<Front Panel Center Section>

PREROLL button

This is used for feeding and cueing the tape for manual editing. When it is pressed, the tape travels to the preroll point where it stops. The preroll time can be set on the setup menu No. 000 (P-ROLL TIME).

When this button is pressed together with the IN or OUT button, the tape can be cued to the IN or OUT point entered.

When the AUTO ENTRY on the setup menu No. 313 is set to “ENA”, IN point has been entered at the point where the PREROLL button is pressed even if the IN point has not been entered.

AUTO EDIT button

Automatic editing is executed when this is pressed after an edit point has been entered. When the AUTO EDIT button is pressed though the IN point has not been entered, automatic editing is executed using the point at which the button was pressed as the IN point.

PREVIEW/REVIEW buttons

PREVIEW: When this is pressed after an edit point has been entered, the tape travels, editing is not performed, and the preview can be activated on the screen connected to the recorder.

If it is pressed when the IN point has not been entered, the point at which the button was pressed is entered as the IN point, and preview is executed accordingly.

REVIEW: If this is pressed after a block has been edited, the now edited block can be played back and monitored on the screen connected to the recorder.

IN (A IN)/SET/OUT (A OUT) buttons

When IN (A IN) or OUT (A OUT) button is pressed together with the SET button, the IN (A IN) or OUT (A OUT) point is entered.

A IN and A OUT are used during audio split editing to enter an audio IN or OUT point that differs from the video In or OUT point.

While an IN (A IN) or OUT (A OUT) point is selected, the IN (A IN) or OUT (A OUT) button corresponding to the point entered lights. When this button is pressed after a point has been entered, the IN (A IN) /OUT (A OUT) point value appears on the counter display. When the IN (A IN) or OUT (A OUT) button is pressed together with the RESET button, the IN (A IN) or OUT (A OUT) point is cleared.

TRIM buttons

These buttons are used to trim IN or OUT point finely.

When the “+” or “-”button is pressed while the IN or OUT button is held down, the entered edit point can be trimmed in 1-frame increments. When the “+” button is pressed, the tape is advanced by one frame; when the “-” button is pressed, it is rewound by one frame.

ASSEMBLE button

This is pressed for assemble editing.

The button is self-illuminating, and it is set ON (lamp lights) when it is pressed once and OFF (lamp goes off) when it is pressed again.

INSERT buttons

Press one of these five buttons to select the input signals to be edited during insert editing. The buttons are self-illuminating, and they are set ON (lamp lights) when they are pressed once and OFF (lamp goes off) when they are pressed again.

Counter display

This displays the TC and CTL count values, on-screen information and other messages.

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Panasonic AJ-PD950 Preroll button, Auto Edit button, PREVIEW/REVIEW buttons, A IN/SET/OUT a OUT buttons, Trim buttons
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AJ-PD950, AJ-D950 specifications

The Panasonic AJ-D950 and AJ-PD950 are professional digital video recorders that have earned a reputable position in the broadcast and production industries. These versatile devices combine advanced digital technology with user-friendly features, making them suitable for a wide range of applications, from live event coverage to high-end video production.

One of the notable features of the AJ-D950 is its ability to record in both DV and DVCPRO formats. This flexibility allows users to choose the best format for their specific needs, whether they require a higher-quality broadcast standard or a more compressed format for storage efficiency. The device supports both standard definition and high definition, providing broadcasters with the versatility to adapt to changing production demands.

The AJ-PD950 complements its predecessor with additional features tailored for enhanced usability and performance. Equipped with a powerful 25 Mbps data rate in DVCPRO mode, it ensures high-quality video output while maintaining manageable file sizes. The unit's dual-speed playback capabilities allow for real-time viewing and slow-motion playback, enabling editors to capture precise moments during post-production.

Both models feature an intuitive interface with a well-organized control layout, allowing for easy navigation through menus and settings. The LCD display offers clear visibility of vital operational information, including recording time, tape status, and battery life. Additionally, the presence of built-in speakers ensures that audio channels can be monitored without the need for external equipment.

Connectivity options are plentiful with the AJ-D950 and AJ-PD950, as they come equipped with various inputs and outputs, including SDI, HDMI, and analog connections. This wide range of interfaces facilitates integration with other production equipment, enhancing workflow and efficiency in the studio or on location.

The compact and rugged design of both models makes them ideal for field use. Their lightweight build allows for easy transport, while the robust housing provides protection against the rigors of on-location shoots. The long battery life further ensures that these recorders can operate for extended periods, accommodating even the most demanding production schedules.

In conclusion, the Panasonic AJ-D950 and AJ-PD950 are sophisticated yet user-friendly digital video recorders that offer exceptional performance and flexibility. Their advanced recording capabilities, ease of use, and extensive connectivity options make them valuable tools for professionals in the ever-evolving world of video production. Whether for broadcast, event coverage, or creative projects, these recorders stand out as reliable choices in the market.
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