wireless instantly

•Rugged construction and positive locking connector for reliable performance

•Selectable phantom power and LO/HI audio input level

•Optional leatherette pouch with clip available for use as bodypack

ENCORE I RECEIVER

1. Rackmounting the Receiver

There are 2 options available for rackmounting the Encore I receiver: singly or side- by-side with another Encore Series receiver.

a.Single mounting: Remove the receiver SIDE MOUNT CLIP (1) from each side of the receiver (as shown) and slide in the optional ERM-12 RACK EARS (9).

b.Side-by-side double mounting: After removing the SIDE MOUNT CLIPS (1) from both Encore receivers, join the two receivers with the EJC-2 JOINING CLIP (10) and attach the ERM-22 RACK EARS (12) as shown. (Note: Do not mount the receiver in a rack directly above an amplifier or other source of high heat – this could degrade the performance of the Encore I. Always ensure adequate airflow and heat dissipation in any rack configuration.)

2.Powering the Receiver

Plug the 12V AC/DC ADAPTER (15) provided into the DC INPUT JACK (11) on the back of the receiver. Then plug the power supply into an AC outlet. (Note: Any 12V DC source with 400mA capability can also be used.) Press the POWER SWITCH (8) once to turn on the receiver. The POWER ON LED (7) will now light and the receiver is operational.

3. Antenna

The Encore I receiver is supplied with a TELESCOPIC ANTENNA (16). This should be extended fully to obtain maximum range. Optimal antenna position is vertical. For maximum range, it is always best to maintain a line of sight (no obstructions) between the receiver antenna and the transmitter at all times whenever possible.

4. Mute (Squelch) Adjustment

In normal operation, the MUTE CONTROL (2) should be set fully counterclockwise to the factory preset minimum RF level. However, in areas of high RF activity, the mute (or squelch, as it is sometimes called) may need to be adjusted to compensate for the adverse conditions in a particular location. If, with the transmitter off, one or more LEDs of the 5 LED RF LEVEL DISPLAY (4) flicker or stay on, the squelch control should be turned clockwise until the LEDs extinguish. When the squelch is properly adjusted, the RF LEVEL LED displays will only light when the system transmitter is turned on. Turning the squelch control too far clockwise will reduce the range, but yield a quieter mute (squelch) function. When the 5 LED RF LEVEL display extinguishes, the transmit- ter is out of range for that given location, and the user should move closer to the receiver to re-establish the radio link.

 

 

 

 

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Nady Systems manual System Features, Encore I Receiver
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Encore I specifications

The Nady Systems Encore I represents a significant advancement in wireless microphone technology, delivering clarity and reliability to both performers and presenters. Designed with versatility in mind, the Encore I is suitable for a wide range of applications, including live performances, conferences, and educational settings.

One of the main features of the Encore I is its UHF (Ultra High Frequency) operation. With a frequency range that typically spans from 600 to 700 MHz, it provides better sound quality and reduced interference compared to VHF systems. The UHF transmission allows for a broader selection of channels, making it easier for users to find a clear frequency in crowded environments, which is a common challenge in today’s wireless landscape.

The Encore I also boasts a simple yet effective automatic frequency scanning feature. This technology scans the available frequencies and selects the best one to minimize dropouts and interference. This ensures that the user can focus on their performance without worrying about technical difficulties. The system supports multiple channels, allowing for multi-channel setups with multiple performers.

Another standout characteristic of the Encore I is its rugged build quality. Designed for the rigors of frequent use, the microphone and receiver are constructed to withstand the demands of touring musicians and event hosts alike. The handheld microphone features a high-quality dynamic capsule that captures sound accurately while minimizing feedback and handling noise.

The Encore I also includes an integrated LED indicator for battery status, providing real-time notifications to users about power levels. This preventative measure is crucial for performances, allowing artists to replace or recharge batteries before they run out.

Furthermore, the system offers a range of up to 300 feet in open spaces, providing freedom of movement, which is essential for dynamic performances. The compact and lightweight receiver can be easily mounted or placed on a tabletop, facilitating quick setups in various environments.

Overall, the Nady Systems Encore I stands out due to its robust features, user-friendly operation, and reliable performance. Whether for live stage applications or intimate gatherings, this wireless microphone system delivers exceptional audio fidelity and ease of use, making it an excellent choice for anyone in need of quality sound reinforcement.
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