<Front Panel Center Section>

REC INHIBIT lamp

This lights when the REC INHIBIT switch in the front panel bottom section is at ON or when the accidental erasure prevention mode has been set for the cassette.

In this state, neither recording nor editing is possible.

STAND BY button

When this is pressed, the same tension as in the regular stop mode is applied to the tape, and while the head drum continues to rotate, the button’s lamp lights to indicate that the standby ON mode is established.

In the standby OFF mode, the half-loading mode is established.

When this button is pressed in the stop mode, the standby OFF mode is established, the half-loading mode is established. The lamp in the button now goes off. When the unit remains in the stop mode for longer than a predetermined period, the standby OFF mode is automatically established in order to protect the tape.

When this button or the STOP button is pressed in the standby OFF mode, the standby ON mode is established.

When a button other than the STOP button is pressed, the mode corresponding to the button pressed is established.

On-screen settings are available for the transfer time to the standby OFF mode.

PLAYER/RECORDER buttons

These buttons are operated when editing operations are conducted using the unit as the recorder and a VTR equipped with an RS-422A serial interface remote control connector (9 pins). Neither button functions when the unit is used on its own.

PLAYER button: When this button is pressed, its lamp lights, and the player connected to the unit can be operated by remote control. The unit’s editing and tape transport buttons now control the player’s functions.

RECORDER button: When this button is pressed, its lamp lights, and the editing and tape transport buttons control the recorder’s (= the unit’s) functions.

Both lamps light, and the recorder functions as the master unit for Parallel Run operations if the PLAYER or RECORDER button is pressed while “ENA” has been selected for setup menu No. 200 (PARA RUN). [However, external control can no longer be exercised from the REMOTE connector (9-pin) when this setting has been made.]

TC/CTL switch

By pressing this switch, what appears on the counter display is changed between TC and CTL.

When TC is selected, either the TC or UB value is displayed depending on the position selected by the TC/UB switch.

TC/UB switch

This selector switch determines whether the value of TC or UB appears on the counter display when the TC/CTL switch has been set to TC.

INT/EXT switch

INT: For using the built-in time code generator.

EXT: For using the time external code which is input from the time code input connector or the video signal VITC. The selection is set at the setup menu No. 505 (EXT TC SEL).

TAPE/EE switch <In the stop mode>

TAPE: For outputting the signals played back from the tape.

EE:For outputting the input signals selected by the INPUT SELECT switch.

<ln the editing*/recording mode>

TAPE: For outputting the simultaneous playback signals.

EE:For outputting the input signals selected by the INPUT SELECT switch.

*The SETUP menu No. 310 (CONFI EDIT) setting is required.

- 9 -

Page 8 Page 10
Page 9
Image 9
Panasonic AJ-PD950 REC Inhibit lamp, Stand by button, PLAYER/RECORDER buttons, TC/CTL switch, TC/UB switch, INT/EXT switch
Page 8 Page 10

AJ-PD950, AJ-D950 specifications

The Panasonic AJ-D950 and AJ-PD950 are professional digital video recorders that have earned a reputable position in the broadcast and production industries. These versatile devices combine advanced digital technology with user-friendly features, making them suitable for a wide range of applications, from live event coverage to high-end video production.

One of the notable features of the AJ-D950 is its ability to record in both DV and DVCPRO formats. This flexibility allows users to choose the best format for their specific needs, whether they require a higher-quality broadcast standard or a more compressed format for storage efficiency. The device supports both standard definition and high definition, providing broadcasters with the versatility to adapt to changing production demands.

The AJ-PD950 complements its predecessor with additional features tailored for enhanced usability and performance. Equipped with a powerful 25 Mbps data rate in DVCPRO mode, it ensures high-quality video output while maintaining manageable file sizes. The unit's dual-speed playback capabilities allow for real-time viewing and slow-motion playback, enabling editors to capture precise moments during post-production.

Both models feature an intuitive interface with a well-organized control layout, allowing for easy navigation through menus and settings. The LCD display offers clear visibility of vital operational information, including recording time, tape status, and battery life. Additionally, the presence of built-in speakers ensures that audio channels can be monitored without the need for external equipment.

Connectivity options are plentiful with the AJ-D950 and AJ-PD950, as they come equipped with various inputs and outputs, including SDI, HDMI, and analog connections. This wide range of interfaces facilitates integration with other production equipment, enhancing workflow and efficiency in the studio or on location.

The compact and rugged design of both models makes them ideal for field use. Their lightweight build allows for easy transport, while the robust housing provides protection against the rigors of on-location shoots. The long battery life further ensures that these recorders can operate for extended periods, accommodating even the most demanding production schedules.

In conclusion, the Panasonic AJ-D950 and AJ-PD950 are sophisticated yet user-friendly digital video recorders that offer exceptional performance and flexibility. Their advanced recording capabilities, ease of use, and extensive connectivity options make them valuable tools for professionals in the ever-evolving world of video production. Whether for broadcast, event coverage, or creative projects, these recorders stand out as reliable choices in the market.
Top Page Image Contents